New Arrivals
The Letter
This is the first album by Liberez, a group formed by recording engineer John Hannon and Pete Wilkins in Southend. The project began life exploring a deconstruction of the traditional "band" form before expanding to a quartet with the addition of vocalist Nina Bosnic, and multi-instrumentalist Tom James Scott. Musically rooted in improvisation, the band sought a progression from the loosely described "noise rock" sound at their inception into more abstract territories. The tracks were recorded a…
1812
Edition of 500. 1812 is an immersive audiovisual work entirely created and reworked from the classic Russian film 'War and Peace' by Sergey Bondarchuk, from 1967, the work uses only and exclusively found footage and material from the film, and implodes it to create a new audiovisual work, a new visual sound experience. The result is an experimental vision that pretends to expand the way we perceive films and tries to push our notion of audiovisual sensations. Narration and plot lines are annihil…
Excerpts (& Half-Speeds)
Dan Melchior is known by many as a long-standing footsoldier of garage rock. Throughout his 15 years of service Dan has gained a reputation as being one of the few in his field willing to test the flexibility of an otherwise stagnant genre. Last year's brilliant Assemblage Blues LP (Siltbreeze) showed Dan scratching at the bars of his cage, restricted by the very domain he dominates. Excerpts (& Half-Speeds) is Dan Melchior's hammer in the mirror. A courageous act of self-vandalism, reduc…
The Men Parted The Sea To Devour The Water
Numbered edition of 700 housed in die-cut, origami fold and foil-blocked jacket** 'The Men Parted The Sea To Devour The Water' is The Haxan Cloak's long awaited Latitudes edition. It's his first release since that jaw-dropping eponymous album (an end of year favourite across the board) and means that we're possibly one step closer to two things: a vinyl edition of said LP, and his hugely anticipated album debut for Tri Angle. But let's not get ahead of ourselves....here we find Bobby Kr…
Journeys in Sound
This documentary by Oscar-winner Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer John Cage. Shot in America, Germany and Japan, the program premieres rare archival footage; presenting concert excerpts and a set of short episodes, featuring associates of Cage and contemporary artists, playfully delineating different aspects of John Cage. The documentary features interviews with Yoko Ono, David Tudor, Christian Wolff, Steffen Schleiermac…
the 15,000 day boat trip
november 2009 release ; pristine electro-acoustic work from cenotaph’s john w. fail (responsible for both a criminally under-appreciated quadruple tape-box on c. spencer yeh’s dronedisco &, partially, the “lied music vs. boy-band tax returns” lp on ultra eczema ... as well as full-length collaborations with spiral joy band & ben reynolds) ...inhabiting similar head-space as graham lambkin’s recent “softly softly copy copy,” the piece in question here takes it source material from live-played ins…
Kenzo Deluxe
Guitarist Chris Forsyth is a unique voice in the realm of American music, having emerged from the challenging free form expressionism of his old group Peeesseye with a lyrical command rare in any genre. His newest work brings his trademark lyricism to new heights in his most straightforward setting yet. Gone are the fleshed out rock band arrangements of last year’s Paranoid Cat LP, replaced on Kenzo Deluxe, by Forsyth shunning overdubs and playing his transcendent songs alone in a room on his el…
Uberfallig
Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-released by the Brain lab…
Untitled
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
Alien, All Too Alien
Their cat may well be all too alien but there's quite an earthly feel to this epic voyage of a record from the brothers Maurizio and Roberto Opalio. It feels like you are slowly drifting through different continents perched on a floating glass-domed steel barge, observing the strangely contrasting cultures go about their business, seemingly unaware they are being watched. Though there are certain sounds contained herein that are quite familiar to many 21st century homosapie…
Technological music
An oblique response to various antecedents of pulse-based electronic music without recourse to drum machines or sequencing (or — in the case of the Four Investigations — synthesizers). Tools include oboe, English horn, analogue synthesis and malfunctioning electric organs and piano. Mastered by Giuseppe Ielasi. Gratitude also to Niko Wenner and Monica Scott. Dedicated to Michael Randers-Pehrson, Jeff Bollaro, and HK Kahng — stalwart comrades in my very earliest electronic music misadventures.
