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"The second LP from Polish reedman and flautist Mat Walerian is also the second with pianist Matthew Shipp, the second with ESP-Disk Records and the second recorded within the live Okuden Concert Series. But the primary distinction of this second 'Live at Okuden' album is the addition of Hamid Drake. Jungleexpands the off-the-cuff musical conference to an elite drummer of improvised music. Many songs literally run into other so that it flows as if it's just a few extended pieces instead of thirt…
Unavailable for over 10 years, this new edition of 'Lebenserinnerungen Eines Lepidopterologen' ('Memoirs of a Lepidopterist') collects the collaborative and early solo works of Andreas Martin and Christoph Heemann as an extensive 2CD retrospective. Moving between minimalist guitar compositions, tape-music narratives, and an array of cascading electronics, each of Martin and Heemann's solo recordings blend seamlessly within the milieu of their collaborative work. While one can hear how this forge…
Founded by Lebanese visual artist and musician Raed Yassin and Swiss musician Paed Conca in 2006, Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. Over the years, the duo has collaborated with renowned musicians from across the globe, including Axel Dörner and Johannes Bauer from Germany, Hans Koch from Switzerland, Takumi Seino andMaki Hachiya from Japan, and Stéphane Rives from France, among others. Praed's body of work exp…
Born in England, son of an Essex folk singer, Seamus Cater was surrounded by English revivalist folk music from day one. He eventually moved to Amsterdam in 2000, where he has been working on different kinds of music; acoustic, electronic, composed, and improvised. Cater organizes two Amsterdam concert series, DNK Amsterdam and Pest House, and is the founder of Nearly Not There Records, a small stock, non-profit record shop in Amsterdam specializing in new music in many forms, mostly avant-garde…
Sebastian Smolyn, e-trombone. Artur Smolyn, electronics. Oliver Steidle, drums. Peter Brötzmann, reeds.Sebastian Smolyn (trombone) and Artur Smolyn (electronics) are Defibrillator. They have committed themselves to improvised music and do enthralling performances full of energy and love of adventure. They have been educated in classical music in conservatories in Germany, France and Switzerland. They have played in numerous well-known orchestras and ensembles. Their experience is the matrix for …
Kai Fagaschinski, clarinet. Michael Thieke, clarinet. Christian Weber, double-bass. Eric Schaefer, drums & percussion.In case it doesn’t ring a bell, The International Nothing is the psycho-acoustic clarinet duo of Mr. Thieke and Mr. Fagaschinski. Since 2000 the two clarinetists have been collectively composing multilayered sound sculptures using multiphonics, beat frequencies and difference tones as an integral part of their unique language. They have released three duo albums on the Japanese F…
“Dreaming in Darkness” (2005), “Crystal Counterpoint” (2009), “ReVoiced” (2009), “Necropolis - City of the Dead” (2011).“Dreaming in Darkness is forged primarily from small sounds, spaced apart from one another. A chime, a chink or a clunk, and then silence before a scrape or a click or a bump. It’s fragmentary, the origins of the sounds unclear. Taking the question of what a person who cannot see dreams about, Parmerud explains that the piece is an attempt to create surrealistic fragments of a …
Swedish drummer Peeter Uuskyla performs all alone on this double-LP. The opening track ”The Dream” features two takes of drumkit mixed with one take of his piano-playing. The triptych ”Nerves I-III” presents Peeter Uuskyla´s everyday rituals as a drumkit-concerto. His primal, natural, basic, archaic music is illustrated by Johannes Brander´s cover art.
Peeter Uuskyla has played many years with legendary saxophonist Bengt Frippe Nordströms group in Sweden. He has worked and toured internationall…
2016 small repress. Pressed on 140-gram vinyl; includes CD. The decade from 1968 to 1978 had a pivotal importance in Italy's 20th-century history. It was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the May 1968 protests in France, which then developed in different directions due to the moral contradictions of one of the most conspiratorial countries of the western world. Years of high-tension events -- beginning with the tragic massac…
Subsound Records is proud to present the first release of their new-born sub-label Sub Ost, concentrated on original soundtracks only. For the first time on vinyl is the complete original soundtrack to Lucio Fulci's Manhattan Baby, written in 1982 by Fabio Frizzi. Available in limited 180g vinyl. Comes with deluxe cover with a printed inner sleeve including original artwork.
Two years in the making, Close To The Noise Floor is a 4CD, 61-track set exploring the origins of electronica in the UK. Featuring tracks from key figures on the cassette label underground alongside early releases by future stars of the movement, this is part primitive rave, part synthesiser porn and part history lesson. Enthralled by the mysterious electronics of Pink Floyd, Hawkwind, Gong and German Kosmische artists such as Tangerine Dream, Harmonia and Cluster, and inspired by the DIY …
2016 small repress. Pressed on 140-gram vinyl; includes CD. The decade from 1968 to 1978 had a pivotal importance in Italy's 20th-century history. It was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the May 1968 protests in France, which then developed in different directions due to the moral contradictions of one of the most conspiratorial countries of the western world. Years of high-tension events -- beginning with the tragic massac…
Born in Brooklyn, New York in 1947, Charlemagne Palestine began by singing sacred Jewish music and studying accordion and piano. At the age of 12 he started playing backup conga and bongo drums for Alan Ginsberg, Gregory Corso, Kenneth Anger, and Tiny Tim. Throughout the seventies Palestine created records, videos, abstract expressionist visual scores and performed regularly in the company of his stuffed animals!
This new release entitled Nothing to Tell, only Listen explores his unique soundsc…
Double CD box. Another breath-taking production library rarity getting its first ever commercial release via the reissue masters at Cinedelic making this set's one of the greatest Italian library of the 70s. Egisto Macchi has explored and experimented in the field of sound and music without ever forgetting about his moral and civil engagement. His compositional work takes shape from the idea that music and arts should be able to create a symbiotic contact between the creator (composer) a…
“Kontakte” (1959-60), Stockhausen’s first piece to use both electronics and traditional instruments together, marks a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In “Kontakte” live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepare…
A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
This 1958 debut recording by the Ornette Coleman Quintet, which featured Coleman on his trademark white plastic alto, Don Cherry on trumpet, Billy Higgins on drums, Walter Norris on piano, and Don Payne on bass, shook up the jazz world -- particularly those musicians and critics who had entered the hard bop era with such verve and were busy using the blues as a way of creating vast solo spaces inside tight and short melody lines. Something Else!!!! is anathema to that entire idea, and must have …
The remarkable series of releases from the trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi continues with I wonder if you noticed "I'm sorry" Is such a lovely sound It keeps things from getting worse, which presents the entirety of an 80-minute set performed at Tokyo's SuperDeluxe in March 2014. While the trio's 2012 performance was divided into two releases (BT 011LP (2014) and BT 012LP (2015)), the single extended performance presented here ranges widely over terrain both new and fam…
LP version. Following her acclaimed 2014 debut, Ett (EMEGO 190LP), and the subsequent Msuic EP on Peder Mannerfelt's eponymous label (2014), Klara Lewis presents her second full-length, Too. Lewis's skill at sculpting the hermetic shines on Too as she twists her idiosyncratic vision into nine tracks of blurred rhythms and haunted backdrops. Too is a powerful statement in which the individual works tread a vast landscape as dour and aggressive elements rub shoulders with warmer, more optimistic…