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Among the releases of 1993 under the name Slaughter Productions, there is also Insanatorivm , a tape issued by Marco Corbelli with the moniker of Kranivm. This side project, conceived and completed in little more than a year, released other two tapes, Brighter The Edge Of Death and I - The Blood . This last one was finally reprinted in 1997 by the French label The Family Erzsebet with the title Chapter Blood , and a few tracks taken from the first two cassettes. Insanatorivm and Brighter T…
Raucous and electrified wedding songs from the desert kingdom of Mauritania. Luxurious overload of microtonal scales, phaser pedals, and unpredictable polyrhythms. Documentation of a little known music scene where disparate influences meet in beautiful permutations. This is desert music as it's performed - loud and unfiltered. Comes with 12 page full color booklet. Limited to 1000.
Sahel Sounds :"In 2011, I traveled to Nouakchott, the capital city of Mauritania to record wedding music. Over the …
Moreno Daldosso breaks into 1993 with his project Murder Corporation and released his first tape on his new label Murder Release. Tape after tape, Murder Corporation has gained a prominent position as electronic serial slaughterer, claiming frontal attacks and sonic walls relentlessly, sampling overload and brutal distortion. Disturbance was recorded at Murderhouse , January 1995 and it was released from legendary Slaughter Productions the same year on double cassette inside vhs box in st…
“The secret album from The Pink Dots created in the Spring of 2015, and the sister release to “Five Days“. It’s due out on vinyl through the Spanish Abstrakce label in February 2016. Extremely Kaleidoscopic and as far out as the Dots may have gone in their history” Edward Ka-Spel
“The strongest Legendary Pink Dots album of 2015 snuck in just under the wire as a digital release, with a delayed vinyl version expected in a few months from new Spanish label Abstrakce. Intended as a “secret” sist…
Lachenmann seems to continue nurturing the modernist aesthetic,perhaps that it had passed/eclipsed the German experience, something Habermas has said, and that we do live in an age of new opacity, or complaisance (Undurchsichtlichkeit). It is fascinating still to contemplate the state of music Now,(Nun) from this fragile state,a broken timbre "zerbrechlichen klang", one where the creator/composer needs to begin again and renew timbre for the future,find new contexts for works or simply th…
This deluxe overview of Boston's creative jazz scene is packaged in an 8 ½ x 5 ½, 80 page book documenting the rich history of the music with in-depth analyses and photos. In the 1970s Boston was a fertile ground for a very creative jazz scene. Small, independent venues ranging from lofts to churches to clubs opened up to support this thriving backdrop while jazz musicians set up their own labels. One man was there through it all, playing music and documenting the musical landscape. His name was…
M.B. : Theocratictronics, spiritual sound effects, intangible pictures. Recorded during the month of Tishiri, in the year of 6039 A.M. Decicated to the genial german writer Stephan Kraus (1963 - 201?). Appreciative thanks fo Pharmakustik for his modular structures applied during the period 2005/2014. New Sacher Pelz album !! Brand new album by Maurizio Bianchi that under his early moniker Sacher Pelz presents us a very meditative and deeply atmospheric work. Instead of concrete Sacher Pelz noi…
Bristol, England-based sound artist and producer Sophia Loizou presents Singulacra, the follow-up to her 2014 debut, Chrysalis, which is itself a staggering exploration of the conflict between nature and technology and the space between natural and synthetic sounds. With Singulacra, Loizou builds on the framework of Chrysalis for her most ambitious offering to date. Ghostly remnants of hardcore and early jungle percolate throughout while fragments of radio transmissions seep in and out through t…
2015 repress. Room40 presents the vinyl edition of this classic Ben Frost album from 2007. Since his earliest days, Ben Frost has been fascinated by the cinematic qualities of the guitar. His output to this point has hinted at this, but with Steel Wound, he makes a bold statement of intent. Finding his way to a deserted stretch of Johanna Beach along the Great Ocean Road (Victoria, Australia) in early 2003, Frost set up a remote studio at a derelict cabin overlooking the icy waters of Bass …
