New Arrivals
Variable Piece 4: Secrets
Variable Piece 4: Secrets is a facsimile edition of Douglas Huebler’s classic artist book, which was originally published by Printed Matter in 1978. Simple and salacious, the publication collects over 1,800 secrets written anonymously by visitors to the 1970 Software exhibition at the Jewish Museum. In doing so, the book provides a fleeting glimpse into the cultural, political, and social preoccupations of the era while showcasing Huebler’s open-ended and variable approach to art making—an…
Fear Indexing The X-Files
For Fear Indexing The X-Files, Nora Khan and Steven Warwick combed through the first 9 seasons of The X-Files television series—which ran from 1992 to 2002—gathering and indexing the fears that occurred as themes throughout the show. The authors employ a documentary-style commentary to narrate how the show posited fear as an inherent quality of domestic life. The original run of the series aired in the period nestled between the end of the Cold War and the start of the War on Terror—a time i…
Modern Love
Constance DeJong’s long-neglected 1977 novel, Modern Love, is one thing made up of many: It is science fiction. It is a detective story. It is a historical episode in the time of the Armada and the dislocation of Sephardic Jews from Spain to an eventual location in New York’s Lower East Side. It is a first-person narrator’s story; Charlotte’s story; and Roderigo’s; and Fifi Corday’s. It is a 150-year-old story about Oregon and the story of a house in Oregon. Modern Love’s continuity is ma…
Kreatur
Dischi Fantom presents Soundwalk Collective’s soundtrack to Sasha Waltz’s new choreography, Kreatur, premiered in June 2017 at Radialsystem V in Berlin and touring in Germany, Belgium, France and Spain in 2018. Inhabiting the liminal spaces between different art forms is a central element in Sasha Waltz’s choreographies. In this new piece – carried out in collaboration with the fashion designer Iris van Herpen, the lighting designer Urs Schönebaum and Soundwalk Collective – the choreographer and…
Universel
For the impeccable MAT label, Denamrk’s Central tends hitherto little known ambient aspects of his sound as Palta with a fine selection of feathered rhythms and gauzy, painterly sounds. Nesting amid good company for this kind of thing, Universel quietly unfolds scuttling, jazz-wise geometries and keening subaquatic chords in the title track, then drifts with scratchy tribal drums and tropical greenhouse sounds in Tabt Optagelse into frayed, frothy new age feels in På Gensyn. It would appear…
Fragments Of A Season
Emotional Response continues it’s fifth year celebrations in welcoming two of the label’s long held favourite artists – Jefre Cantu–Ledesma and Alexis Georgopoulos – coming together perfectly for an album of laconic story-telling and atmospherics. Over the past decade, Cantu–Ledesma and Georgopoulos have been frequent collaborators. With one another – Jefre’s recent "On The Echoing Green’ (Mexican Summer), Arp’s “The Soft Wave” (Smalltown Supersound) and The Alps “Le Voyage” (Type) – an…
Front And Above
A new trio formed by John Chantler — best known for his solo synthesizer recordings and work with pipe organs — and two of the most instantly recognisable voices in the scene loosely associated with London’s Cafe OTO — drummer Steve Noble and saxophonist Seymour Wright. Their debut CD 'Front & Above' was released on Chantler's 1703 Skivbolaget label in October 2017.
"A terrific set that quietly opens a portal to a new world." — The Quietus
Flights in dreams and reality 1982
Nearly a decade ago some serious Russian synth music communities on the web rediscovered a couple of electronic themes from the music score to the soviet drama «Flights in dreams and reality», which appeared on the screens back in 1983. One of them, often named as "dance at the sculptor's party" after a corresponding movie scene, was of particular interest due to its rather simple but memorable space tune with a pulsating disco beat. Since the soundtrack was too diverse, including different genr…
Anthology (1980-2017)
Anthology 1980-2017 is a compilation spanning a period of 37 years featuring Burnt Friedman's releases and edits thereof from vinyl-only labels (Latency, Marionette, Dekmantel, amongst others), plus four hitherto unreleased tracks. This compilation surveys Friedman's music from 1980 to 2017 and covers a broad spectrum of played and programmed rhythmic styles that traverse club music from techno, electro, and dub, but, above all, it traces Friedman's own artistic development; A trajectory t…
Vision Songs Live At Brilliant Corners
His utterly distinctive, captivating cross-fertilisation of New Age and Gospel Soul, unfurled in a live, hour-and-a-half improvised session, recorded in London last year. The 1984 work Vision Songs Vol. 1 — ‘devotional and inspirational songs’, Laraaji calls them — in its entirety, including the underground favourite All Of A Sudden. Lovingly presented, with a risograph inlay and photographic insert card, in a tiny edition, on cassette only.
