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Jason Kahn : drum set, voice, metal objects, radio, mixing board, contact microphones, magnetic coil, speaker, computer, chairs, plastic bags. Recorded in Kunstraum Walcheturm, Zürich, Switzerland on April 14, 2013. Mixed and mastered May 2-31, 2013. Cover design Jason Kahn. Audio CD, 6 panels digipak. 'Back in 1981 I was studying at the University of London in the School of African and Asian Studies. One lecturer had us read Chinua Achebe's novel 'Things Fall Apart.' Aside from the book moving …
Compound Eye is Drew McDowall (formerly of Coil) and Tres Warren (Psychic Ills and Messages). Journey from Anywhere is their second album release following Origin of Silence, an art edition LP on The Spring Press label. This double LP features four sides of improvised electronics that lead the listener into the dark recesses of the duo's subterranean explorations. Each of these works move at a slow and considered pace, gradually unfolding into a transportative blur of dark psychedelic minim…
Founded 40 years ago in 1972 “Otherworldlyâ€Â is the first Pyramids’ album in over 35 years. They released three albums before splitting up in 1977 – albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early 70s. Reunion? Re-Incarnation!!!
 The new album contains 14 never before released tracks. The Pyramids’ signature sound is still percussion driven, no surprise with Nash and Speller being two of the mo…
Jérôme Noetinger is an improviser and composer of electroacoustic music based in Rives (near Grenoble), France. He plays Revox, tapes and radio. SEC_ is the moniker of Mimmo Napolitano, an electronic musician and sound engineer from Naples, Italy. He plays Revox, no-input feedback, laptop, electronic devices. Together these two play the kind of improvised electronic mayhem that put Europe on the map. Testcoda features two separate recordings of shapeshifting electronics. One side recorded…
6 songs, 21 minutes. In high summer of 2007, Phil Elverum, in the guise of Mount Eerie, found his way to Southern Studios. Armed with a borrowed guitar and some notebook paper, and with little time before an evening gig, Mount Eerie and Southern's engineer Harvey Birrell recorded the six songs of Black Wooden.Black Wooden is the coming together of ideas that had travelled with Mount Eerie for months and had solidified into compositions in the days and hours before the studio session. The title i…
First release on Sham Palace, a new label from key Sublime Frequencies conspirator Mark Gergis. "Leh Jani" -- the legendary Omar Souleyman track -- was originally released in Syria as a sprawling 30-minute epic groove, alongside two additional tracks. The entire 60-minute cassette album was recorded live to tape in 1998 at the home studio of producer Zuhir Maksi in the village of Ras Al Ain in northeastern Syria. Many of Omar's early tapes were recorded in this fashion to replicate the feeling o…
Hard-grooving Ethiopiques killers from the "Ethiopian Elvis". This eponymous collection gathers some of his finest moments from 45's recorded between 1967 and 1974, nine total, mixing R&B, soul, rock'n'roll with that magically mystical blend of modern flair and traditional groove that makes the Ethiopiques series such a treasure trove. You could imagine each of these being classics in their own right way back when, from the soulful organ burn and infectious breaks of 'Kenoru Lebetchahe' w…
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …
Compiled by Chris Menist, Qat, Coffee & Qambus: raw 45s from Yemen features vintage oud and vocal music inspired by the qat-chewing, coffee-sipping, qambus-playing culture of Yemen. Although part of the classical Arabic musical tradition, the music of Yemen takes its rhythmic lead as much from the East African coast (a mere 20 miles across the Red Sea) as the surrounding Arab Peninsula.Little has been written about the music and culture of one of the world's oldest civilizations, and each 45rpm …
The Mortimer Trap is an epic, 77-minute "variation" of Morton Feldman's For Bunita Marcus, constructed by German experimentalist and techno icon Thomas Brinkmann and Australian sound artist Oren Ambarchi. Pulsating waves of claustrophobic ambience generated from who-knows-what patiently builds into a throbbing, rhythmic pulse of gorgeous sonic density. Since the '80s, Thomas Brinkmann has experimented with sound, its textures and its construction methods. His custom-built two-arm turntable …
