New Arrivals
Tsuchi No Ne (Sound of The Earth)
Japanese big-band jazz masterpiece. Amazing reissue from 2021. Pressed at RT.
Love Hurts/Beautiful Doll
* 2025 stock. With Obi. * Love Hurts / Beautiful Doll is the fifth and most important record by He6, the leading band of the 1970s golden age of ‘group sound’ bands in Korea. It features the band's notable funk/psychedelia track ‘Beautiful Doll (Get Ready)’ which was sampled by DJ Shadow in ‘the Number Song’. It also includes ‘You Don't Know’, the hit number led by Choi Heon's heartfelt vocals, as well as another He6 original track to listen to, the lively brass rock number ‘I Can't Tell’. The d…
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Vol. 4 Jo Maka
Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka. The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tus…
Our Thing To In ’N Out
Joe Henderson Our Thing To In ’N Out Revisited notes: The Blue Note label in the early and mid 1960s was a haven for musicians engaged in the process of expanding the jazz vocabulary with unconventional harmonic strategies and new compositional infrastructures that elicited equally exploratory improvisational responses. And it was an ongoing process, benefiting from the sporadic, albeit calculated, interaction of different perspectives and methods of creative inspiration. Established or working g…
Die Unwucht
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
In The Shadow
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic contrasts that result from Joe Maneri’s breathy microtones; the fixed pitches, inclining towards atonality, of Tyson Rogers’ piano; and Jacob Braverman’s ambiguously scored percussion color their contrapuntal angles and parallel lines. Layers of energy…
Quartet to At Judson Hall "Revisited"
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howard and his bandmates represented a second generation, as creative attitudes were expanding.
Key Boys Hit Parade
* 2025 stock. LP miniature with Obi. * Limited edition of 450 , SHM Paper Sleeve CD edition. 60s Korean rare garage/beat!
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Jazz: Plays Arirang & Other Assorted Classics. A.K.A. Jazz! Jazz! & Wonderous Jazz!
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
Show Album No.1
* 2025 stock. LP miniature with Obi. * True to the title 'Show Album No. 1', the tracks comprise a repertoire one would expect of a show stage. However, these tracks are much more than a mere ‘record of activity’ done in between their many show performances. The quality of the recording and consistency of production are top-notch throughout the album, while the details and the dynamics in the music itself rival that of the best Korean bands. Producer Yu-Chil-wang recalls of the album, “..it wasn…
Materialistic Aesthetics And Memory Illusions
An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward. Mike Kelley is best known as one of the most influential visual artists of his generation. But he was also an insightful theorist who wrote profusely about his work as well as on aesthetics in the 1980s, 1990s, and 2000s, an epoch marked, in his view, b…
Fusion! – From Alice Coltrane to Moor Mother
The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno. From music writer Alex Coles, Fusion! From Alice Coltrane to Moor Mother traces the origins and legacy of blended musical genres by focusing on twelve dynamic collaborations. From Alice Coltrane working with Carlos Santana in 1974 to Moor Mother sharing the mic with Wolf Weston in 2022, the collaborations-cum-chapters reveal how musicians pursue fusion as a process. With sonic fusion always premised on cultural fus…
Derek Jarman
English Language Edition A tribute to Derek Jarman manifold and vital practice. Gathering together newly commissioned essays by international art critics and scholars devoted to specific—and sometimes lesser-known—aspects of the artist's life and work and extensive portfolios spanning his successive bodies of works, this monograph offers an accessible overview of Derek Jarman, one of the legendary cultural figures of the second half of the 20th century. Conceived as a reader, this volume includ…
The Legendary Trio At Birdland 1960 (Revisited)
Temporary Super Offer! "This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
Charlie Parker At Birdland 1950 "Revisited“
Temporary Super Offer! "This one was working. This one always had been working. This one was always having something that was coming out of this one that was a solid thing, a charming thing, a lovely thing, a perplexing thing, a disconcerting thing, a simple thing, a clear thing, a complicated thing, an interesting thing, a disturbing thing, a repellant thing, a very pretty thing. This one was one whom some were follow-ing. This one was the one who was working.” Gertrude Stein’s 1910–11 descrip…
Dizzy Gillespie & Charlie Parker At Town Hall 1945, Carnegie Hall 1947 & Birdland 1951 "Revisited"
Temporary Super Offer! When Charlie Parker and Dizzy Gillespie went into the recording studio together on 28 February 1945, they had already served a shared apprenticeship in the big bands of Earl Hines and Billy Eckstine, had jammed informally exploring their common interest in adventurous extensions of swing harmonies and reconfigured rhythms, and were, individually and collaboratively, prepared to redirect the course of modern jazz. That session shouldn’t in any way be considered the public “…
Free Form & Abstract, Revisited
Temporary Super Offer! Unheard music from this key reedman on the British avant scene in the 60s – This double album features Joe Harriott working with a quintet that includes Shake Keane on trumpet, Pat Smythe on piano, Phil Seaman on drums, and Coleridge Goode on bass – playing in territory that's somewhat in the neighborhood of his Abstract and Free Form albums. 'Abstract is split over two dates some months apart, with some change of focus over the set. Free Form has more of the drama of a si…