We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

Transparent Winter
Painting Petals On Planet Ghost is the project formed in 2004 by the brothers Maurizio and Roberto Opalio, better known as My Cat Is An Alien, along with Ramona Ponzini, after years of synergistic interaction. The idea behind the project is to combine the most lyrical and melodic MCIAA sounds with the peculiar research carried on by Ramona and focused on the use of ancient Japanese poetry as a privileged source of texts to be set to music. PPOPG is therefore a project that reflects an escape to …
Con 3
This album saw Conrad Schnitzler head further in the direction of pop music. Like Consequenz, Con 3 (1981) is a collaborative effort with Wolfgang Seidel, alias Sequenza. Con 3 is a really odd mixture of numerous ingredients which Schnitzler was capable of combining with dexterity and taste. His musical handwriting is immediately apparent in the foreground. Effervescent electronic sequences can be heard on all nine pieces, coming from somewhere and appearing to go wherever -- this is Schnit…
Silent Partner
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten. This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
Suite N° 10 \"Ka\" / Suite N° 9 \"Ttai\"
Scelsi's works usually originated as transcribed improvisations; therefore they are never based on superficialities of form or compositional technique but always directly reveal the core of their message. Pianist Marianne Schroeder reports that Scelsi recommended daily improvisational practice as a method for discovering one's own creativity; and on his Suite No. 9 "Ttai" the composer is said to have commented: "Play it whenever you're sad. And when you're in high spirits." In Ttai, which links …
13 Japanese Birds Vol.11
Merzbow's 13 Japanese Birds is a 13 month series of releases inspired by Olivier Messaien's Catalogue D'Oiseaux. Beginning in January 2009 one volume of 13 Japanese Birds will be released each month. The 13th and final volume will be released January 2010. Cover art by Jenny Akita.
Early Tapes
The Neon Judgement was formed in 1980/1981. Instantly they self-released two cassettes. With a limited amount of electronic instruments, they recorded their debut: "Suffering". The first version of their classic track "Factory Walk" is on this tape, a much more raw version than the one which would later become an underground clubhit. "Sweet Revenge" and "Schyzophrenic Freddy" remind of Suicide and the almost claustrophobic sounding tracks "Harem" and "Army Green (WOIII) are in the veign o…
Book Of Nods
 A new landscape is painted out of darkness by progressive strokes of the dawn. The finished piece is neither night nor day, but the transformation itself. Aidan Baker's (Nadja) "Book Of Nods" crests experimental peaks in similarly paced sonic transmigrations. His lustrous chimera blooms open in shifting onion layers built out of slow-moaning guitar, flute, organ and drums. The resonant frequencies of quietly crashing nodes vibrate the ozone with a sub-textural beating of multi-pianic fea…
Grand Electronic Suite
Recorded at the Roundhouse 1972, during the ICES Festival."For this show we rehearsed a week in a small village in the south of Holland. The repertoire of the first part was a kind of "frozen improvisation". We made some written plans about the form and structures and then rehearsed it for the whole week. So during these rehearsals things moved from improvisation into fixed form, just by remembering what we have played, and polishing it. This is a working concept that …
Aum air
Meeting of 3 guitar players. Recorded live at Penguin House, Tokyo on January 22nd, 2005.
