New Arrivals
The Webster Cycles
As it casually explores the trombone’s timbres, The Webster Cycles is at times lush, at times stark. Mobile-like in the way that phrases and individual notes drift in and out and twist as if blown by the wind, it is something of a musical conundrum: comfortably adrift in a sense of motionlessness yet definitely propelled by a sense of forward motion. From moment to moment, an individual voice calls out or a crowd murmurs or voices unite in contrapuntal or parallel efforts.The Webster Cycles, an …
Cold Blue Two
Cold Blue Two is an eclectic anthology of 14 new, previously unrecorded works—many of them written specifically for this CD—by a diverse collection of composers whose personal musical visions usually blend intuition with process. The composers include both the well-known and the not-so-well-known, most with longtime associations with Cold Blue, and two making their first appearance on the label: John Luther Adams, Gavin Bryars, Rick Cox, Michael Jon Fink, Jim Fox, Peter Garland, Daniel Lentz, In…
Four Thousand Holes
Four Thousand Holes is a sometimes lush, sometimes fragile, rhythmically complex and technically demanding work for piano and mallet percussion (performed by the extraordinary pianist Stephen Drury and percussionist Scott Deal) and ghostly electronic “auras”—electronic sounds created by processing the acoustic instruments’ sonorities.Unlike John Luther Adams’s other works, the pitch material used in Four Thousand Holes is drawn exclusively from Western music’s most basic elements: major and mino…
Macbeth
New Re-mastered & Expanded Release with four previously unreleased bonus tracks. Esoteric Recordings are pleased to announce the release of a new
re-mastered and expanded edition of the classic 1972 soundtrack album to
Roman Polanski’s gritty film of Shakespeare’s “Macbeth”. Originally released on EMI’s Harvest label in March 1972, the album
featured a new line-up of Third Ear Band featuring Paul Minns (oboe and
recorder), Glen Sweeney (drums), Paul Buckmaster (cello and bass
guitar), Simon…
Last Cicada Singing
Four serene, unique, and entrancing pieces for solo qin (a zither-like Chinese instrument). Quiet, sparse, almost Feldmanesque, almost delta-blues-like, too. Performed by the composer, Christopher Roberts, who mastered the qin while living and teaching for many years in Taiwan. (He performs on a qin built by Lin Li-Zheng.)Christopher Roberts writes about the piece:“Chinese scholars in antiquity took their qins to the mountains to compose music in accord with the aesthetics of nature. They develo…
Sudoku 82
Sudoku 82, a spare, beautiful, spacious piece for eight pianos, was composed utilizing systems derived from Sudoku puzzles and the GarageBand computer program.Christopher Hobbs writes about the piece: “Sudoku 82 is one of a series of pieces I have been working on since 2005. There are now over 125 of them that use Apple’s GarageBand software and random procedures culled from the numbers found initially in hexadecimal Sudoku puzzles and latterly from online random number generators. I choose the …
Music On The Desert Road
The late Deben Bhattacharya was a noted Bengali record producer, ethnomusicologist, poet, documentarian, radio producer, and all around renaissance man. Having moved from Northern India to London as a young man, Bhattacharya began working for the BBC as a radio producer. In 1955, having worked all possible angles to securing funding Bhattacharya traveled to India to record musicians. The success of this trip allowed him to travel again soon after to the countries of the Middle East. With recordi…
Singing The Traditional Songs of her Kentucky Mountain Family LP
In the world of American folk music, Jean Ritchie was a truly unique presence. Most of the younger artists of the folk revival of the '50s and '60s were middle class urbanites and liberal arts college students who helped "rediscover" the older traditional artists of the South. Though these two groups intermingled at concerts and the younger artists idolized the "true" folk artists, Jean Ritchie was an anomaly in that she fit equally in each crowd. Born in Viper, Kentucky in 1922, Jean was born i…
The Place We Began
John Luther Adams's The Place We Began contains four mysteriously evocative electro-acoustic works that the composer built from short recorded moments—audio fragments—of his early music (circa the early 1970s). This is not a trip down Memory Lane: in The Place We Began, Adams has reappropriated and transformed these sonic fragments into completely new works that speak to his current musical interests and directions, especially his recent installation pieces, and refer to his past only in ways th…
String Quartets
This CD presents the premiere recordings of two spirited and enticing quartets that draw on Peter Garland’s well-traveled ear and great sense of personal vision. Both works move with a unique sense of grace and a sincerity of expression that is purely Garlandesque—marked by a sometimes lively dancing, a sometimes alluring stasis, and an often sauntering gait that allow musical ideas to seem to appear intuitively and develop subconsciously..Performed and recorded beautifully by members of the ren…
