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Field recordings of a volcano by Geir Jenssen, better known as Biosphere. Stromboli is an active volcano off the north coast of Sicily in the Mediterranean. The volcano has erupted many times, and is constantly active with minor eruptions, often visible from many points on the island and from the surrounding sea, giving rise to the island's nickname Lighthouse of the Mediterranean. The last major eruption was on April 13, 2009.Recorded at Stromboli's crater edge (924 m) on July 19th 2012…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
A mail collaboration between Denis McCarty (turntable, cassettes, vinyles) & Martial Bécheau (cut-ups, computer, sounds). Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestration reports, juxtaposition plans, rhythm & density. Implement disparate materials, and compare the sonorous (sounds, words, music, soundscape, etc.).. Organize of the time factor - Subversive resonances - Respiratory theatre - Walled up silence - Temporal confrontations. Between collag…
Komora A - The trio founded by Jakub Miko ajczyk, Karol Koszniec and Dominik Kowalczyk exists from the fall of 2004. Stylistically Komora A locates itself close to ambient but not that one of smooth muzak and background music origins but that full of pulsating anxiety, reaching the black heart of the genre. Profound drones, delicate percussive intrusions, stately whizzes of analogue and modular synths, industrial interventions, multilayered structures - these are only a few ofÊ elements used by …
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
Carlos Casas is a filmmaker and visual artist from Barcelona. His work is a cross between documentary film, cinema, and contemporary visual and sound arts. In 2001 he started a trilogy of works dedicated to the most extreme environments on the planet, Patagonia, Aral sea, and Siberia, with a particular interest on how humans relate with the territory they occupy. These tracks comes fro…
Patricia's warm, fuzzy post-techno-house slots neatly with the Opal Tapes aesthetic on his debut album, 'Body Issues'. Six tracks come off like a boosted 1991 or Huerco S, pushing malleable bass hits below swirling streaks of melody bursting with ferric quality. There's firm parallels to be made here with Anthony Naples, albeit with a noisier bent in 'Hissy Fit', whilst on 'Melting' juicy acid forms over a brittle jack track and the sweet-but-slamming 'Jospehine' and 'Plural' appear like some GH…
Stunning work of radical free music by saxophonist Masayoshi Urabe and guitarist Rinji Fukuoka (Overhang Party / Majutsu no Niwa). Recorded in 2004 in various locations (France, Spain, Switzerland and Japan), this album brings together elements of free jazz, rock, noise and even folk music, in a way that is magically spontaneous, iconoclastic and full of grace in every single sound produced. Pretty much uncomparable to any of the music 'out there' nowadays, these are wild cuts by two wild …
Jazz-man Henry Franklin, widely respected for his service to the finest jazz players, brought that ineffable quality called soulfulness into play when he made his first record for producer George Porter at Black Jazz, The Skipper. Not unexpectedly, his follow-up affair titled The Skipper at Home teems with the same jaunty uplift. In sync with Franklin's musical spirit on the second recording are returnees Charles Owens on saxophone, Oscar Brashear on trumpet and Kenny Climax on guitar along wi…
Ricardo Donoso completes his latest trance mission for Digitalis with 'One Verse Sharpens Another'. Four tracks of serpentine arpeggios, rolling bass pulses and stealthy, soaring synth chords simulate cybersex in anti-G, from the X-Files atmospheres and alien seduction of 'The Redeemer', to the piloerect triggers and tense pizzicato strings of 'Open Drawer, Full Of Masks' on the A-side and over to the sublime, supple bass roll and gentle ambient caress of 'Child Primitive' or the mind-wea…
Special art box in 26 copies only, also including one-sided LP with hand-made labeel (photo of Sangomas) and totally unreleased music from the Sangoma drums session (this particular track was not even on the original cassette release)
"2012's Rifts compiled Oneohtrix Point Never's (aka Daniel Lopatin) first three full albums alongside a crop of rare and out-of-print CDR and cassette material in a deluxe, five LP vinyl box set. Following the success of this sold-out one-time release, we are pleased to present all five LPs for sale individually. Each LP includes a digital download code. Betrayed in the Octagon was originally released on cassette by Deception Island in 2007. Subsequently released on LP in an edition of …
Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.
This Tim Hecker release is composed of sketch pieces recorded in 2010 in preparation for what would become the Ravedeath, 1972 album. All of the compositions are piano driven and minimal in nature. This is not a new Tim Hecker album, but rather a peek behind the curtains into the working process. That these pieces stand on their own as compelling soundworks is a testament to the fact that Tim Hecker is at the absolute top of his game at the moment, and has been for years.
Sublime Frequencies is pleased to present the second volume of Northeast Syrian dabke music from legendary vocalist Omar Souleyman and his group. This record was compiled by Mark Gergis to coincide with the Sublime Frequencies UK/European tour in May and June of 2009, featuring live performances by Omar Souleyman himself. Culled from dozens of cassettes recorded in Syria from 1999-2008, the music here is an extension of Omar's Highway to Hassake: Folk & Pop Sounds of Syria (SF 031CD) release, to…
6 songs, 21 minutes. In high summer of 2007, Phil Elverum, in the guise of Mount Eerie, found his way to Southern Studios. Armed with a borrowed guitar and some notebook paper, and with little time before an evening gig, Mount Eerie and Southern's engineer Harvey Birrell recorded the six songs of Black Wooden.Black Wooden is the coming together of ideas that had travelled with Mount Eerie for months and had solidified into compositions in the days and hours before the studio session. The title i…
First solo audio only release by Melbourne based sound and laser artist Robin Fox and first solo release since the mind melting 'Backscatter' DVD on Synaesthesia (2005).Taking time out from his duo with Anthony Pateras, 'A Handful Of Automation showcases Fox's unique and highly individual take on the usually misunderstood Extreme Computer Music genre, and is a pleasurably disorientating ride. Alongside chaos trips such as 'Boundary Layer Skin Friction' and the stunning title track, sit b…
At first look this might seem like a weird move for the Constellation label as Matana Roberts’ debut for the imprint is pretty much straight-up free jazz. But she’s got some serious history with the Montreal collective, even throwing down horns with Godspeed Thinking about it too, there’s always been a nod towards the free jazz scene (not least on Colin Stetson's recent genre-bending LP) but where others were a nod, ˜COIN COIN Chapter One : Gens de Couleur Libre…
Mindblowing comp of obscure, highest-calibre DIY Post-Punk and Synthwave from the archives, brilliantly compiled by Darren McCreesh and brought to you by Finders Keepers' Cache Cache sublabel - so damn good. There's been a deluge of post-punk reissues and rarity compilations in the past five years, and in turning their spades to the same ground, Finders Keepers have dug way deeper than anybody else, and come up with a cache lost classics that are both truly lost and truly classic - the quality c…
**Digitalis debut from Koenraad Ecker, one half of Opal Tapes' Lumisokea, highly recommended if you're into Vainio, Joachim Nordwall, The Haxan Cloak. Initial copies on transparent red wax** Belgium's Koenraad Ecker swiftly follows his 'Apophenia' LP as part of the Lumisokea duo for Opal Tapes with a personalised invitation to his shadowy solo zones for Digitalis. Inhabiting space between slow techno and electro-acoustic dimensions, 'Ill Fares The Land' surveys similar soundscapes to Mika…