Live
Astounding LP documenting a high-quality live recording of a performance in Vittorio Veneto (Italy) in July 2012 by Virginia Genta (Jooklo etc), David Vanzan (Jooklo etc) and Chris Corsano. With Genta on tenor & soprano saxophones and clarinet, Vanzan on electric guitar and home-made semi-modular synthesiser, and Corsano on percussion, the trio combine their "informal creative sounds into a set of abstract cosmic-punk improvisations". Pressed on clear, marbled-yellow 180g vinyl and housed in han…
Super.Trigger
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
The Cremator
Limited LP pressing for The Cremator, as ongoing commitment to the lost music of the Czech New Wave cinema movement from the late 1960s and 1970s, Finders Keepers Records follow up our series of previously unreleased music to Valerie And Her Week Of Wonders, Daisies, Saxana and The Little Mermaid with a short series of soundtracks for films by the country’s master of the macabre and the nation’s first point of call for freakish fairytales and hallucinogenic horror, Mr. Juraj Herz. As another lat…
Split LP
Luca Sigurtà is very active in the electronic music scene, playing solo and with the bands Harshcore and Luminance Ratio. In Hookers he composes a cold and frozing atmosphere, with gusts of noises and drones together with a bare drum, the song ending surprisingly with an ecstatic mood.
Noise veterans Panicsville plays Paura nella Città dei Morti Viventi mixing old schoool industrial together with their strong oniric and terrifying fantasy: organ, synth drums and samples are used to compose …
Mirrors & tides
Eyes closed, ears wide open, we are given freedom to dream the void. Sweeping, intricate, sometimes ominous yet always exuding a warmth and depth of emotion, The Stargazer's Assistant produces pure cinema of sound. For the new EP, David J. Smith (Guapo) is joined by Circle vocalist Mika Rttö', who sings on the heart-breaking 'Coral Butterfly'. David also had the honour of playing the late Finnish jazz drummer Edward Vesala's Sound & Fury collection of unique metal percussion. Ancient fore…
Dabke 2020: folk & pop sounds of Syria
Sublime Frequencies is pleased to present the second volume of Northeast Syrian dabke music from legendary vocalist Omar Souleyman and his group. This record was compiled by Mark Gergis to coincide with the Sublime Frequencies UK/European tour in May and June of 2009, featuring live performances by Omar Souleyman himself. Culled from dozens of cassettes recorded in Syria from 1999-2008, the music here is an extension of Omar's Highway to Hassake: Folk & Pop Sounds of Syria (SF 031CD) release, to…
The Skipper at Home
Jazz-man Henry Franklin, widely respected for his service to the finest jazz players, brought that ineffable quality called soulfulness into play when he made his first record for producer George Porter at Black Jazz, The Skipper. Not unexpectedly, his follow-up affair titled The Skipper at Home teems with the same jaunty uplift. In sync with Franklin's musical spirit on the second recording are returnees Charles Owens on saxophone, Oscar Brashear on trumpet and Kenny Climax on guitar along wi…
United States of America Triptych (III)
Voices by David Grubbs, Magorzata Penkalla and Pete Simonelli, guitars by David Grubbs and Miron Grzegorkiewicz, organ and violin by David Maranha, Text excerpted from Vanishing Point: How to Disappear in America without a Trace Music by David Grubbs, Miron Grzegorkiewicz, David Maranha, Gosia Penkalla, Pete Simonelli
Three takes on America - three journeys and three documents. Written and recorded.Year 1939, John A. Lomax and Ruby T. Lomax in their Plymouth - going South. 6502 miles, tons of …
Luz
From the very start the world around you is singing. There's a distant conversation spoken through the trees, but it stays unclear against the clarity of the songs of the forest. Within that life the forms of the heart open up, as if immediately transported to a city-wide window, with only the view of afternoon traffic below, the burning concrete, and the inside of a small apartment. Nothing more than a toy piano lifting its head over the plumes of steam from a cup of tea. Momentary narrat…