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"With the release of Dartmouth street underpass, Keith Fullerton Whitman inaugurates our Met Life series. for his efforts, Whitman sat in on the acoustic world of the tunnel that connects Boston's back bay station to Copley Plaza under Dartmouth street. The sounds are a combination of pumped in muzak, children's voices bouncing off the glass walls, the sudden rush of commuters, and the glorious, rumbling low end buzz and rattle of the train ushering in and out of the station. Whitman electronica…
Every CD that drops on this doorstep is inspected and judged: is it for me, or for one of my reviewers, specialized in some genre? With this one I must admit I really had a hard time. The improvisational nature of the Low Frequency Orchestra made me think this would be more suitable for Dolf Mulder's expertise on the subject but there is something quite captivating about this release which made me think about this more myself. The Low Frequency Orchestra is a small ensemble of 'paetzold' …
The only early album in this American cult group's discography that hasn't been made available on CD yet. "Satanic Sanction" is one of the darkest, most ritualistic works ever to be recorded by the band, and has for this edition been enlarged by John Zewizz including tracks from the same recording session that didn't make it onto the original vinyl. Featuring the grand voice of Jonathan Briley this is *the* classic …
Curated by Jozef van Wissem the “New Music For Old Instruments” festival took place all over the world: in Brussels, New York, Paris, Utrecht, Antwerp and other cities. The idea was to rid traditional instruments of their clichés. When one thinks of a lute for example the Robin Hood image comes to mind of the player standing under a balcony serenading a lady and getting a flower pot thrown at him. In order to update the instrument, to make it mature and give it it’s recognition it deserves, one …
Ultrealith' is an electro-acoustic sound-adventure exploring sounds that exist on the periphery of human perception, such as underwater recordings (such as fish-songs, crustaceans etc), ultrasounds (sonar of bats and dolphins, insects), electromagnetic signals and other textures. These recordings were sourced in the Amazonian rainforest, Africa, Canadian Newfoundland, northern Australia and in various parts of Europe.
Duck Baker (guitar), Derek Bailey (guitar), Cyro Baptista (percussion), Roswell Rudd (trombone) and John Zorn (alto saxophone) Tracks Improv 1 & 5 recorded at The Knitting Factory New York 1993. Tracks Improv 2,4 & 6 recorded London 2002. Track 3. The Blues recorded at the Outpost Alberquerque 2004. Track 7 Pavement Blues recorded at Tonic New York 2002.
1st live album by Norway's Geir Jenssen - recorded in 2007 by Chris Watson & mastered by Touch stalwart BJNilsen. In the early 1990s, he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic & enduring. Here, he incorporates samples of field recordings by Jony Easterby & trumpet by Anders Karlskas, invoking a sparser, more arresting sound.
In May 2011, Foxygen's Sam France and Jonathan Rado nervously handed off a CD-R of their homemade mini-opus Take the Kids Off Broadway to producer and visionary Richard Swift after his performance in a Lower East Side club. The duo, who had just mixed and burned the disc that very night, had been devotees of Swift's outsider-pop oeuvre since high school, when they first began recording their own pubescent forays into oddball rock n' roll (At least a dozen records were finished before they …
Crescendo. That's the word that most aptly fits Valusia, the latest ep by wunderkind Nika Rosa Danilova, aka Zola Jesus. Building layer upon layer upon layer of synths and drums and vocals, Valusia, honestly, gets better the more times we spin it. Her career is on the upswing as well, with no signs of a de-crescendo: tours with Fever Ray, Wolf Parade, among other big names. The four songs on this 18 minute record stand with the best Zola Jesus has released. The "cleaner" sound of the Stridulum e…
“All music by Sharif Sehnaoui – no cuts & no overdubbing. Recorded by Fadi Tabbal on the 9th of june 2009 at Bustros palace, Beirut. Mixed & mastered by Fadi Tabbal at Tunefork studios, Beirut. Artwork & design by Mazen Kerbaj. Produced in Lebanon by Al Maslakh.” label info
The Preservation label presents the fourth album from Sydney's Seaworthy. Seaworthy is the musical guise of Cameron Webb, who, for the best part of a decade, has developed singular soundscapes scored with guitar-driven ambience, field recording and digital processing. In recent years, Webb has recorded to acclaim for the esteemed 12K label, releasing the 1897 album in 2009 followed by a collaboration with Matt Rösner, Two Lakes. His compositions reflect his deep connection to environment an…
To say that Beta-lactam Ring records has released another typical Volcano the Bear album is to address only the initiated. Yet, it is meant to be a compliment. how best to describe the thrilling mixture of sounds, atmospheres and environments on offer? Those that have heard the group’s half dozen albums, and myriad other releases, have already embraced the unpredictability that remains this British aggrigate’s trademark. This newest offering is distilled, boiling elements from their previous dou…
Pimmon is the alias for electronic composer Paul Gough. In the last decade, Pimmon has forged an international reputation for creating dense, challenging and engaging electronic music. Smudge Another Yesterday is Pimmon’s first full length release in five years. This release picks up and goes further from the point where the acclaimed Secret Sleeping Birds left off. Smudge Another Yesterday is an exploration of the song behind the noise; the secret whispers hidden in the static. Within these vas…
Another double OLBM CD that testifies the remarkable work carried out within the New Wave phenomenon by Viridanse (from Alessandria, Piedmont) between 1983 and 1987. Despite its short existence, the group has left an important trace in a time when the world of music was already full of proposals. Influenced by the English Wave and the Florentine scene, Viridanse debut with a split-tape shared with The Art of Waiting. In 1984, Contempo Records produces their 12” EP "Benvenuto Cellini" and - the f…
Eyvind Kang’s newest CD collects quiet new compositions spanning the past five years, which he considers to be among his truly breakthrough works. Music for solo piano, string quintet and more take the unique sonic environments of Morton Feldman to an entirely new place via the metaphors of agricultural poetry, Chinese medicine, sweatlodge and Ikat weaving. Mesmerizing work from the elusive and ever-stimulating mind of Eyvind Kang!
Features Will Oldham (Bonnie Prince Billy) on vocals, and is a fascinating, compelling collaboration that mixes the last three centuries into one beautifully haunting, cryptic flow of idea-sound. Presented in a quietly handsome paper folio package!
Farmers By Nature – drummer Gerald Cleaver, bassist William Parker, and pianist Craig Taborn – a fully-improvising unit, a complete musical collective. Each of these men are highly regarded & admired composers and bandleaders in their own right; their coming together to create new music is always an auspicious and deeply fruitful occasion. Superbly attuned listeners and masterful players of their respective instruments, they are without question one of the finest improvising units / musical grou…