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A mythical Magma album recorded in 1971, during the 1001 Centigrades period. The album aims at introducing wider audiences to the zeuhl feel, with a less hermetic sound, favoring a groovier jazz-rock approach. Features the vocalist of Ergo Sum on one track as well as Tito Puentes on trumpet; otherwise this is pretty much the same line-up as in their previous album. A few dreamy moments with acoustic guitar and flutes (the track 'Clementine'), and other typically dense moments with pulsati…
There's no shortage of electronic reissue imprints operating these days, especially ones concentrating on 'lost' synth-wave recordings from the late 70's - mid 80's - but few have access to the kind of material amassed over the years by Forced Nostalgia, a brand new label curated by one of Belgium's most knowledgeable and methodical sound archivists: Fré De Vos. The breadth and quality of the material already scheduled for release by Forced Nostalgia is just jaw-dropping - extending the r…
Limited Edition of 400 copies, already out of print: Erik Skodvin, the crown prince of nefarious Nordic doomscapes, returns with another incredible dark ambient grimoire for the Type label. Kappe finds the Deaf Center member peering yet deeper into the sonic abyss, concentrating his efforts on four lengthy compositions, each one following its own distinct subterranean tributary. 'Tunnel Of Love' opens the set with a blurry swell of dense tones and funereal howling before eventually throwing in a…
Songs and field recordings from up and down the Korean peninsula and under the ground during 2006-2007: native winds and bells, charismatic tongues, mountain shamans, fauna, charms, university innards, resurrected ancestors, missteps, ceremony, morning, winter, night, glass rooms beneath Gangnam, totem + taboo; concluded with nitrous-damaged pop songs, Bowie cover and cellphone karaoke. Handmade art,
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
the Pyramids first album, recorded in Yellow Springs, Ohio in 1973. It was recorded in Ohio, yes, but band leader Idris Ackamoor grew up in Southside Chicago, & this album was recorded after the core of the band had made an extended trip to Africa, & these facts give a better idea of where this music is coming from. The Chicago thing is happening in that this is definitely informed by the AACM approach, especially the Art Ensemble. The African thing is probably the more important element, though…
Veterans of the sprawling Chicago music scene, Zelienople have carved out a unique sound over their album releases. The World is a House on Fire is the latest chapter in the band's story, and frames their music more succinctly than ever before. Mike Weis (percussion), Matt Christensen (vocals, guitar) and Brian Harding (bass, saxophone) managed to perfect brooding, melancholy doom-pop on their last full-length Give it Up (TYPE 054CD), and this latest LP finds the band in a more evocative mood.…
SUNN 0))) & PAN SONIC / ALAN VEGA / STEPHEN BURROUGHS. Latest in Blast First's series of Suicide tribute, sees the original of "Che" teamed with covers of "13 Crosses, 16 Blazin' Skulls" and Goodbye Dear". Limited to 2000 COPIES only.
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
An uncanny channeling of Missing-Links-styled garage/psychedelia, Pere-Ubu-esque rustbelt trippery & the experimental post-punk spasms of The Work (SAKI)
One of the best-remembered Sun Ra albums from the 70s – a really cool little session that features Ra playing the unusual "rocksichord" all the way through! The instrument's a very weird one – kind of like a messed-up electric piano, with lots of cool broken notes and a weird fuzzed-out tone – one that almost feels like a guitar's being fitted into a keyboard, with almost psychedelic results! Ra's use of the rocksichord gives the album a really eerie, outer spacey sound – one that mixes strongly…
featuring Brian Sullivan & Nate Nelson (Mouthus), Pete Nolan (Magik Markers, Spectre Folk) and Karl Bauer (Axolotl). The LP features two side-long tracks of bubbling, meandering noise-drone collages. "What the hell is this madness? After the Georgia Sea Island Singers took me somewhere nice it’s up to this super-group to drag me back to the fierce, nightmarish industrial landscape from whence I came. Then again this isn’t the sound of Bradford. I don’t know what it’s the sound of actua…
Alexis Georgopoulos (ex-Tussle), who is one third of The Alps (released by Type and Root Strata), and half of Q&A (on DFA), has finished his second album as ARP. Recorded as Alexis Georgopoulos (the man behind the music of Arp), relocated from San Francisco to New York, "The Soft Wave" is expansive in scope, unfolding like a collection of short stories or filmic vignettes, each piece building upon the other. "The Soft Wave" incorporates guitars, piano, flute, & Ebows to create a dense bro…
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
"The Black Motor on Sagittarius (after their 1st qbico release) ! probably one of best & more respected free music outfit in Europe right now, for sure they rules in Finland and especially in their own town, Tampere where they even have i think a bi-monthly night called Black Motor Klubi at legendary Club Telakka... it's for sure one of the tightest group i know of, having the chance to play a lot together and this is clearly manifest when you hear their unfocused playing... their most mature wo…
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
As sold on recent tour - Limited to 500 copies on clear green vinyl with all handpainted covers. This record features 5 instrumental mixes of songs from the latest kranky lp (songs for the broken hearted). These mixes are completely different & in some cases hardly sound like the kranky version. There is also a sixth song which is unreleased. The covers were made using recycled lp jackets, all white washed & then painted on. Some have concrete designs & some are very free form. Photocopied tour …
Original 1981 release! Slava Ranko(aka Don Philippi) released only one album, Arctic Hysteria (1981), that quotes John Cage, Brian Eno, minimalism, Indian music Don Philippi (October 2 1930-January 26 1993) was a noted translator of Japanese and Ainu and a musician.Born in Los Angeles, Philippi studied at the University of Southern California before going to Japan in 1957 on a Fulbright scholarship to study at the Kokugakuin University. In Japan he became an expert in classical Japanese an…