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All things must come to pass, if you love something set it free, it’s better to burn out than fade away, blah blah blah. No platitude can mask the permanent bummer of a favorite band breaking up in their prime, and such is the case with Iowa City’s most untamed civic treasure, feral-psych foursome Raccoo-oo-oon, who decided to dissolve this year after nearly half a decade of radical and galvanizing activity (tapes, tours, t-shirts, etc). Fortunately they’re generous sorts, so their parting gift …
Double LP version. Originally released in 2004 on the Les Disques Du Soliel Et De L'Acier label and now reissued by Type, this is the debut release by On -- the collaborative duo of Chicago-based percussionist Steven Hess (Haptic, Pan American) and French composer/producer Sylvain Chauveau. The concept behind Your Naked Ghost... is simple: the duo record an album in the studio, and then place it in the hands of a third party. The resulting work is then "remixed" (for want of a better word) and t…
Pantheon Of The Lesser was composed over a period of two years in Ocean's home studio in Portland, Maine. As the seasons passed each track was written, re-written, played and then re-played as layers were slowly stripped away until the true essence of the song was revealed. Once Ocean entered the studio it took another two years to deconstruct Pantheon Of The Lesser until they had found the essence of their writing. This disciplined deconstructionist approach to songwriting is how Ocean t…
In some ways, Commitment was typical of many bands of their time. Between 1978 and 1984, they enjoyed a modest success by the subterranean standards of the Lower East Side. They struggled for gigs during the waning years of the New York loft scene, enjoyed higher profile gigs at several Kool Jazz Festivals, made one short European tour, and recorded one LP. But their music is more significant than this story might indicate. Hwang was among the first improvisers to emerge out of the Asia…
**Double gatefold LP w/exclusives from Fennesz, Vainio, Jeck, Eleh, Chris Watson and so much more** Part of Touch's extended 30th anniversary celebrations, this compilation, with a cover photograph depicting Colossus, the first computer - serves first and foremost as a survey of the extraordinary breadth of the imprint's roster. Touch bosses Mike Harding and Jon Wozencroft consider the release to be a "group show" and a piece "documentary realism" as opposed to a compilation, one which provides …
More than 30 years ago ‘Bizarre Unit’ released their timeless and highly collected classic single ‘Dancing/Away from the Screaming Car’. Now for the first time ever, Bizarre Unit and VOD-Records have uncovered the lost treasure trove of their surviving recordings. These unique recordings have been digitally transferred, edited and carefully restored from the ¼-Reel-Recordings and Cassettes. Embedded crackling and background noise from the original surviving Acetates have been careful…
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
Gatefold double LP version. Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along a…
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…
Most Likely To: be one of the only albums you hear that will protect you from the smallpox virus. In the late 1960s, as traditional African culture rubbed up against an influx of Western influences, some of the most amazing modern musical forms birthed in the dance halls of West Africa. Rhythm and blues, soul, and funk elements electrified and popularized in the United States folded back upon themselves into their African origins. Afrobeat reigned supreme in Nigeria, a defiant and jubilant funk …
Special vinyl set collecting the first two incredible solo albums from Bruce Gilbert - not to be missed* In 1979, after completing their third and final group masterpiece, 154, Wire dissolved, leaving Bruce Gilbert and fellow traveller Graham Lewis free to explore their interests in minimalist electronics across a series of solo and collaborative projects. Originally released on Mute in 1984, 'This Way' was Gilbert's first solo album and was primarily made up of work commissioned by choreographe…
Gorgeous double LP version "If a tree falls in a forest and no one's around, shit still gets crushed. If Cameron Stallones holes up solo-style in a suburban cave and wah-riffs over canned bongos for five straight months, double LPs still get dropped. These are basic life laws. The latest from Mr. Araw is easily his least compromising audio self-portrait to date. Three minute rhythm sketches are stretched into ten minute loop pedal odysseys. Organ solos last for entire vinyl sides. Ambiguou…
Very Special double vinyl edition of Thomas Koner's 'La Barca' album - featuring a whole extra side/over 20 minutes of exclusive material never before available on any format, cut at Berlin's Dubplates and Mastering and pressed up in an edition of just 500 copies for the world. If you're a follower of Drone/Dark Ambient, and have admired the work of anyone from Deathprod to Rhythm & Sound to BJ Nilsen to Chris Watson to Angelo Badalamenti - this will blow your mind* There are few artists …
'LP only - Limited edition of 350 copies. Does Edward KA-SPEL need any introduction? Frontman of The Legendary Pink Dots, solo artist, member of Tear Garden and a fine man for fine music. On Korm Plastics we released the LP 'DNA Le Draw Dkee' a long time ago, and ever since Edward wanted to do another one. Here it is, a fine succesor to 'The Painted River of Regrets', two pieces of melancholic, ambient based music. Entirely instrumental. Cover design by Rutger Zuydervelt (Machinefabriek).
"David Daniell and Douglas McCombs's first collaborative LP, Sycamore (THR 216CD/LP), was assembled from seven hours of in-studio improvisations. Daniell and McCombs sifted through the material looking for their favorite moments, then combined, cross faded, mixed, and matched those moments into something that made sense to them as a long player. For their new release, the double LP Versions, they gave the same seven hours of material to noted recording engineer and producer Bundy K. Brown…
Debut vinyl by this post-Anschluss project. Basement experimental sound & collage recordings from Amherst, first released in about '93 or so. Tapes, keyboards, synthesizers, harp, piano, percussion, etc.
What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…
A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…
This 2LP is a reissue of the holy grail of Norwegian free-jazz and electronic music, Popofoni, released by Sonet in 1973. It features compositions by Arne Nordheim, Terje Rypdal, Kåre Kolberg, Gunnar Sønstevold and Alfred Janson played by an extended Jan Garbarek Quintet. The Popofoni-project was initiated after a heated debate on Haagen Ringnes’ TV-show Åpen Post in autumn 1969, which dealt with the subject popmusic. Standing on one side you found the defenders of pop, actress and sin…