The Last Castrato
Alessandro Moreschi (1858-1922) was the last known castrato, and the only one to have ever made recordings. He was born into a Catholic family in one of the so-called Roman Castles, where he was castrated either for health reasons, or because of his singing talents, the history is unclear. But either way he was discovered soon after for his talents and by a very young age was known as “l'Angelo di Roma” and quickly became the First Soprano of the Sistine Chapel choir, a position he held for more…
Trios For Deep Voices
Christopher Roberts's Trios for Deep Voices, a five-movement work scored for the unusual ensemble of three double basses, is a sort of musical evocation—sometimes directly, sometimes indirectly—of the sounds and life that composer Roberts experienced in the jungles of the Star Mountains region of Papua New Guinea, where he lived in the early 1980s.Trios is an emotionally charged music of extreme virtuosity and extreme beauty—from passages laden with devilishly difficult harmonics and bowing tech…
Red Arc / Blue Veil
The four pieces that make up this CD—Dark Waves, Among Red Mountains, Qilyuan, and Red Arc/Blue Veil—are for various combinations of one or two pianos, percussion, and electronics. Each piece is built from a complex, polyrhythmic layering of voices that combine to form large, multi-arch musical shapes that explore a rich palette of harmonic and timbral colors, lush textures, and clear, simple compositional forms. This is music of broad strokes and ever-changing ebb and flow. John Luther Adams ha…
Solar ipse # 09
Magazine, 64 pages A4 format (Italian Language), with overviews, artciles and interviews on Bbz Bz Ueu, Luminance Ratio, Saba Saba, Martello, Ludmilla Spleen, Giorgio Salomon / Acrobati Liquidi, Giovanni Lami, The Star Pillow, Patrizia Oliva, The Barnacles, Dubit) Speciali (Stefano Giust: ten favourites) and 128 records reviews
A Sweet Quasimodo Between Black Vampire Butterflies For Maybeck
Charlemagne Palestine's A Sweet Quasimodo Between Black Vampire Butterflies For Maybeck is a piece for two pianos played simultaneously in a tremolo style that Palestine calls “strumming,” a technique that has defined his piano music since the late ’60s. It spins out its sonic tapestry in surges and ebbs, and dense sonorities with hypnotically dancing overtones grow from its few opening pitches.This live recording from the Maybeck recital hall also contains Palestine’s short comments about his l…
The Tubes
This CD is made up of three compositions: Sevan, The Tubes, and Coimbra 4, Mundi Theatre.Sevan is built from a recording of Armenian musician Parik Nazarian’s vocalizations in massive pipes near the shore of Lake Sevan, Armenia. It explores resonance, echoes, and voice properties.The Tubes weaves together the breath-like sounds of the Atlantic Ocean as it strikes tubular volcanic rock formations on the Island of El Hierro (the westermost of the Canary Islands) with the breathy tones of Jon Hasse…
Descent
Chas Smith is one of the most unique musicians working today. He has created his own musical world—complete with its own instruments and “language.” It is a world of expansive musical tapestries and carefully sculpted textures that never sit absolutely still, but evolve via a slow, constant change of aural perspective. Smith’s soundworld, however, it is not an altogether alien one, and critics, in their praise of Smith’s work, have repeatedly compared his compositions—some resonantly beautiful, …
On The Leopard Altar
Daniel Lentz writes about the album, On The Leopard Altar:“The form and flow of Is It Love? is determined by that of the text/lyric. Unlike much of my music-with-text work, it does not use an additive process. Rather, it uses a subtractive one. The voices begin each line with the nearly simultaneous sounding of all the phonemes of all of the words. As the work progresses, phonemes and notes are taken away until a finished line emerges.“Lascaux is scored for wineglasses, sixteen of which are rubb…
Descansos, Past
JimFox's Descansos, Past, written in April 2004 in memory of composer-performer John Kuhlman, who died a few years earlier, was premiered in Los Angeles (by the same musicians who are heard on the present CD), June 2004, as part of a series of concerts held at the historic Schindler House.Descansos, Past sets an ever-pizzicato double bass (a five-string, extending to low B), which is featured in a few solo sections, alongside a choir of nine ever-arco cellos, one of which soars up to the highest…
Fade
In three connected sections, Rick Cox's Fade offers a series of harmonic “moments” of various densities and complexities and timbres and lengths. Throughout the work, these moments, like elements in a mobile, are in a constant state of changing perspective.
Rick Cox is a composer and skilled multi-instrumentalist whom guitarist/composer Ry Cooder called “the hidden master of the crepuscular and the diaphanous.” Cox was an early explorer/developer of “prepared electric guitar” techniques His conc…