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Michael Mantra creates Ambient music. But more than that, he creates audio tools for "brain hemisphere synchronization": going beyond the synchronization of mind and body, Mantra's techniques are a mean to release endorphins, which are part of the human body's natural pharmacy and work at the same level of opiates. Michael creates his soundscapes mixing modulating high and low harmonic synthesizers tones (low deep drones and high resonating harmonics) with didgeridoo, ocean waves, rain, water, …
Kevin Drumm's 2007 cassette 'Purge' on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening takingyou deep into the known unknown, or perhaps the unknown known. Drumm's noise is extremely powerful and dynamic.; travelling frequencies, rich withdetails, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm's works,Êthey share the same cold and darkness. 'Pu…
Based around the married couple Paul and Limpe Fuchs, the group Anima, also known as Anima-Sound, was one of the most radically avant-garde and creative groups to emerge from the thriving Krautrock scene of Munich at the end of the 1960s. In fact, their improvised atonal sounds and unconventional instrumentation is much closer to the spirit of experimental free jazz than anything remotely close to rock music. The Fuchs began in the late '60s as part of the counterculture at the time. Adding to t…
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
A great, vivid recording of some wild playing, using the entire kit, rolling about on the various skins and cymbals. Recorded at Festival El Nicho Aural by Daniel Goldaracena at Centro Cultural España Mexico D.F 12 mayo 2012Mastering and cover design by Lasse Marhaug
Recorded in the same two week session as 'AODDOL I' by Stuart 
Hallerman at Avast and mastered by Mell Detmer, Earth's 
'Angels of Darkness, Demons of Light II' carries on in the freely 
improvised, folkloric vein of the title track from their last 
release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular 
recording. Earth's songs, Sigil o…
A meeting between Japanese sound artist Takahiro Kawaguchi and two american improvisors, Nick Hoffman (head of the Pilgrim Talk label) and Aaron Zarzutzki. Recorded by Brian Sulpizio at The Chateau, Chicago, in September 2011 and then edited and mixed by Giuseppe Ielasi in Oreno.Numbered edition of 250 copies. Black vinyl (cut at SST), screenprinted cover on heavy grey stock.
We come burdened with the glorious purpose of having readied the latest recordings by Messages, a double LP set called Message Bag. It's a set of pieces that imparts a vibe rife with history, and yet clearly focused on the future. You buy these 2 LPs, poster and insert in a bag, but in all of its formats and strategies Message Bag operates as a return to an unresolved system, as an alternative to the rest of yr choices, and bestows something that can't be bought. We call it Wisdom.
2013 repress. "Originally released in 1968, Scott 2 made it all the way to number one on the UK pop charts, perhaps the strangest number one hit in pop history. Continuing with his orchestral obsession, Scott 2 features over-the-top string and horn arrangements, occasionally veering into dangerously schmaltzy territory. This production style is in drastic contrast to the lyrical content, songs of despair, prostitution, homosexuality, and brutal honesty, indicting the same glamorous and gli…
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
Over two years in the making, Cold Pin is the new full length record by Eli Keszler. Both a composition and stand alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15 x 40 curved wall, with motors attacking the strings, connected by micro-controllers, pick-ups and rca cables. Recorded in Boston's historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The b side features in addition, a 'dry' version …
Astounding LP documenting a high-quality live recording of a performance in Vittorio Veneto (Italy) in July 2012 by Virginia Genta (Jooklo etc), David Vanzan (Jooklo etc) and Chris Corsano. With Genta on tenor & soprano saxophones and clarinet, Vanzan on electric guitar and home-made semi-modular synthesiser, and Corsano on percussion, the trio combine their "informal creative sounds into a set of abstract cosmic-punk improvisations". Pressed on clear, marbled-yellow 180g vinyl and housed in han…
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
Mats Gustafsson is perhaps the pre-eminent saxophonist of this post-free jazz/improv era. A perfect combination of Peter Brotzmann's fiery passion, Evan Parker's extended technique and Ken Vandermark's willingness to explode genre boundaries, Gustafsson's discography spans over two decades and sports numerous must-hear recordings with a long laundry list of collaborators, including such luminaries as Brotzmann, Vandermark, Joe McPhee, Jim O'Rourke, Derek Bailey, Sonic Youth and The Ex. Illustrio…
Reinhold Friedl, inside-piano, prepared piano, piano. Hannes Strobl, electric bass guitar, electric upright bass, electronics. Hayden Chisholm, alto saxophone. Composed and produced by Hannes Strobl and Reinhold Friedl, Berlin 2008 - 2013. P.O.P. (Psychology of Perception) Which sounds are similar to each other, which different, which repeated, which varied, which altered? Instrumentally played repetitions, digital repetitions in the effect path of the electric bass, repetitions in another posit…
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Ripatti is a new label from Sasu Ripatti, better known to the world as Vladislav Delay. Envisaged as a studio diary of sorts, the label will be cataloguing ongoing experiments made by Sasu in his studio on his own and alongside various collaborators. This first twelve features two extended productions from Sasu under his own name, feeding into the emergant Techno/Footwork nexus and delivering something far removed from the submerged dub variants he made his name with on his classic 12"s and albu…
This is another landmark of the most respected artist in today's noise scene, Aaron Dilloway. Atmospheric and beautifully simple, a pure tape composition stands out his crude and intense nature. Nothing ever released like this before. Comes with the flyer of Aaron dilloway and Hanson Records 20 years anniversary exhibition "Archive" at gallery haus in Tokyo which can get only at here. Plus we have a special package comes with very limited "Archive" exhibition catalog zine book which also can get…
Operating out of Istanbul, Ekin Fil is the solo project of Turkish musician Ekin Üzeltüzenci. Her music first came to the ears of many by way of “Language,” a 2011 cassette release on the Root Strata label. “Language” presented listeners with a fractured, hazy soundworld in which half-remembered melodies and wraith-like vocals cohered into dark and hypnotic masses. On this self-titled album, Ekin opens the curtains a bit, letting in some light and offering up an even more refined album. This is …
third issue of Lasse Marhaug’s titanic self-published journal of “noise, music and random chaos. Exclusive interviews with : Moe. Norway's Guro Moe on her various projects, ice swimming, playing loud and what's wrong with Norwegian music. Carl Michael Eide. Norwegian guitarist and vocalist from Aura Noir, Virus, Ved Buens Ende and more metal bands that you can think of. Being inside that groove, not wanting out. The Menstruation Sisters. Multi-disciplinary Australian artist Nik K…