New Arrivals
Tanz In Dem Himmel EP
"Superb cosmic and minimal synth/coldwave German underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12" vinyl on Soul Jazz by popular demand! This is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult German electronic group E.M.A.K. -- none of which appear on Soul Jazz Records' recent E.M.A.K. album. E.M.A.K. were a main feature on Deutsche Elektronische Muzik, Soul Jazz Records' j…
Keep An Eye Out
Table of the Elements continues to celebrate its 15th anniversary with the tenth installment in its Guitar Series Vols. 3 & 4. It’s a 12xLP romp of deviant fretnoise by some of experimental music’s most prominent players, including Christian Fennesz, Thurston Moore, and Sunn O)))’s Stephen O’Malley. Sunn O))) founder Stephen O’Malley summons a mesmerizing drone, absorbing the listener into an aural tar pit of deep, inexorable oblivion. He wears a cloak of post-metal allegiances with behemoths li…
@
Screeches, Scratches, Knocks, Bangs, Explosions and Howls in the Night! “@” is a fabulous studio recording of two Downtown masters. Both long-time supporters of extreme music and proponents of free improvisation, John and Thurston share a deep musical connection and come together here to create their first work together. A varied and powerful program of duo improvisations, “@” presents the community of NY’s Downtown scene at its collaborative best.
Jazz Sahara
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Deviation Heat-treated
Surprise release from the mighty PAN label, Heatsick re-worked by Mark Fell's Sensate Focus across two long tracks totalling 35 minutes* From behind your ear, PAN pluck a blink-and-miss exclusive: a 35 minute audio response by Mark Fell (Sensate Focus) to source material by Heatsick, somewhere between cover version, remix and deconstruction. Along the A-side 'X' plane, tones are exploded, harmonies refracted with HD dissonance; time is extruded, made ductile yet intangible. On the B-side 'Y' axi…
Hacia Aquellos Bosques De Inmensidad
This third release from the Peruvian spiritual collective (roughly translated as Mountain Community) continues to deliver deeply personal devotional music honouring their natural surroundings in the river valley outside Lima. As with previous releases, much of the music was recorded and composed on the spot, making them truly unique improvisational journeys to inner peace. Like 70s krautrockers Amon Düül, with a communal vibe with religious overtones to their soothing, meditative music. Nature i…
United States of America Triptych (II)
Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George Leite, Giuseppe Ungaretti
Split
Debut vinyl release for both of these great artists who collectively have had releases on a host of excellent underground labels such as Stunned Records, Housecraft, Sturmundrugs Records and Digitalis. Black Eagle Child is the musical project of Michael Jantz, and this release is his second outing for Blackest Rainbow following his excellent Kite Excursions CDR a while back. Here he presents us with 4 tracks of skillful guitar finger picking layered with glockenspeil, accordian and some perfectl…
In Four Parts (Tribute To John Cage)
Equipped with a modular synthesizer, a guitar and electronics Patrick Pulsinger and Christian Fennesz approach the master of the treatment of silence, John Cage. The piece on this album, which was recorded live at Wiener Konzerthaus, was inspired by the underlying attitude of Cage’s String Quartet in Four Parts. Upon invitation by the WIEN MODERN festival the two legendary electronic music protagonists tackled the composer’s early string quartet, took it apart and adapted it for two players, alw…
Day and night
Saxophonist Gerd Dudek's 2012 concert in London at the Vortex in a quartet with Hans Koller (piano), Oli Hayhurst (bass) and Gene Calderazzo (drums), with Dudek and Koller picking some of their favorite jazz tunes including works by Nichols, Shorter, Coleman, Wheeler, &c. Gerd Dudek (soprano & tenor saxophones), Hans Koller (piano), Oli Hayhurst (double bass), Gene Calderazzo (drums). Gerd Dudek came to London early in 2012 to give a concert at the Vortex. The next day the quartet went to…
S/t
Attila Faravelli and Nicola Martini are two of the most innovative italian artists working in the field between sound art, electro-acoustic music and raw resonanting materials.
This recordings, edited by Giuseppe Ielasi, are the result of a couple of years of real experiments with a crazy amount of different materials, stones, chemical acids, vibrating obojects, modified electronic devices and acoustic spaces.
Armed Courage
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
The complete 15th August 2001
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.
Calmont breakdown
New solo album by the highly prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms. Here, his music sways towards the difficult and embraces organ drones and swells, frazzled electronics, a voice that is at once unnerving and unnerved, and more besides. Anybody expecting a comfortable listen should be prepared.
Revelation
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Surfaces
Gianluca Favaron returns on Silentes with the second release in the prestigious “Private Sounds” series. Besides having published some solo works, Favaron is part of Under The Snow along with Stefano Gentile and collaborates with Ennio Mazzon on the Zbeen project. In the past he has released music as Ab'she and was part of Lasik Surgery along with Pierpaolo Zoppo. Among his most recent releases we remember his collaboration with Corrado Altieri entitled "The System of Objects". "Surfaces" is a m…
Angels Of Darkness, Demons Of Light II
Recorded in the same two week session as 'AODDOL I' by Stuart 
Hallerman at Avast and mastered by Mell Detmer, Earth's 
'Angels of Darkness, Demons of Light II' carries on in the freely 
improvised, folkloric vein of the title track from their last 
release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular 
recording. Earth's songs, Sigil o…
Corporate Laughter
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon. One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…
Take Me To The Water: Immersion Baptism In Vintage Music...
..And Photography 1890-1950 The latest release from Grammy Award-winning reissue label Dust-to-Digital gives music fans another reason to rejoice. A stunning 96-page hardcover book of historic baptism photographs, taken between 1890 and 1950 and compiled from the collection of noted folk art collector Jim Linderman, is accompanied by a CD of rare gospel and folk recordings from original 78 RPM records (1924-1940), featuring artists Washington Phillips, Carter Family, Tennessee Mountaineers, …
Light that comes, light that goes
One of two new releases from Brian Pyle (the other being 'Interval Signals'), Light that comes is a rich exploration of Ensemble Economique's range and power. With a palpable sense of the sublime throughout, the listener is guided through drones like the pillars and buttresses of a cathedral for a sombre new religion, into the sounds of the ocean (somehow elegiac), flute tones springing up in the fog like gravestones, and fallen kosmische. These are followed by the wonderfully odd 'As the Train …