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A book all in French about the Swiss artist Roman Signer and his work. Texts from François Bovier and Hamid Taieb, Geneviève Loup, Rachel Withers, + an interview with Roman Signer.
The Kel Tamasheq people of the Sahara respect an ancient social order of noble families supported by lesser nobles, craftsmen and former slaves. Noble princes never would pick up a musical instrument -- that was for the craftsman, the griot, the professional bard, or the lesser nobles. But all that has changed during the droughts and rebellions of the past 50 years. The whole social order has been challenged. In the 1970s, electric guitars appeared in the desert. Everything began to c…
Originally issued on Dog W/A Bone in 2002. The S.E.M. Ensemble's Spoken Music Concert took place on Tuesday, February 6, 1990, at the Paula Cooper Gallery in New York, then on Wooster Street in Soho. It was performed by members of the S.E.M. Ensemble: Petr Kotik (Director), Chris Nappi, Joseph Kubera, and Den Neill (sound mix); and four guests: John Cage, Dick Higgins, Jackson Mac Low, and Anne Tardos. "Empty Words," written in 1973-1974, is arguably the most musical of John Cage's texts. M…
gorgeous LP by this Leeds duo whose first half lives in London (and loves Whitehouse and Rush) and the other in Berlin (and loves Farley Jackmaster Funk). With several releases on labels such as Chocolate Monk, American Tapes, Troniks, Hospital Productions, or their own: Alcoholic Narcolepsy, Luke and Steven have been crafting and sculpting their psychedelic-electronic-noise-drone sound for over half a decade. But who cares and what does that sound description mean anyway? If you ask them,…
Daniel Carter's relaxed phrasing moves naturally between Parker's earthly bass sound and Ughi's sensitive drumming. This trio's music seems to be possessed by a light and welcoming spirit. A constant flux of energy, a three way dialogue consumed within the time and space of one breath. Telling the story of the trio's origins, the musicians talk about dreams and desires while the body of this music takes shape within the human connection of the band's relationship which has grown over time, throu…
Outstanding tape from Angelica Castello (Mexico, 1972) one of the best electroacoustic composers of her generation "I see my music basically as a complex construction of associations, quotations, dreams, nightmares, real and unreal people, stories and reflections. 'erche">Silvertone e il sentimento oceanico' is about a big ship leaving' Angélica CastellóAbout Castelló's music: 'Music that is both visual and abstract, that calls forth memories and chases them away, that ofte…
Opal Tapes' visionary bossman Stephen Bishop synthesises spellbinding post-techno ecologies on his debut slab of wax as Basic House. 'Caim In Bird Form' is an engrossing refinement of the arcane, buckled structures and textures best heard on his 'I'm Not A Heaven Man' album and an excellent split with Prostitutes for Blowing Up The Workshop. It's a sound that was conceived in relative isolation, yet feels intrinsically plugged into the zeitgeist and highly aware of fringe actions in the wake of …
Limited double LP version. Recorded live on December 8, 2006 at a memorial event for James Tenney at California Institute of the Arts, Perhaps is Harold Budd sublimely distilled. Striking in its restraint and simplicity yet profoundly resonant in its depth and message, it is both eulogy to a departed friend and defining statement from an artist at the apotheosis of his career. Originally available only digitally (and only from Samadhisound's web site), Perhaps sees its first-ever and much-de…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
180 gram vinyl version. Tracklisting: Space Towers, Cogitation, Skylight, The Alter Destiny, Easy Street, Blue Differentials, Monorails and Satellites, The Galaxy Way. Recorded at Sun Studios, New York 1966 (a home recording).
Double LP version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook…
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space rock style. Over their 40-year existence, during which Christian Burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over 20 records. This is a never before released jams recorded live during 1976 in various locations. This is the only record of the collaboration with the italian jazz legen…
The third and final part of the Partikel trilogy is finally here! Another beautifully constructed collaboration from the two noise giants - Japanoise King Masami Akita (aka Merzbow) and Swedish Overlord Henrik Nordvargr Björkk (MZ.412, Folkstorm, Toroidh). The styles on ÔPartikel III' range from total noise barrages, to intelligent electronics, to subtle dark ambient pieces. Essential! Presented in a luxurious matt laminate digipak.
John Zorn and Bill Laswell are two of the Downtown scene’s most consistently intrepid musical explorers, and PainKiller, formed in 1991 is their longest running project together. “The Prophecy,” the first official PainKiller release in over ten years, was recorded live in Europe in 2004–5 and pulls together music from several concerts into a powerful and mind blowing suite unlike anything the group has ever released before. Featuring master drummer Yoshida Tatsuya (Ruins, Korekyojin) the music t…
Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analogue tape and digital methods. The fiv…
Moreno Daldosso breaks into 1993 with his project Murder Corporation and released his first tape on his new label Murder Release. Tape after tape Murder Corporation has gained a prominent position as electronic serial slaughterer, claiming frontal attacks and sonic walls relentlessly, sampling overload and brutal distortion. Butcher Meat is reflected in an overdose of frequency, blood, screams and distorted voice beyond the human. Death, massacres and violence are tightened up until the total sa…
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.