New Arrivals
Solitaire
Beautifully presented reissue of classic archival electroacoustic works, within "Warszawa-Oslo" project, a recollection, phonographic documentation and reactivation of bonds between Polish and Norwegian electro-acoustic music, presentation of their individual character and unquestionable significance on the international scale. This beautifully designed set (with extensive booklet of note) collects some of the most exciting, shimmering and crystalline electronic sounds to be unearthed in quite a…
In a Fung Day T!
Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
Suspension
Half High is Lucy Phelan and Matthew Hopkins, the duo at the centre of the group Naked On The Vague. In their musical lives the two members have explored the realms of rhythm/song based music in Four Door and Lucy's recently released solo outing under the name Lucy Cliche, as well as the complete outer bounds of music in Hopkin's solo work and as a member of The Bowels and Vincent Over The Sink. Whatever they're doing it's always quality stuff. ALWAYS. Half High create eerie, disorientating pass…
Mutations et Protheses
LP version (initalia copies are coloured). Rare recordings by pioneers of industrial noise music, 1979-1983, never released before on CD or LP. Etat Brut was an industrial/noise band from Brussels that operated from 1979 until 1983. The duo (Phillippe x and Philippe X, today academic scientists) released dozens of cassettes, various flyers and Xeroxed booklets. Some collective concerts were organized at that time with Club Moral and Pseudocode. Cassettes like Emissions 1 (1981) or Géomé…
Virgins
Virgins was recorded during three periods in 2012, mostly in Reykjavik, Montreal and Seattle, using ensembles in live performance. The sound palette of this work is wider, almost 'percussive' and tighter sounding than previous works. While this album remains committed to a painterly form of musical abstraction, it is also a record of restrained composition recorded live primarily in intimate studio rooms. This record employs woodwinds, piano and synthesizers towards an effort at doing what digit…
Merzbow meets M.B.
This strictly limited premiere release comprises a vibrantly coloured LP on green/blue/yellow splatter vinyl, plus an additional seven inch, the fuchsia coloured seven inch is a noisy split with a with a xeroxed cover, with a numbered insert included.
In St Cuthbert's Time
The Sounds of Lindisfarne and the Gospels. To celebrate the exhibition of the Lindisfarne Gospels at Durham Cathedral from July to September 2013, awardÐwinning wildlife sound recordist Chris Watson has researched the sonic environment of the Holy Island as it might have been experienced by St Cuthbert in 700 A.D. 'A 7th Century Soundscape of Lindisfarne. Throughout human history artists have been influenced by their surroundings and the sounds of the landscape they inhabit. When Eadfrith, the B…
Phosphene Weather
After much deliberation and work, Install is proud to unveil its first vinyl release: Milieu's Phosphene Weather LP. Notable for also being the first time Milieu's work has appeared on the vinyl format, Phosphene is a special affair, limited to 150 copies on randomly colored vinyl inside custom silk screened sleeves with hand-numbered inserts, sporting a modern design by David Tagg. Musically, Phosphene Weather inhabits a similar universe as previous Milieu ambient output, such as A Warm Wooden…
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Alto
Alto completes a discrete trilogy within JOE MCPHEE’s catalog of unaccompanied waxings (Tenor, 1977, and Soprano, 2007). Recorded live at a Lower East Side bar in 2009, McPhee's explorations on alto saxophone and clarinet are alternately fiery and contemplative, imbued with the masterful intelligence that's marked his work for over forty years. This is a limited edition of 525 copies on 180-gram vinyl, with a JUDITH LINDBLOOM silkscreen print on rice paper and liner notes by HANK SHTEAMER. Digit…
Pansophical Cataract
John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. Man Forever, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience.
Originally based on the idea of creating a sort of punk-infused Metal Machine Music for drums, Man Forever has evolved from a f…
Preplexure
John Oswald (Plunderphonics) returns with two fourteen-minute-plus tracks of sliced and diced audio assemblage. Pre and post versions of Plexure out in 1993 on Avant, 'PrePlex' (1982 - 1992) and 'Plexure concentrate' (1992 - 2009). Here some feedbacks: 'Highly recommended. Imagine playing Ôname that tune' at 5 times the speed of your ears' ability to recognize familiar sounds. This composition, made up entirely of pop music samples, deserves five stars because of its meticulous organizatio…
El Nacimiento Del Huevo
Bernd Lohaus (1940 in Düsseldorf; + 5. November 2010 in Antwerpen) was a German artist (living in Antwerp/Belgium) mainly known for his sculptures, usually made of heavy found wood which he minimally changed (by carving in one word poems for example). He was a student of Joseph Beuys and together with Hugo Heyrman, Panamarenko and Wout Vercammen one of the first "Happeners" during the 1960's in Belgium, organising street performances in the centre of Antwerp. They published "Happening new…
Eternal Landscapes
perfect encapsulation of the “music as sculpture” aesthetic ; the two excerpts here arrive fully formed & don’t develop themselves inasmuch as develop you ; the purely natural-sounding environments slowly reveal themselves as partial synthesized affairs, with lieven’s sly midi log-drum improvs & echo-jams resisting center-stage to remain as mere elements of a live-in-able ”real space” ... lovely record ; comes in a deluxe full-color gatefold with a detailed insert .. (Mimaroglu)
Appalachian excitation
The meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation. Born in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where h…
Earth Liver
New full-length from San Francisco based Common Eider, King Eider. Themes, instrumentation, and vocal decay is stretched out even more dramatically by this mysterious band of outsiders. Genres bleed into each other and smear reality as elements of drone, doom, neo-folk, and black metal deliver a harrowing and somber reality of loss and emptiness. Silence weaves in and out of vocal arrangements, violas, and guitars creating unease throughout the entire listening experience. Four new pieces…
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Nar
Nar is the first solo record of DuChamp. It has been composed and recorded through reharsal space changing, ideas deleted, fatwas from former lovers during year 2012 in Berlin.All tracks are played by DuChamp and recorded and mixed by Diego Ferri. Brian Pyle (Ensemble Economique, Starving Weirdos) sung in “A Worship” and also did the mastering.
The albums is released on LP with cover photo by Lara Schilling and graphics by Alice Cannavà (Occulto Magazine).
Luna Surface
12th volume in the BYG Actuel series; 180 gram vinyl. "Super-session recorded in Paris on August 17, 1969. Alan Silva collected here many of the top free jazz players of the time, an incredible 11-piece ensemble featuring, among others, Grachan Moncur III, Archie Shepp, Anthony Braxton, Dave Burrell, Leroy Jenkins, and Malachi Favors. As a result, this is a very free record and a historical document of Pan-African high art music. Two tracks."
Homicidal Texture
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…