New Arrivals
Live in Istambul
"Collective improvisation based on a Turkish folk tune. One of the most ecstatic piece of music i ever heard (simple as it is) ! suddenly i found myself dancing madly, like a Whirling Dervish... unfortunatly i didn't get Enlightment BUT, it was fun !" ep
Surveillance
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Neposlusno / Sound disobedience
Through several duos, a picture of improvised music in Slovenia. Tao G. Vrhovec Sambolec, computer & Vid Dra ler, drums, percussion. Andrej Fon, bagpipes, clarinet & Ana Kravanja, violin. Matija Schellander, double bass & Toma Grom, double bass. Samo Kutin, hurdy gurdy & Marko Jeni , violin. Andrej Fon, el. guitar, clarinet & iga Pucelj, feedback loops. Vid Dra ler, drums, percussion & Marko Karlov ec, alto saxophone. Vitja Bal alorsky, el. guitar, analog electronics & Bo tjan Simon, alto saxoph…
Seitz versus Gendreau
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
Live at I-and-E
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith)
Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
Berlin
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
Xuan
Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
Rules of the universe
Kye is proud to announce the release of Rules Of The Universe, a fully authorized anthology of archival audio work by the renowned Dutch artist Anton Heyboer (1924-2005). Heyboer's stature in visual arts is well known and internationally celebrated, but documentation of his audio work is scant and difficult to locate. Heyboer's only previous vinyl release - 1976's ill-fated 'She And She As One' LP (EMI) introduced a music so resolutely personal and uncommercial in nature that EMI ordered …
Format
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Crushed Interior
Jim Donadio's debut Psychedelic Black album as Prostitutes came out in 2012 and ended up on many year-end lists, fitting in somewhere between the post-noise abrasive techno of Pete Swanson, Container, Nate Young, etc., the roughened post-punk hues of Powell and the more precision-built constructions of the Raster-Noton label. Donadio's follow-up, Crushed Interior, arrives via Digitalis and picks up where he last left us, taking us through to the next, blackened layer of re-formulated techno te…
The chord catalogue / Within fourths/Within fifths
Samuelel Vriezen (piano). Tom Johnson 'The Chord Catalogue'. All 8178 two-to thirteen-note chords possible within one octave. Samuel Vriezen 'Within Fourths/Within Fifths'. Progressions in one to five voices of all possible combinations of notes with each voice being limited to three steps, a perfect fourth apart from the neighboring voices (Within Fourths) or to four steps, a perfect fifth apart from the neighboring voices (Within Fifths). 'I like to think of The Chord Catalogue as a sor…
All about Mimi
Ernesto Rodrigues, viola. Ricardo Guerreiro, computer. Christian Wolfarth, cymbals. Recorded 2012 in Lisbon.
Noir
Jean-Marc Foussat (VCS 111, voice). Jean-François Pauvros (guitars). Makoto Sato (drums). They recorded this studio album a few years ago. Brillant and inspired, as always!
Tomorrow's Achievements: Parry Music Library 1976-86
This is Tomorrow's Achievements, an exclusive Public Information foray into the Canadian Library institution, Parry Music. With access granted by founder John Parry, Public Information have selected twenty-five of their favorite electronic tracks, an early autumn heat-wave of perfect melody. Parry Music was founded in 1974 in Toronto by John Parry and Chris Stone. John was formerly a manager of revered UK library Chappell Music and Chris was a Canadian music consultant; both brought some familia…
Parallel / Grayscale
Parallel/Grayscale is the first collaborative work between Italian guitarist and composer Giuseppe Ielasi and French-Swiss composer and electroacoustic musician Kassel Jaeger. It is comprised of two different improvisation sessions. The first one took place in Paris, in October of 2011. The second happened in Oreno, in June of 2012, after the first concert Ielasi and Jaeger performed together. The first session was a pure analog device improvisation, whereas the second one was more laptop-o…
1933 Your house is mine
The cacophonic discord of Missing Foundation and the prophetic vision of Peter Missing culminated into a sophomore album following their legendary self-titled debut which was collected under the banner as 1933 Your House Is Mine. This tumultuous effort was brought about in 1988 as a means to educate the forgotten and venerate their followers using brash performance tactics and industrial rhythm to rally their cause. An industrial soundtrack of urban protest, Missing Foundation found their voice…
Red sky
Joe McPhee, tenor saxophone, pocket trumpet. Paal Nilssen-Love, drums & percussion.Recorded live in concert at Kongsberg July 2008.
Brombron 26: Two lost souls
Korm Plastics is proud to present the twenty-sixth release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a …
New Egypt
One track, Ten minutes. Latest Latitudes session from Mira Billotte and Doug Shaw’s Psychedelic folk combo.- New Egypt follows White Magic's hugely successful Dark Stars EP (Drag City, 2007).- This track was created specially for the Latitudes series and recorded during White Magic's 2007 European tour.- As usual this Latitudes release is in super fancy art cardstock packaging with gold foil blocking, limited to 1000 only!When i saw White Magic play for the first time I walked away charmed and e…
BIPPP : French Synth-Wave 1979/85
Sounding as current as any of the recent output from France's Ed Banger, Kitsune or Institubes labels, and on influential blueprint for the evolution of the French electronic music genre at large, the majority of the performers featured on B.I.P.P.P. never made it beyond limited DIY pressings of 500 or 1000 copies of 7" vinyl singles.