New Arrivals
Jazz school
'Greg malcolm (guitars) and Eugene chadbourne (guitar). Sleeve design - Tomek Mirt. Basing on photo by Bruce Russell. Recorded by Dave Cooper. 33 RPM, black vinyl, 140g. Recorded on January 28, 2009 at Polytech Jazz School, Christchurch, New Zealand.' label info
Dusted machinery
Butcher and Nakamura first played together in 2002 at 'Super Deluxe' in Tokyo at the invitation of promoter Hisashi Teruchi. The concert was released as half of 'Cavern with Nightlife' prompting Jason Bivins (Dusted Magazine) to write : 'Not only is Nakamura one of the worlds great improvisers working today, I am hugely impressed with Butchers ability to work in concert with him. Whisper soft soprano squeaks and gently coaxed feedback saxophone meld fluidly, seamlessly with the stripped-metal to…
No Maps for These Territories
William Gibson recounts his life and the meaning of his work in contemplative fashion throughout this film and the insight gained is well worth whatever work one may need to do in order to seek this out....On an overcast morning in April 1999, William Gibson, the man who coined the word ‘cyberspace’, walked out of LAX Terminal 2 and steps into a limousine in LA and sets off on a road trip around North America, from West to East and South to North, from Los Angeles to New York, from Virginia to V…
Streengs
‘Streengs’ is Nicola Ratti’s fifth solo cd, and it showcases a completely new direction in his work. Using a minimal setup composed of a small analog synthesizer and a delay/looping device, amplified with two audio transducers placed on the strings of a grand piano, Ratti managed to create a very complex and dense soundworld. Every piece was recorded in realtime, during a residency at Hotel Pupik, Schrattenberg, in July 2011, allowing the sounds from the surroundings to interfere wi…
Phonometak Series # 9
A lovely split, with Evan Parker improvising with live electronics by Walter Prati on the first side, and percussionist/composer Lukas Ligeti (son of composer György Ligeti) with João Orecchia (guitar, electronics) on the other side.
Acid Birds III
Acid Birds was formed in 2004 in Brooklyn, NY by Andrew Barker (drums & percussion), Jaime Fennelly (harmonium & electronics) and Charles Waters (alto saxophone & bass clarinet). NY-based Barker & Waters are both founding members of Gold Sparkle Band, and Fennelly is 1/3 of Peeesseye, and recently embarked on his new solo project Mind Over Mirrors. 'Red Beak, Yellow Eye' opens up the record with wild drumming, electronic screeches and raging alto sax, building to a rapid waterfall of incre…
Shitgaze Anthems
After a 2-year absence, what has happened since we last peeked in on these "shitgaze" innovators? Well, that famous "distorto-lo-fi-sound" has been popping up in quite open spaces: No Age has become the new Brittany Spears, Wavves crashed in outta nowhere like a mid-90s grunge signing, and Vivian Girls are playing on the speakers in Target stores nationwide. Expect better production, poppier songs with druggier references, and elements as disparate as dub & emo combining to form a revionistic cl…
1974 - 2004
Per Henrik Wallin, piano. Sven-Ake Johansson, drums, voice, trumpet, accordion. Plus Joe Williamson, doublebass on one CD. Unique release of a 4-CD box including rare recordings of swedish pioneers of free jazz and improvised music, as well as a 28-page booklet with extensive writings and photos, letters and drawings by the artists taking you on a historical, yet contemporary, ride through over thirty years of musical continuos development. This box honors and puts in to attention the gr…
Tres Cabecas Loucuras
Tres Cabeças Loucuras is the third album by Sao Paulo Underground. It's a very catchy, jazz + electronics album filled with sunny melodies, beats, noise, sounds and songs. The group formed around Rob Mazurek (cornet and electronics), a key player in the Chicago post rock/modern jazz scene, who has played with everyone from his own Exploding Star Orchestra and Chicago Underground projects to performing and/or recording with Tortoise, Jim O'Rourke, Pharoah Sanders, and many more and whose work ref…
s/t
REISSUE on 180gm vinyl! Originally released in 1969, COSTA's 2nd album is one of the finest releases to come out of Brazil's Tropicalia movement. Feat. songwriting & vocal help from 2 of the original Tropicalismos, CAETANO VELOSO & GILBERTO GIL, she flows effortlessly between shredding psychedelia & smooth bossa nova. An essential record for anyone that appreciates the far reaches of Brazilian popular music. Incl. the classic trks "Baby" * "Não Identificado." Such a pleasant surpise to se…
Erewhon Calling: Experimental Sound In New Zealand
