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Paul Nagle is an electronic artist and synthesist from UK who started to produce wonderful fascinating electronic sounds since the late 70's when his parents moved to a remote farmhouse, triggering creative outbursts in many fields - music, painting and writing to name but three. His music which combines elements of electronica, ambient, trance, minimalsynth and new age would have perfectly fit to a label like Martin Reed's Mirage who also released early works of Colin Potter, Ian Boddy, Mark S…
Bilingual (English/French) and biannual, Volume - What You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history.Interviews Special Issue.'Why a special issue devoted to the interview?This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words Ð or at least with dialogue, because interviews are not necessarily …
"Deep & sophisticated spiritual jazz, following Mr. Gale's Ghetto Music tradition... including the marvellous African Sunshine, a 17 minute piece which goes on and on, and on and on... and you'll never get tired of the on; right ON ! Inner Peace music." EP/Sagittarius A-Star. Eddie Gale - flugelhorn & muted trumpet, James Garrison - tenor sax, Emily Haozous - alto sax, Leonard Thompson - piano, Yvette Zee - violin, Colette Zee - violin, Richard Duke - double bass, Allen Santos - double ba…
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
Double LP version. Kostas Soublis' productions under the Fluxion moniker helped define legendary Berlin imprint Chain Reaction, and with 1999's Vibrant Forms, the Greek producer released a milestone in the dub techno genre. Hazy and distant, there was still more than enough dancefloor push to propel Soublis into the (very short) list of genre legends, and make Vibrant Forms one of the very rare techno albums that works from beginning to end. Out of press for far too long, this new edition of…
Ear drum piercer brezel göring (of stereo total) and thrash lout "hotleg" have committed themselves to a reckless and impulsive mix of dub-psycho-speed-new wave, action film soundtracks and 50's musique concrète. For several years, these two desperados have hacked their way through the unpredictable weeping fistulas of post-industrial easy listening. In doing so they combine genre-spanning arranged marriages and acceleration of track playback speed. The music is played on children's toys and fle…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Very cool compilation of unreleased BeNe GeSSeRiT tracks. The husband & wife duo of Alain Neffe & Nadine Bal counted as one of the most frivolous & quite impressive live acts around during the eighties. On top of a catchy but minimal synth basis created by B GHoLa (Alain Neffe) runs the strange, & playfull voice by BeNeDiCT G (Nadine Ball). This is minimal synth pop for the crazy ones among us, but aren't we all a bit mad? Limited edition of 400 copies. Cover sleeve & insert by B GHoLa
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
This recording documents a sound-performance curated by Franck Ancel in homage to Varese’s « Poeme Electronique ». This musical milestone was commissioned for the Philips Pavilion created by Le Corbusier and Xenakis on the occasion of Expo’58, the Brussels World’s Fair that was held from 17 April to 19 October 1958. Le Corbusier envisioned an “art total’’ utopia involving space, music and images all at once. As soon as he was hired by the dutch company, he announced his intent to create an « ele…
Compiled by Chris Menist, Qat, Coffee & Qambus: raw 45s from Yemen features vintage oud and vocal music inspired by the qat-chewing, coffee-sipping, qambus-playing culture of Yemen. Although part of the classical Arabic musical tradition, the music of Yemen takes its rhythmic lead as much from the East African coast (a mere 20 miles across the Red Sea) as the surrounding Arab Peninsula.Little has been written about the music and culture of one of the world's oldest civilizations, and each 45rpm …
Jim Donadio's debut Psychedelic Black album as Prostitutes came out in 2012 and ended up on many year-end lists, fitting in somewhere between the post-noise abrasive techno of Pete Swanson, Container, Nate Young, etc., the roughened post-punk hues of Powell and the more precision-built constructions of the Raster-Noton label. Donadio's follow-up, Crushed Interior, arrives via Digitalis and picks up where he last left us, taking us through to the next, blackened layer of re-formulated techno te…
Deluxe double LP pressed onto 180g vinyl, includes a copy of the album on CD free inside. Also includes a comprehensive 36 page booklet* It can't be easy following a record as beguiling as 2008's genre-defying 'The Drift', but pounding to life with the incessant woodpecker percussion of album opener 'See You Don't Bump His Head', it's clear that 69-year-old Scott Walker has shock and awe in mind. He's never been an artist who's struggled with originality, and 'Bish Bosch' takes his aural cubism …
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
A collection of the earliest recordings of the French sound sculpture musicians and Cristalists known as Structures Sonores Lasry-Baschet. Featuring the first fruits of one of the greatest unisons in experimental French music combining the beguiling haunting sounds of Jacques and Yvonne Lasry and the development of the musical inventions of Bernard and Francois Baschet. Exploring a similar route to that of early Michel Magne recordings (and often likened to “a French Harry Partch”) the emotive m…
Former Emeralds member Mark McGuire has planned a new album following his 2011 albumGet Lost. Along the Waythrough Dead Oceans. On Along The Way, McGuire writes in the liner notes: "€œThis story is an odyssey through the vast, unknown regions of the mind€¦the endless unfolding of psychological landscapes, leading to perpetual discoveries and expansions, in a genuinely emergent and infinite world of worlds. Further he writes “[the new album] is not a critique, it is not inst…
Finders Kreepers continue their 7″ series of vintage macabre film music with a volume dedicated to European vampire cinema with the two most notorious exponents of the horrotica genre at the helm. Although often put on the same platform the films of these two self-sufficient European filmmakers are in fact very different from each others celebrated efforts, having collaborated on just one occasion with Rollin directing a short dream sequence for Franco’s film Virgin Amongst The Living Dead (comp…
Gerald O'Connell and Mark Harvey began recording as Mystery Plane in 1980, although they had worked together since 1978 in two other more conventional five-piece bands ( The End and 3D5). The very early stuff ( for instance Death Sentence contained on the bonus 7" for members) was recorded in Gerald's living room on a two-track Akai reel-to-reel with a primitive internal overdub facility. For the most part Mark wrote and sang the songs, while Gerald created the backing tracks. In 1981 they were …
In celebration of their 10 year anniversary New York City-DIY modern composition combo Zs offer this 4CD retrospective. Throughout 10 years of activity, the band has changed in countless ways without ever changing a fierce commitment to inscrutable easthetics & execution crafted to provoke reflection & challenge assumption in the consumption of music. Housed in a 2 piece 55pt box featuring artwork by Fredricks & Mae
Emily Faryna is a Canadian artist and singer known so far only by real fans of Minimal/Synth-related Wave-music and cassette-culture collectors. Like most singers, she started doing small gigs, slowly making a name for herself. By 1984, she was working under the MoDaMu Records label out of British Columbia in Canada. Her debut album, I’ve Got a Steel Bar in My Head, was released that year (MoDaMu10). The Track Doomed to Fail was released on the Underground Vancouver 1984 Compilation the same yea…