New Arrivals
Homage To The Pointed Waveforms
Few copies available, sold out at source - Homage To The Pointed Waveforms is the final release in a series dedicated to specific sound waves. Following Square (2008) and Sine (2009), ...Pointed Waveforms explores composition with triangle and sawtooth waves through studies of a dense modular system. Variations were performed live in Barcelona, Brussels and Madrid during spring 2011, but this LP is the next step. Side A contains a version of the piece that was conceived for the shows, whi…
Rv8
With RV8, the Osaka-based producer and musician Aoki Takamasa continues his long-term project that focuses on the modulation of rhythms and grooves. It began with his first EP Rhythm Variations in 2009, released as part three of the Unun-series. Besides his collaboration with Raster-Noton, he released records on several labels like Commmons, Progressive Form and Op.Disc, produced remixes for well-known musicians like Ryuichi Sakamoto and Yoshihiro Hanno and played performances at Elektra/Mont…
Ep1
Ripatti is a new label from Sasu Ripatti, better known to the world as Vladislav Delay. Envisaged as a studio diary of sorts, the label will be cataloguing ongoing experiments made by Sasu in his studio on his own and alongside various collaborators. This first twelve features two extended productions from Sasu under his own name, feeding into the emergant Techno/Footwork nexus and delivering something far removed from the submerged dub variants he made his name with on his classic 12"s and albu…
Filme I
MM schumend. Wepa. Wirbel und einzelene Schlge für kleine Trommel. Ertrumtes Konzert. 34 Photos - Solo Performance 1986. SÂÂÂÂJ is someone, who, austere and prosaic, but with subliminal passion pays attention to the \'things\': in particular the lackluster \'byproducts\', the bulky till tongue-tied circumstances, the useful coverings of the alleged precious where he draws out the last, extracts a ghost. Thomas Groetz. Video dokumentation by Teresa Iten. 16 page booklet with a text by Thomas Gr…
Three-Lane Blacktop
"Limited to 300 copies LP that bundles a bunch of great performances from the first Charalambides trio line-up featuring Tom and Christina Carter alongside Jason Bill (later of Migrantes). Two full sets that catch the group breaking out from their early Texas-psych sound into a whole new free/folk mutant, with Christina’s jubilant, spooked vocals over rattlesnake guitar and a wash of F/X. Still one of the most important – if relatively unsung – underground rock groups of the past decade p…
Mellow Out
Mainliner, were a Japanese trio consisting of Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple) and Hajime Koizumi and their debut album 'Mellow Out' is considered by many to be thee CLASSIC Japanese underground album. Since it was first released in 1996 it's legend has grown and grown, and it's still talked about by lovers of all things loud, noisy and Japanese as THEE definitive Japanese noise rock statement. Upon release it was instantly dubbed 'the pinnacle of achieveme…
Mother of Thousands
As with their previous 'proper' full-length Gettin' Gone, new album Drone Trailer finds Matt Valentine and Erika Elder Still hooked up with The Golden Road, and ready to spurt forth blistering passages of galvanized psych-rock at a moment's notice: after a scorching pile-up of vintage guitar muck, opener 'Anyway' draws to an ill-behaved conclusion with some improv guitar and free-noise skronk, all completely undermined by a jazzy line in tremolo rhodes piano tinkering. Despite such flight…
Scale Structure Synthesis
In 2012 the University of Sheffield commissioned Mark Fell to collaborate with Dr. Jonathan Howse, a leading nanoscientist based in the Department of Chemical and Biological Engineering. Their collaboration led to several works including a multichannel sound installation, a series of prints and the recordings presented on this record.The inserts contain graphics, an essay by Dr. Howse and a conversation between Mark Fell and British researcher Peter Worth.
Ornate shroud
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
Grain
CD edition "The new Zs lineup (Sam Hillmer, Greg Fox and Patrick Higgins) sounds very much like a new band, at least as evidenced by the Grain EP. The two side-length tracks (coming in at a total of 42-minutes) bear the marks of Zs' sound - repeated phrases, looped or played in situ; buried drones and harsh electronic tones - but it does sound very much like a new band.
