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Few copies available: this is Austrian reissue of Otto Muehl's AA Commune most sought after record from the 70's. "Musikalische Selbstdarstellungen 1974/75". Crazy group-therapy sessions, improvised music with different commune members coming forward and 'singing' about their parents, free-sexuality, mister jealousy, and how two-people-relationships kill sex-life, etc.. Record comes in fullcolour cover (reprint of the original), stamped label, plus 10-page A4 booklet with transcription of all te…
The second album from Australian band Naked On The Vague, who have doubled in size for this batch of new material. The tone is characterised by dark and fearsomely heavy garage-punk, with a wafer-thin coating of distortion lending a little extra bite to the band's already vicious dynamics. "Bleak, unrepentant, withering and droll, Heaps of Nothing is a 21st century codification of the gallows wit and mesmerizing otherworldliness of (Dub Housing-era) Pere Ubu, Primitive Calculators and L…
Exact repro on 180gm vinyl w/ original art. All-analog mastering from original tapes. Upon the breakup of legendary Krautrock duo NEU!, drummer KLAUS DINGER formed LA DUSSELDORF w/ his brother THOMAS & keyboard player HANS LAMPE. This, their S/T debut, was recorded in 1975 & is a staggering mix of Dinger's trademark motorik rhythms & accessible experimentation.
With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
Ohio-based noise upsetter Mike Shiflet has amassed an enviable amount of releases in the last decade. Tapes, vinyl, cdrs – you name it, he’s done it, but it’s taken until now for Shiflet to weld together what he regards as his defining work. The first in a series of two ‘proper’ albums, ‘Sufferers’ takes the listener to the very heart of Shiflet’s sound – through the abrasive noise heard on his early releases all the way to the shimmering ambience that made up his breakthrough album ‘Lla…
2nd LP, originally released in 1956. Continues the NYC street performer's exploration of minimalist composition & field recording, mixing percussion & sparse melodies w/ piano solos, street sounds, & monologues. Surprisingly accessible despite it's avant-garde nature, bridging the gap between the familiar & the bizarre. Another all out masterwork from one of 20th century America's most unique minds.
Since 2009 Grant Evans has been peering ever deeper into the kosmische abyss with his records as Nova Scotian Arms for Aguirre, Preservation and Hooker Vision. He's also known for the lush Quiet Evenings releases with his wife, Rachel Evans (Motion Sickness Of Time Travel), but in solo flight his sound is more wide-eyed, exploratory, reaching heady new climes on 'Cult Spectrum', arguably his most vivid vision yet. Perhaps it's thanks to an exquisite mastering job by Lawrence English, but …
“Brand” is the new trio of Gary Smith (guitar), Silvia Kastel (voice and synth), Ninni Morgia (guitar). On this recording Gary Smith produces the playing for which he’s considered a master of avant guitar: multiple layering, complex grainy textures, dense counterpoint, influences of birdsong. Fused with the guitar of Ninni Morgia, which floats between minimal movements of primordial electronics, pre-war slide blues and Hendrix-esque feedback. Over, and blending with them, Silvia Kastel’s mo…
Schnitzler’s Zug is one of the most important and first electronic minimalist works that were published in the 70s. Almost simultaneously with Kraftwerk’s groundbreaking “Autobahn” Zug appeared on the legendary “the red cassette“. The release is rounded off with a remix of Con-Fan Stefan Betke aka Pole. Pole and Kassian Troyer (Radian) have mastered the record. Another remix is contributed by “borngräber and strüver“.
Sun Ra was an extremely prolific artist and while hundreds of recordings exist of Sun Ra, there are only a handful where he can be heard playing solo. This amazing and rare solo performance recorded live in 1977 at the world-famous La Fenice opera house in Venice, and featuring Sun Ra playing a mix of standards as well as his own material on piano, is a rewarding journey into the repertoire of one of the most controversial and unorthodox musicians in the history of jazz.
"the coming together of this quartet on "paper of pins" has resulted in mature, yet unforced sounding compositions. the touching number "brown reduse" wins you over with its catchy piano sounds and subtle trumpet which is rounded off by the electronica. it's a small orchestral gem in the jazz style which is still edgy despite its perfection. this is highlighted, for example, by the fact that you can hear the brass player drawing breath on some tracks. certainly, the scottish composer is no perfe…
British avant pop artist Alexander Tucker releases his much anticipated new album, Third Mouth, on Thrill Jockey in 2012. This album builds on the strengths revealed by his landmark debut for the label, Dorwytch released in April 2011, culminating in his finest work to date. Using songs written over a 12 month period he achieves his own inimitable blend of psych rock and ambient pop using a variety of studio crafted effects, rudimentary beats, guitar and bass, as well as synth and cello drone…
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
This latest release on the excellent Forced Nostalgia imprint is by some distance its most illuminating release to date - a split LP that features an astonishing rediscovery from the early 1980's synth-pop era. That album is 'Whisper Not' by Vazz - a duo consisting of Anna Howson & Hugh Small, and is redolent of so much classic, deeply cherished music from around the same period (think Crépuscules, Antena, early Cocteau Twins on the one hand, and The Cure's 'Seventeen Seconds' on the othe…
The second in our series of exploration of the panAmerican funk experience, Cult Cargo: Grand Bahama Goombay is a deep overview of Funky Nassau’s redheaded sister city, Freeport, GBI. From 1969-1976 Frank Penn’s GBI studio and label cranked out a dozen LPs and twice as many singles infected with the Miami sounds drifting in over the 100 mile strait. The catalog is a fruity blend of rake and scrape, bush, junkanoo, calypso, reggae, and of course, goombay, wi…
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
This is Mama Br solo with voice, tape, guitar, feedback. Limited to 300 copies. White vinyl. Cover from the artist. "A relatively tranquil trance induced by repetetive autistic thumping while Ms. Hjuler successfully calls down the moon. Lousy electric guitar, detuned piano, backwards cassette tapes, and a microphone banged against a floor all get guest spots. Best of all, there's a giggling section." Weirdo Records
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…
A fantastic musical performance took place on 27th March 2006 at Vilniaus Congress Hall. Three musical giants - Joe McPhee, Dominic Duval and Jay Rosen (also known as Trio X) made that evening unforgettable for their fans. Rich, colourful, intense, played almost on a telepathic level, this music is a true masterpiece of this amazing group.NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Joe McPhee : pocket trumpet, tenor sa…