Erewhon Calling: experimental sound in New Zealand is a lavishly-illustrated new publication from the Audio Foundation and CMR. It is a survey of how a bunch of antipodean misfits and malcontents have forged new ways and new reasons to make noise, here at the end of the earth. Edited by Bruce Russell (the Dead C.), in association with Richard Francis and Zoe Drayton; the aim of this volume is to survey the full range of Ônon-standard' audio practices in contemporary NZ culture. The book's…
Tomografia Assiale Computerizzata
Finally available on CD, “Tomografia Assiale Computerizzata” is the debut album of the band of the same name, then better known by the acronym T.A.C. The LP was originally published in 1983 as the first release of the defunct Azteco Records, a label run by the band itself. Founded in Parma in 1981 by Andrea Azzali, Simon Balestrazzi, Giorgio Barbuti, Fabio Cortesi and Giampaolo Terenziani, in its first incarnation the band used to crossbreed rock and experimental music, combining tape-loo…
Conrad & Sohn
Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have "shared" an LP released by Conrad Schnitzler himself? One half features music by Conrad, the other his son Gregor. Two mini albums on one disc, so to speak. Father and son offer up drastically opposing musical concepts…
Superstitions
Amazing early works by Pierre Bastien & Bernard Pruvost as Nu Creative Methods. Originally released in 1984 on cassette by ADN tapes. Played with a bunch of exotic and self-made instruments. Vital 869 : '... the strange, chaotic, repeating sounds, which most of the times sound very acoustic (or very high end distorted such as in 'Barrio Chino'. A truly fascinating release, which has nothing to do with Bastien's later mechanical work, but which sounds crazy, fascinating and to my ears quit…
Kill The Self That Wants To Kill Yourself
A towering monolith of spiritual free-RnB sax riffing, embedded in world dub fragments, & harmonizer pedals. Instrument, genre, & technology are pushed to failure. The resulting spooky action at a distance darts around in the margins of what's possible, erratic in sentiment & aesthetic
Solitude Of Sounds (In Memoriam Tomasz Sikorski)
"Solitude of Sounds: in memoriam Tomasz Sikorski" is a collection of works created in Polish Radio Experimental Studio by Polish pioneer of minimalism, Tomasz Sikorski and by his friends and followers. The American flavour of minimalism has an "urban" soundscape that emerges from frenetic human interaction. It is the environment that informs a lifestyle and thus, informs the composer. On the other hand, the Dutch style of minimalism is what I'd call "Hippie minimalism". It is informed by culture…
Spatial Music
Władysław Strzemiński's unism as well as functionalism are to be found at the roots of the first sound installation in Poland. Prepared for Galeria Współczesna in Warsaw, it is a piece signed by an architect Teresa Kelm, composer Zygmunt Krauze and sculptor Henryk Morel. "Spatial-Musical Composition" is a follow up of Morel's and Krauze's explorations initiated in 1966 together with Cezary Szubartowski and Grzegorz Kowalski which resulted in an action titled "5x". The sculptural elements of the …
By the Stream
A study of free-form improvisation, rhythm and language using vocalizations, cello and analog electronics. These recordings in two movements can be taken as, on the one hand, pieces for two voices and improvisation chamber orchestra (which is what the musicians felt throughout the recording session) and, on the other hand, pure free improvisation. Both voices in interaction, perpetually urging the other on, producing more than their simple addition, producing a third voice -- like a semi-au…
Les Couleurs Du Prisme, La Mecanique Du Temps
The Colours of the Prism, the Mechanics of Time. A film by Jacqueline Caux. From John Cage to Techno, through minimalism and post-modernism. This film was inspired by the itinerary of a Ôgap-bridger': Daniel Caux, a musicologist, essayist and radio producer, who made endless discoveries in the fields of experimental, minimalist, repetitive, postmodern and techno music. His contribution is all the more important in that these past four decades have been particularly rich in terms of creati…
Absolum
An intense set of colorful electronic little tunes by Roope Eronen (Avarus, Pylon, Maniacs Dream), played 100% with a circuit bent Bontempi and an old Zoom multi-effect. Strong and hard-edged minimal electronic sounds combined with silly melodies create a psychedelic trip to D.I.Y.-electrified fantasy park. Silk screened artwork by Jonas Delaborde. A split release with Lal Lal Lal in edition of 200.