Lifetime Of Romance
Heartland synthesist Dylan Ettinger follows up 2010's widely lauded New Age Outlaws imaginary cyber-soundtrack with a stark, dark, and intensely different collection of misshapen new wave weirdnesses, Lifetime Of Romance. Recorded at a proper studio, and written over the course of a year, the seven songs of Romance reflect a heavy influence from the fringier strains of bummed out quasi-industrial synth-pop in the vein of Fad Gadget, certain Cabaret Voltaire, early Human League, etc, but dra…
Voice & Piano
Anna Clementi, voiceSteffen Schleiermacher, piano "This compact disc brings together all the pieces for voice and piano published by Cage with the exception of the two early song cycles Twenty Years After (after texts by Gertrude Stein, 1933) and Five Songs for Contralto with Piano Accompaniment (after texts by e. e. cummings, 1983)." |D|D|D|
Praha Meditations
After the concert in Prague last year in may, we followed the proposalof friends to play some acoustic instruments spontaneously on top ofthe hill, in Troja, into a circle of stones installations.Zithers, Tubes, Bells, Rattle and Shells, Flutes..the sessions wereinspired from the special place and the spring's vibes in the wind. Therecordings that are a blueprint of the spirit of that day, were editedin studio by Alio Die, then Mathias Grassow added his electronic dronesto expand the poin…
Capsizing moments
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing as she adds, moves or removes an object, or replaces one artefact with another. These preparations include disposable water cups, nylon fishing-line, bouncing balls, aluminium ashtrays, aluminium foil, industrial nylon, inner-tube rubber and polished …
Installation for 300 Speakers, Pianola and Vacuum Cleaner
John Wynne's untitled installation for 300 speakers, pianola and vacuum cleaner is at once monumental, minimal and immersive. It uses sound and sculptural assemblage to explore and define architectural space and to investigate the borders between sound and music. There are three interwoven sonic elements: the ambient sound of the space in which it is installed, the notes played by the piano, and a computer-controlled soundtrack of synthetic sounds and gently manipulated notes from the piano itse…
Planetary Unknown
"It's a great summer for music, with some excellent albums just released - and more reviews to come ... Let's start with the great David S. Ware and his new quartet, a great quartet, with William Parker playing the bass as on all other David S. Ware albums, with Cooper-More on piano instead of Matthew Shipp, and with Muhammad Ali on drums (the latest in a long list, with Susie Ibarra, Guillermo E. Brown, Warren Smith, Whit Dickey, Hamid Drake, ... and quite a phenomenal list at that).It is no do…
Razoj
the new creature by M.Gabola (A Spirale, Aspec(t), ASp/SEC_, Strongly Imploded) and Stefano Ferrian (psychofagist, Udus, FFATSO, de-noize). Razoj moves to the limits (ExtremeMetal/Elettroacustica/Free Jazz/PowerNoise, see the individual experience of the two musician); reduce the reality and generate the unthought, the chaos;
Zero Set
Featuring Moebius (ex-Kluster, Cluster, Harmonia), Conny Plank and Mani Neumeier (Guru Guru). The original LP was released on Sky Records in 1983. Historical masterpiece!! Reissue with elaborate miniature paper sleeve of the original LP. Digitally remastered version, limited to 1,000 copies
Time & Motion
Radio Massacre International is a British trio of Steve Dinsdale (keyboards, electronics, drums), Duncan Goddard (keyboards, electronics, bass) and Gary Houghton (guitar, synthesizers). These three musicians have worked together in various configurations since they were 16 year old students in the 70s and formed R.M.I. in 1993. After nearly 20 years together as R.M.I. and over 30 albums and hundreds of concerts, you might think that there might be no surprises left, but like their undulating, fl…
Je Suis Vivant, Mais J'ai Peur De Gilbert
from 1974. Amazing, underground concept Lp with musique fantastique behind spooky spoken word text / science fiction related narration. The music is superb, deep / gothic / weird and funky like the best J.P Massiera / William Sheller / Igor Wakhevitch productions. Strange arrangements and clever variations on a theme with lots of thudding hip hop style rock beats / fuzz distortions / Maledictus Sound style studio FX / filtered heavy breathing / electronics and other trippy instrumentation. Like …
Orientering I Denna Värld
Back to basic industrial noise carnage from Matthias Andersson (more known as one half of the chaotic harsh noise duo Heinz Hopf). Recorded in Gothenburg between September 2011 and January 2012 in the aftermath of the Utmarken years, Orientering I Denna Värld is a final closure to the concept initiated on the Öppna Vattendrag (Posh Isolation) and Förändringens Frö (Järtecknet) releases. Gritty, failing electronics, repetitive loops and processed fieldrecordings from the constructionyard t…