Astor
The fourth Astor offering presents itself as a limited cassette, intended to fill the vacuum prior to the next full-length LP expected to hatch in the year of 2018. A self-titled diary-esque offering, this collects recordings made in the UK and Europe throughout 2017 -- from a toilet on a train in France to a piece played on Henning Christiansen's piano on the island of Møn in Denmark. Here you'll embark on a journey of sound that travels through a vast terrain which holds itself together …
The Beginning Of A New Birth
"Both World's Experience Orchestras albums were recorded in and around Boston, Massachusetts in the mid to late 1970s and committed to vinyl in minuscule press runs by a visionary, bassist/composer/arranger John Jamyll Jones. Jones is a magical type, who communicates with his instrument, his ensembles, and jazz's ancient lineage in a manner so profound that his late-'70s album are out of time with jazz's trajectory, but timeless when presented today. By the late '90s the music of World's …
Of Rivers and Religion
A deeply innovative musician whose style is credited as the foundation for the minimalist style of American Primitive Guitar, the output of John Fahey is both illustrious, far-reaching in its influence, and difficult to categorize. From the 1960s through the 1990s, Fahey's music frequently leapt between the realms of jazz, folk, world music, blues, country, and avant garde in equal measure, while demonstrating the wide range of flavors to be found in traditional finger-picking guitar techniques…
The RCA Mark II
C Spencer Yeh presents an album of electro-acoustic music made on the legendary but defunct RCA Mark II modular synth - nicknamed ‘Victor’ - at Columbia Uni. An ingenious concept, captivatingly executed. “The RCA Mark II is a follow-up to Yeh’s recent vocal work and is focused solely on the non-musical operation of the famed RCA Mark II synthesizer. Built and installed in 1959 at Columbia University, it was the first programmable synthesizer and became the bedrock upon which the Columbia-Princet…
Even when they speak of space
New Giuseppe Ielasi full lenght album. Music for whistling, microphone and digital degradation. Recorded in november 2016 and august 2017. to be played at low volume.
Continuous Loop Sheep 1997-2017
In 1997 Lasse Marhaug and John Wiese arranged to record a split cassette for Norwegian label Komkol Autoprod. The music was recorded on June 6th at the exact same time on opposite side of the Atlantic, as a form of musical telepathy. They also agreed to base the recordings on continous loops. The recordings were made, but the cassette was never released and the material remained forgotten until Marhaug found and digitized the master in 2014. It was agreed to wait until the recording was exactly …
Escaped Language
Recorded during Ina/GRM’s 2016 Présences Électronique Festival in Paris, John Wiese’s “Escaped Language” is a concise and calculated piece which slowly evolved in various settings over a number of years. While 2015’s “Deviate From Balance” 2xLP was expansive and chronicled performances and work employing many other musicians, here Wiese dissects and reassembles portions of his vocabulary alone. Simultaneously dense and sparse, delicate and abrasive, free and tactical, the resulting reco…
Modern Methods For Ancient Rituals
The title of the debut album from The Transcendence Orchestra outlines the modus operandi of this pairing of Anthony Child and Daniel Bean. Recorded in a remote English rural setting over a period of 24 hours, this is an apt location for a recording that eschews time and space in favor of methodological displacement and deep psychological navigation. Modern Methods For Ancient Rituals is an experiment in acoustic and synthetic symbiosis which is deeply influenced by the atmosphere and acoust…
Hesaitix
Further departing from both the cinematic abstraction of Piteous Gate (PAN 066CD/LP, 2015) and the hectic drums of Damaged Merc (2016), Berlin producer M.E.S.H.'s new full-length, Hesaitix, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces. The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hes…
Exit Stance
Justin K Broadrick puts his club foot forward for Downwards on four trampling techno bombs gathered under the Exit Stance EP. With no prizes for guessing what the title is about, he further girds us against broken Britain’s grim future following his Suicide Estate 2LP for Hospital Productions. This is some of Broadrick’s most direct, primitive, and ruggedly impactful gear, forged in the belly of the black country with charred traces of late ‘90s Brummie techno edged by sparingly used daubs of pa…