Exact repro edition of this LP, originally issued in 1965? This is the limited edition colored vinyl version. "Another reissue of the ultimate oud master. This is the follow-up to Expressions East and it is no less an impressive affair. Again on this album John has brought together some of the finest exponents of Armenian, Turkish, and Arabic music, including James Shahrigian (bass), Souren Baronian (clarinet, bongos), John Yalenezian (dumbeg), Jack Chalikian (canun), Steve Pumilia (finger…
Taking inspiration from early music concrete and electronic music, the BBC Radiophonic Workshop, Nuno Canavarro, Raymond Scott, David Behrman, and free improvisation, Old Punch Card is a beautifully noisy, jagged, yet stately album of synthesizer music. The ideas and implementation of Old Punch Card (the album title alluding to the electronic, faintly mechanic origins of the music) were the result of an entirely new challenge: to do something completely different from anything else he's…
As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a stud…
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
The Voice of the Turtle is one of the most beguiling albums from one of America's most legendarily beguiling musicians. Originally released in 1968 on his own Takoma label, Fahey credits some of the compositions and performances to the fictional guitarist Blind Joe Death, and some of the songs are actually rumored to not be Fahey at all but in fact obscure blues 78s. Whatever the case may be, it's one of Fahey's most adventurous and beautiful LPs, with the three lengthy improvisational pie…
Founded in Belgium in 1970 with a remarkable line-up for a rock band: sax, organ, bass, drums and vocals - no guitar!, Mad Curry caught the attention of manager & enterpreneur Louis de Vries (the man who had arranged the very first Pink Floyd gig in Belgium) and soon debuted with the "Song for Cathreen" / "Antwerp" 45. "Antwerp" has become a club favourite ever since due to its danceable freakbeat psych rhythm. Shortly after, the Mad Curry album was released on the Pirate label, characterized by…
*Another precious find from Andy Votel and Demdike Stare\'s Dead-Cert imprint featuring foundational Concrète experiments from the director of IPEM, Belgium\'s equivalent of the Radiophonic Workshop. Transferred from the original Mastertapes by Andrew Popplewell and remastered by Gareth Mallinson and Matt Colton, limited Edition pressing of 500 copies* Dead Cert illuminate three unique and chilling electro-acoustic compositions by the pioneering head of Belgium\'s Institute of Psychoacoustic and…
This album is a return to brutality for Drumm and a continuation of the intense lo-end evil of Wiese. Needless to say it is amazing and an essential purchase for noise fans, Mania-inducing heavy waves of suffocating bass frequencies with ripping and tearing, hissing and speaker-destroying hell-storm; at times these guys indulge in noise in the service of the metal that has influenced them via hi-end frequencies, but for the most part this is an expansive record that will immensely satisfy fans o…
Not Not Fun label-mate Xander Harris has released “Urban Gothic,” the most overtly Carpenter-influenced modern electronic album to date. While Harris cites a laundry list of influences, new and old, it is Carpenter’s distinctly chilly synth-based sound that is most evident here. Although just as Umberto and Ensemble Economique mixed an array of genres ranging from African tribal music to disco into their reimagining of the horror soundtrack, Harris also draws inspiration from 80s synth pop and d…
Jigokuhen is the final instalment in Masami Akita's 15 part Bird Series for Important Records. Inspired by Olivier Messaien's Catalogue D'Oiseaux, the Bird Series saw the release of one CD per month for 13 months while a 14th disc was released free via download to series subscribers and on CDr with the purchase of Merzbow's EcoBag. This 14th Bird Series release is being issued on the 2 year anniversary of the start of the Bird Series and in conjuntion with Vampilla's new album on Important …