New Arrivals
Bring It To Our Senses
Hand numbered edition of 500 copies with colour printed inner sleeves. Pressed on heavy 180 gram black vinyl, download code included. Bring It to Our Senses contains all music scores originally written by Maarten Van Cauwenberghe for Voetvolk / Lisbeth Gruwez’s triptych of the ecstatic body: a trilogy of dance performances, comprising It’s going to get worse and worse and worse, my friend — 2012, AH/HA — 2014 and We’re pretty fuckin’ far from okay — 2016. All three performances and their corres…
Beside Herself
Michele Mercure often dreams of music, and in her waking life, reclaims
fragments of these fleeting, floating melodies in her compositions and
sound art. Beside Herself, an anthology of Mercure’s self-produced and
distributed cassettes released between 1983 and 1990, collects these
dreamlike passages and lo-fi nocturnes, preserving the qualities of
discovery and intimacy surrounding their genesis. Mercure’s sound is a porous electronic art that overlaps ambient,
abstract, and industrial se…
Monokultur
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. One of my most cheered moments this year was sitting drunk on my living
room floor when someone put on an unmixed version of 'Lindholmen -
Stenpiren' out of nowhere. Right there and then the most jaw-dropping
amalgamation of the first bunch of Rough Trade 7"s, Berlin Super 80 and
Gothenburg 2018. Monokultur is a new duo that consists of Elin and
Julius from Skiftande Enheter…
Continent
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. Two new tracks from Canada's Korea Undok Group.
Continent is a record about memory, time and identity, and marks the
first non-reissue vinyl output from KUG. The title track, and a-side of
the record, concerns memory and its disintegration over time. Throughout
our lives, we encounter far too many people, places and things—so many
that it will always be completely impossible…
Path of the Wind
Edition of 200 copies. The unprocessed field recordings of Eisuke Yanagisawa were made all around Japan (2014-17) using Aeolian Harps (a stringed wind harp). On his fourth solo record since 2009, Path of the Wind includes seven tracks with a run time of over forty minutes, each named after their location or single subject as titled. Kyoto-based Yanagisawa is an ethnographer and filmmaker as well. "The Aeolian Harp (also called Wind Harp) is a string instrument that is played by natural wind. It …
Double B
Following up on his remarkable Triangular Trade, sound artist (and operator of the Every Contact Leaves a Trace imprint) Seth Cooke offers with Double B another richly investigated, purposeful work looking into the sonic artifacts of the unresolved dissonances in constellations of history, politics, and media. Through his no-input field recording technique, Cooke brings into consideration the materiality of the inscription devices, a sort of sonic ghost hunting that rewards investigative listeni…
Live Aboard The Sinking Ship
Sold out at source, few copies available. " Karla Borecky and Scott Foust have always wanted to do a live piano duo set, so they set one up aboard a sinking ship! They did two 40 minute sets with songs from The Island Of Taste, Music From The Impossible Salon, Lost At Sea, Postcards, The Synthetic Elements, and our as yet unreleased new LP, The Light That Never Ceases To Fail. They also did a version of Karla's The Still Life (mit radio) and a few new pieces. Everyone seemed to have a good time …
Double Goocher Shop
Double Goocher Shop is the debut release by the duo of Renato Grieco and MP Hopkins, recorded on the island of Syros in Greece. Two nocturnal rascals have woken in the dead of night to touch all your things and move your furniture just a fraction out of place. Eventually these deranged intruders tumble on out of the house to take a sinister romp down passages and and and streets… Double Goocher Shop is the sound of mumbled directions given amongst trespassing removalists. It features the track ‘…
Can We Win
Shots Bring It In. Due to weather, noise complaints, lack of time, artistic choice, or some combination thereof, Shots’ myriad instrumentation moves indoors. On Can We Win the characteristic outdoor resonance of previous releases is replaced by a tighter, more enclosed environment. The sound sources remain varied as ever, but the running water, somnambulistic percussion, and rupturing metal in play are enfolded in an intimate domestic acoustic space, making for a considered and engaging listen.”…
2018: Recent Amelioration of Lingering Proprioceptive Issues (Ta
Nice tape from the reliable Guido Gamboa, who also runs the excellent Pentiments label. Two side long tracks, both with long titles like the tape itself. "My original approach was that of a fairly standard concrète bricolage that has characterized my previous work. I found upon listening back that the resulting semiotic content of the sounds used were not far from suggesting the type of peripheral agitations that buttress a well-hidden fragility of temperament at any given time: respiratory tics…
Benzedrine Bonanza
Where spring LP Omelette Of Disease was an orgy in painfully hard driven feedback, and the early summer cassette Overdrive focused on rumbling low-end, Benzedrine Bonanza brings a live all-at-once approach. Not unlike Schakalens Bror's earliest cassette excretions, yet now more refined and with the energy of his later live shows successfully transferred to tape. Fully fledged free form guitar noise in a league of its own.