A very dark little score by Ennio Morricone – written for an obscure 1969 period film that starred Marlon Brando (and a very disheveled Brando at that!) – filled with cool tunes that mix the Morricone western mode with some haunting elements that almost have a spiritual approach! Many numbers have these moody, airy notes floating through – on organ on some of the best cuts – and even the overall orchestrations tend to hang in the air, but with a lightness that's often different than the …
“Uccellacci e uccellini†is a film directed in 1966 by Pier Paolo Pasolini and starring Totò, Ninetto Davoli, Femi Benussi, Umberto Bevilacqua, Renato Montalbano, Flaminia Siciliano. The strange wanderings of two funny characters is musically represented by the short,but varied soundtrack by Ennio Morricone introduced in the opening titles as performed by Domenico Modugno in the manner of storyteller, alternating with sacred music, experimental and danceable tunes. At the time, …
Composer : Eva-Maria Houben (1955) Performer : Eva-Maria Houben, organ. 'dazwischen for organ' (2000) : a very low tone a very high airy sound once in a while a tone in between, a noise in between organ sounds, organ noises room noise, ambient noise... once in a while a sound in between: between music and non-music 'immer anders for organ' (2002) the organ: a wind instrument air flow - throughout the room sometimes almost imperceptibly soft more noise than sound, almost just the air flowing dif…
'aus den fliegenden blttern eines fahrenden waldhornisten' (2013) ('from the flying leaves of a traveling horn player') for horn (F. Wilfried Krüger, horn).
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Un…
'ein schlummer (a slumber)' (2013) for flute(s) and organ. 'aufhören (coming to an end)' (2013) for recorders: g-bass, c'-tenor, c-bass (1 performer). 'atmen V (breathing V)' (2014) for recorder(s) (1 performer) and organ. Ruth Walser, recorders. Barbara Müller-Hammerli, organ. Eva-Maria Houben, organ.
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Se…
Composer: Eva-Maria Houben. Performer: Rommel Ayoub, violin. Sebastian Jeuck, saxophone. Eva-Maria Houben, organ. 'Von da nach da' 55 images for three performers (2005). Not all of the 55 images have to be played during a performance. The performers make a selection and play them in any order. On this CD, 17 images appear and disappear. 'Image' might mean : a musical image. But also: a scenery, a situation, a place.
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochs…
Composer : Eva-Maria Houben. Performer : Anne Horstmann, flute. 'Calme, silence, solitude' for piccolo solo, 'quelques riens' for mauritius flute and 'moments musicaux' for bass flute constitute a trilogy, composed by Eva-Maria Houben for flutist Anne Horstmann. They may also be performed individually. The mauritius flute is a traverse flute made of speckled bamboo. Its seven holes are burned into the wood. The scores of this trilogy contain the note: 'Hector Berlioz abgehort' ('upon liste…
Composer: Eva-Maria Houben. Performer: Eva-Maria Houben (piano). 'the sound of the piano decays. it cannot be sustained. I let it loose time and again. it appears by disappearing; starting to disappear just after the attack. in disappearing it begins to live, to change. the piano: an instrument, that allows me to hear how many ways sound can disappear. there seems to be no end to disappearance. I can hear, how listening becomes the awareness of fading sound.' 'Klavier' (2003). 'Drei chorle…
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 she has been lecturing at Dortmund University`s “Institut für Musik und Musikwissensch…
Composer: Eva-Maria Houben. Performer: Hans Eberhard Maldfeld (tromba marina).'ein liederbuch' 13 songs Ð to be played in free order, all or in small groups, or just a single song. The tromba marina sings Ð and dances. It sings Ð and moves in varying tempi: andante sostenuto, allegro ma non troppo, adagio, allegretto moto, comodo, adagissimo, allegretto quasi andantino, molto moderato, largo... 'dreistzig' The tromba marina can be so many things. A kettledrum, a bass drum, percussion: ti…