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New Arrivals

Throat Mask
The self-titled debut from Throat Mask collects four improvisations from the duo that are built around random processes and hover constantly between collapse and coalescence. The recording sees Nathan Gray attempt to guide his unruly stack of sputtering and chiming digital automations while T. Kowalski responds with fm, digital and analog synthesis and sparsely gestural midi drums.Side A keeps returning to Gray’s voice, occasionally it’s recognisable but more often it’s faltering or shredded by …
Ssanie W Trabieniu Na Smykalce Do Ciaglego Oddawania
Ssanie w trąbieniu na smykałce do ciągłego oddawania (Sucking in a Honking with Gumption for The Constant Giving Back) is the audiobook version of enigmatic Polish author and poet Andrzej Szpindler’s novel of the same name. Read relentlessly by the author over the course of more than 160 minutes in the high-speed style of the disclaimers that can be heard at the end of pharmaceutical and political advertising, Ssanie is set to the author’s own music (of a sort). Szpindler processes his voice, ho…
Wwdruja nuk Nieuzywaja / They wander, don't use the feet
* Edition of 80 * Wędrowiec is a relatively recent project from Poland, channeling forward thinking sonic experimentation through the lens of minimalism and traditional ritual folk music from central Poland. Featuring members of Ksiezyc, Bractwo Ubogich, Kapela Domu Tanca, Kolowrót and Pies Szczeka (Agata Harz, Emili Herda, Piotr Herda, and Remek Hanaj), Wędrują nuk Nieuzywają / They Wander, Don't Use the Feet delves deep into a mysterious world, is built from a sonic pallet of haunting vocals, …
Terra
* Limited to 500 copies on 180 gram vinyl with OBI strip. Contains insert booklet with Gelson Oliveira interview transcription. * Debut album by the influential gaucho musician Gelson Oliveira, in partnership with the  drummer Luiz Ewerling, released independently in 1983, with minimal resources. In spite of all this, they made a unique and very album, with a spectacular musicality, a mix of sounds, ranging from jazz, funk and fusion. Official reissue from original mastertapes. Drums – Luiz Ewer…
Feuilleton In Jazz
Symphonic Jazz at its finest and a rare musical find from post-war Berlin. Unknown performances of the orchestra under the direction of Werner Müller, recorded April 1960 and September 1961. Excellent crossover of Westcoast, Hard Bop, Modern Classical, and Blues. Most of the tracks composed exclusively for the occasion, such as “Blues In Studio 7” (Helmut Brandt), “Ouverture in Jazz” (Klaus Wüsthoff) and “Feuilleton in Jazz” (Peter Sandloff). Another exciting new chapter of Progressive Jazz in G…
Take A Look Outside
This is the fourth, and until now, unreleased album by Kapingbdi, a six-piece band from West Africa, which billed itself as “African Jazz-Funk-Rock from Liberia”. It is a skilful mix of African and Western elements, with a spiritual heart and dynamic grooves. In January 1985 and shortly before the group disbanded, they recorded nine tracks for an aborted LP project at Masterpiece studio in Detroit, U.S.A. In 2019 the music was carefully remastered from the original 24-track master tape. For Kapi…
Born In The Night
Kapingbdi came together in Liberia, West Africa, during the late 1970’s and had their own unique style. This six to seven-piece band played original compositions in a vibrant mix of African Rhythms, Soul, Spiritual Jazz, Funk and Rock. Led by Kojo Samuels on sax, flute and vocals “Born in The Night” presents the essential tracks from their rare studio LPs produced between 1978-1981, carefully remastered in 2019 for vinyl LP and a 6-Page Digipack CD, which includes two additional recordings. Kapi…
Saxophone Solos
Reissue Evan Parker's first solo LP Saxophone Solos. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicians' Co-operative, Parker's densely woven and often cyclical style has yet to form; instead throaty murmurs appear under rough-hewn whistles and calls -- the wildly energetic beginnings of an extraordinary career. Reissued with liner notes from Seymour Wright in an edition of 500. "The four pieces across the two sides of Sa…
Notes (8 pieces) Source a New World Music: Creative Music
* In process of stocking * This book was published by Corbett vs. Dempsey and The Renaissance Society at the University of Chicago on the occasion of the exhibition: Wadada Leo Smith, Ankhrasmation: The Language Scores, 1967-2015; October 11 - October 29, 2015. A facsimile of Smith's landmark treatise first published in 1973 in an edition of 200 copies, with two additional chapters of recent vintage and an afterword by John Corbett. Design by Wadada Leo Smith (original publication), Sonnenzimmer…
Paintings and Objects
Catalog for an exhibition held at Corbett vs. Dempsey, October 26 - November 30, 2007. Includes an essay by John Corbett. Design by Kathi Beste. Artist and musician Peter Brötzmann is best known as one of the preeminent figures in contemporary improvised music. He was trained as a visual artist in his hometown of Wuppertal, Germany, in the late 1950s, and his early musical career as a saxophonist and clarinetist was paralleled by his first art exhibitions in Holland and Germany. Brötzmann assist…