There's an extended ambience to the album that trick perceptions of time. Glitches and waves that last only a minute or th…
N 7 (Interviews Special Issue)
Bilingual (English/French) and biannual, Volume - What You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history. Interviews Special Issue. 'Why a special issue devoted to the interview? This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words Ð or at least with dialogue, because interviews are not necessarily …
Time and language
Pleq, Hiroki Sasajima and Spheruleus manage to overcome the sheer geographic distance that lies between them to produce a really wonderful studio album.Pleq and Hiroki Sasajima are from bustling capital cities; Warsaw and Tokyo respectively, which has naturally had an impact on their sound. Whilst Spheruleus is from a quiet Lincolnshire town in the UK, surrounded by farmland. As a result of the inspiration drawn from their different environments, the solo output from these three artists is all q…
The eyes, the mouth Night of the ocean
Sonic Youth's Kim Gordon and XO4 and VAMPIRE BELT's Bill Nace team up for the third time (they also released a cassette and did a FEVER cover) showing no band needs a drummer to trash or mildly shake brains!basement jams after listening to basement jams, deep down in the deepest basement of the valley, 2 guitars fighting for a place on a chubby cassette recorder while the ultra no wave vocals of Kim Gordon ghostride thru a pretty packed parking lot.a throw back as well to early raw Sonic Youth d…
Tragedy & Geometry
On Tragedy & Geometry, Steve Hauschildt, one-third of Cleveland’s neo-kosmische revivalists Emeralds, crafts an hour’s worth of instrumental synthesizer vignettes. His pieces tend to evoke thoughts of bygone eras of technological pop culture — many of these tracks could be placed seamlessly into Blade Runner, or into some lost Playstation-era (you know, when Final Fantasy VII was cutting edge) videogame. Hauschildt doesn’t craft wholly formed songs so much as he works with detached, technologica…
Take Me To The Water: Immersion Baptism In Vintage Music...
..And Photography 1890-1950 The latest release from Grammy Award-winning reissue label Dust-to-Digital gives music fans another reason to rejoice. A stunning 96-page hardcover book of historic baptism photographs, taken between 1890 and 1950 and compiled from the collection of noted folk art collector Jim Linderman, is accompanied by a CD of rare gospel and folk recordings from original 78 RPM records (1924-1940), featuring artists Washington Phillips, Carter Family, Tennessee Mountaineers, …
Black Tie
LP version. Includes mp3 download and full-color poster. After two bone-chilling full-lengths for the Type Recordings imprint, Erik K. Skodvin has embarked on his first journey for his own Miasmah label with Black Tie. While originally conceived as a soundtrack to an installation by Norwegian artist Marit Følstad, Skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. Split into two distinct movements, "Black Tie" and "White Noise," we are exposed to the y…
No Visible Means
Originally self-released in 1984 on Pterodactyl Records, No Visible Means is the work of Canada's own Lou Champagne. Lou Champagne was active the Ontario music scene and also performed with other local musicians from that region as well. The Lou Champagne System was the real-time guitar synth solo act of Lou Champagne. Due to his knowledge of electronics, he was able to link his guitar, synth, and synthetic drums into a working one-man solo act that was playable with floor switches and …
The Alan Lomax Recordings
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
The Just Reproach
The Just Reproach documents the second concert given by John Tilbury and Oren Ambarchi as a duo. When they first performed together in Reykjavik, Iceland in March 2012, the aptness of the pairing was evident. When they reprised the duo at London's Cafe OTO in September the same year in the concert presented here, the city was in the midst of a heatwave. With the air-conditioning turned off to accommodate the low volume of the performance, the uncomfortable squirming of the audience members…
Old Punks
Doronco is a bass player who is most well known for his stints in Les Rallizes Dénudés, Suishou no Fune and with Keiji Haino. Here he is joined by members of Maher Shalal Hash Baz, a Frenchman and an additional female vocalist who have made an album of sophisticated 70s style downer pop. The band uses vocals, bassoon and trumpet over a see-sawing battle of piano / guitar shrill balanced against warm rhythms that sound suspiciously close to how you want them to. Translated as "Mud Cloud," t…