Public Announcement Program
Delirious, drippy wormhole from the new family band of Gothenburg free music.."No info on this other than 'Pig is a family band' and 'Recreational abstract dream music' scrawled haphazardly on the inside spine of the gaudy j-card. The music declaration is fairly accurate. (I can't say much about 'family band'.) It seems to be a collage of some parts played and some, especially the voices, sampled. Things come and go in a very dream-like manner. Some percussion, some drones, a lot of things that …
Kallt Kaffe
Dan Johansson, Matthias Andersson, and Erik Nystrand blasting all the way off as they’re known to do, guaranteed to please the throng of superfans. "Heinz Hopf is a trio of Matthias Andersson, Dan Johansson, and Erik Nystrand. You have seen all these names before in these pages. Heinz Hopf is a Harsh Noise project for sure. The emphasis is on feedback, amp/mic abuse style. There are a few more or less subdued moments, but for the most part, this is Noise City. I cannot get all that enthused abou…
Highway / Nightmare
Nobuo Yamada is a Japanese experimental/noise artist, known to me from his side project Artbreakhotel, and some collaborative works The New Blockader, Toshiji Mikawa etc. Highway / Nightmare is the 2 long compositions that are included to this beautiful cassette. Here, Nobuo managed to create a very interesting soundscape, probably improvising with various materials. A very charming work, of a quite acousmatic work that will got your attention.
Engines Of Desire
Since the early 80s, Blackhumour has been stubbornly dedicated to an
investigation of the cracks which exist in common speech practice and
the vacancy of the signifier. Vocal event is mined for stochastic
determinism and glottal smut. While affinities exist, it would be difficult to categorize this
material as sound poetry, despite a focus on voice, breath and the
subtle diversion of linguistic intent. What is it. Repetition and
magnification direct the incremental units of a sound which m…
Let's Start/Bongo Rock
Japanese RSD 2018 release of Akira Ishikawa's awesome cover versions of Fela Kuti's 'Let's Start' and Incredible Bongo Band's 'Bongo Rock'. On 7" vinyl for the first time. Two fantastic funky numbers from this hip Japanese drummer! "Let's
Start" is a tight take on an early tune by Fela – with this cool chanted
vocal in the mix – and "Bongo Rock" is a fantastic update of the
Preston Epps classic, taken into the same funky territory as the version
by Incredible Bongo Band
Legal
New Elemental Music re-issue of Gal Costa's Tropicália classic, 'Legal', from 1970 – pure class as always from Gal Costa! The record is her first after
the immediate Tropicalia years, and it's a stunning blend of styles that
seems to draw heavily from changes going on in the American rock scene
at the time. The core of the music is still steeped in Brazilian
elements – but there's a lot of influences coming into play on the
album, like bluesy rock phrasing, showy nostalgia-heavy arrangeme…
Impacto
Vinilisssimo present a reissue of Hector Costita Sexteto's Impacto, originally released in 1964. By the mid-1960s, samba and bossa nova were the exotic hip sounds of the time. João Gilberto had gained international popularity by blending American jazz and samba, and Sérgio Mendes was about to reach the Billboard Top 5 a few times. Hector "Costita" Bisignani had arrived to Brazil a few years earlier from his native Argentina, where he started to play saxophone influenced by local legend Lalo Schi…
Musica Manifesto n. 1
**First ever repress of this seminal work.** LP version, edition of 300 copies on black vinyl. Long considered, with Pierre Boulez and Karlheinz Stockhausen, to be one point in the trinity of the post-war avant-garde, Luigi Nono was, without question, one of the most important and singular composers to emerge in the years following the Second World War – defining the zeitgeist, taking the his idiom into startling new territories, while standing decidedly apart. Nono’s music infused the avant-gar…
Tsunami
Sommor Records presents a reissue of Benoit Widemann's second album, Tsunami, originally released in 1979. French keyboard wizard Widemann's (ex-Magma) Tsunami
is an incredible mix of electronics and jazz-fusion with
prog/avant-garde/minimal elements, along with treated Minimoog, Oberheim
synths, Rhodes, early computer sequencing plus bass, drums, guitar,
sax. Featuring Jean-Pierre Fouquey (ex-Magma), Jean-Pierre Grasset (Verto), and Jean-Paul Ceccarelli
among others. Widemann on the music:…