A Listener's Guide to Free Improvisation
* In process of stocking * Improvisation rattles some listeners. Maybe they’re even suspicious of it. John Coltrane’s saxophonic flights of fancy, Jimi Hendrix’s feedback drenched guitar solos, Ravi Shankar’s sitar extrapolations—all these sounds seem like so much noodling or jamming, indulgent self-expression. “Just”improvising, as is sometimes said. For these music fans, it seems natural that music is meant to be composed. In the first book of its kind, John Corbett’s "A Listener’s Guide to Fr…
The Suncrows Fall and Tree
* Edition of 75 * Originally released on CD in 2006 on Sedimental 'The Suncrows Fall And Tree' pushed Stefano Pilia to the forefront of the European experimental avant garde scene showcasing his incredible knack for creating beautiful soundscapes, blissful ambience and electroacoustic compositions that speak to the heart. His sound can aptly be defined ‘ecstatic', in the purest sense of the term, as a result of the exploration of these points of focus, through multi-instrumental practice and inv…
Kivikkat, The Greenland Experience
**100 copies, signed (by Hartmut Geerken) & numbered** Nuuk in the evening. The audience sits at round tables and drinks juices or beer. Kresten Osgood goes to the piano and immediately has the full attention. Hartmut Geerken with anklung, Tibetan short tube, Nubian Argool, Byzantine bells, waterphone and roll piano and the "Snoeleopard" on the electric guitar and various s.e. wind, percussion and string instruments, some of them self-made, answer, accompany, comment, and set new accents. The gr…
Labyrinth – Four Times Through the labyrinth
* 2021 Stock. English version * Transcript of four lectures given in Leipzig in 2010 regarding an installation Olaf Nicolai made in Paris back in 1998. This publication revolves around the theme of the labyrinth and its various manifestations and associations—from the Minotaur to geographical maps and Ikea's assembly instructions. In 1998, Olaf Nicolai took green plastic brooms used by Parisian municipal employees to build a labyrinth in the “Art Grandeur Nature” exhibition at Parc de La Courneu…
These are Situationist Times!
* 2021 Stock. English edition * An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions. The Situationist Times was a magazine edited and published by the Dutch artist Jacqueline de Jong during the years 1962–67. In its multilingual, transdisciplinary, and cross-cultural exuberance, it beca…
A Forest Petrifies – Diamond Feedback
* 2021 Stock. English edition * The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds. Inspired by the Petrified Forest in Arizona and its ability to change over time from an organic to a mineral state, the story was concieved by the musician and artist Félicia Atkisnon over the past five years, while its on-going writing has been the starting point of many of Atkinson's music lyrics and recent records and exhibitions. A…
Judy Chicago – To Sustain The Vision
* 2021 Stock. English edition. * Monograph bringing together some fifty works by Judy Chicago and unpublished documents, accompanied by three critical texts by Géraldine Gourbe. Judy Chicago says she wants to live as long as possible; not to transcend her mortal condition, but to be around as her works successively find recognition. A woman holding out against all odds: such is the image of an artist more a visionary than the pioneer she has so often been described as. Unlike the pioneers, Chica…
Studio_L28 – Sonic Perspectives on Urbanism
A multifaceted examination of sound as a central feature in urban planning. Though sound is a central feature within urban life, it still receives little to no attention within processes of urban planning. The main difficulty in integrating sound is that it remains largely immeasurable—decibel levels say little about whether a sound is wanted or not, intrusive or welcome. Studio_L28 – Sonic Perspectives on Urbanism hooks into the debate here, experimenting with tools and strategies of observatio…
The Story of Bern, [or] Showing Colors
* 2021 Stock. English edition * The seminal tale of Iannone's advocacy for sexual liberation. “As much as Love and Eros have defined my work since its beginnings, so too has censorship or its shadow, accompanied it,” recalls Dorothy Iannone in her introduction to this facsimile publication of her legendary “The Story of Bern, [or] Showing Colors.” First published in 1970, the book documents the censorship of Iannone's work “The (Ta)Rot Pack” (1968–1969) and the subsequent removal of all his work…
Censorship and The Irrepressible Drive Toward Love and Divinity
* 2021 Stock. Bilingual edition (English / German) * This publication sheds light on Dorothy Iannone's work in relation to censorship, based on her artist's book "The Story of Bern." In spring 1969, the artist was confronted with the confiscation of her works in the exhibition "Freunde (Friends)" at Kunsthalle Bern, under the directorship of Harald Szeemann. Iannone responded to this boycott by producing a book, in which she made her perspective public and thus reclaimed self-determination over …