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Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album n, on which he uses several remodeled counters. Shinjiro Yamaguchi, born in 1983, is an electronic music player. in October 2008 he released the minimal ambient solo album Kogai on the Japanese label Cherry Music.This is the debut album of Kawaguchi a…
'The music supposed to be a soundtrack for lonely ice-soundscapes... when you stand there on lonely wide inhuman places and feel lost, but you still stand on ice...' - Baraka[H] The newest collaboration between masters of evocative noise/drone ambient is divided into four long tracks, four directions of nothing. The tracks are entitled in middle ageindo-german language, for north, east, south, west. And the album title means nothing from nothing - very weird notion, as it doesn't exist anymore i…
New split 12′ between two modular experimentalists stretching the world map for this split release. While Keith Fullerton Whitman comes with one of his more accessible / danceable piece to date, Floris Vanhoof had full reign to record a dark and hazy drone piece for the flipside. Using purely analog synths, both build very unique although complementary compositions. Keith Fullerton Whitman – you already know him – is an American electronic musician who has recorded albums influenced by many genr…
Gatefold double LP version. Includes a CD with three bonus tracks, plus lyric sheet inserts. Richard Dawson has been a much-loved musical spectacle in his native Newcastle for many years now, a skewed troubadour who sings and plays guitar with a rare intensity and a very singular style. Beguiled northern audiences have long awaited the arrival of recordings that capture Dawson's genius, and it has finally arrived with his album The Magic Bridge, a 10-song collection out on CD (Pink Triangle…
"Sharing social circles and spiritual ideologies with artists such as Iasos, Connie Demby and Deuter, whilst splitting label release schedules with Laraaji, Laurie Spiegel and Wendy Carlos, the unique Florida raised soul mate duo known as Emerald Web released their privately pressed debut LP at an axis where post-prog rock met proto-new age and ambient electronic music. At the turn of the 1980s Bob Stohl and Kat Epple embarked on a ten-year spiritual journey playing at planetariums and laser sho…
Kevin Drumm's 2007 cassette 'Purge' on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening takingyou deep into the known unknown, or perhaps the unknown known. Drumm's noise is extremely powerful and dynamic.; travelling frequencies, rich withdetails, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm's works,Êthey share the same cold and darkness. 'Pu…
The audio on this LP was inspired by early efforts to explore extreme locations on earth, and the clash between the will of humans, the limits of their bodies, and the immutable laws of the natural world - the latter which can easily destroy both of the first two. The 11° 22.4'N 142° 35.5'E side is based on the 1960 dive by Jacques Piccard and Don Walsh in the bathyscaphe Trieste to the Challenger Deep in the Mariana Trench, the deepest known point on earth. This side aims to mirror the …
A facsimile edition of Derek Jarman’s only poetry collection, A Finger in the Fishes Mouth, originally published by Bettiscombe Press, Bridport, Dorset in 1972, is due to be published by Test Centre, with a new Foreword by Sophie Mayer and Afterwords by Keith Collins, Jarman’s partner, and Tony Peake, his biographer.Postcards from Jarman’s own collection, here gorgeously reproduced in an evocative green, preface each of the 32 numbered poems, written when he was in his early twenties. The impact…
Back in play just to celebrate 14 years, 2 months and 12 days since its original release is Royal Trux's penultimate album, Veterans of Disorder. Coming off the fan-favorite Accelerator LP, it was clearly time to build on expectations, right? Uh... listen, maybe this isn't the band for you. Neil and Jennifer were fans of rock n roll to the finish, sure -- but in that, Royal Trux was a dyed-in-the-wool contrarian enterprise, rebels to the core, and everything they endeavored to was viewed from th…
An early and one of the most special Gnod recordings is out now on Aguirre. The Somnambulist's Tale consists of two sidelong adventurous pieces which are carried by an incredible loop. The haunting ambience in combination with electronics, distant guitar layers, conversations between the band members, a typewriter, and other sounds from found objects makes this quite an atypical Gnod release, but definitely a great one. Influenced by early Krautrock bands like Can, Hawkwind and Ash Ra Temple, G…
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, amongst others. Played, recorded and processed by Julian Doyle (acoustic and synthetic percussion, analogue drum modules, turntables, digital samples and delays). Mastered by Jason Ward at Chicago Mastering Service. See also Filter Feeder (E8), Filter…
Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
Drag City drops the sixth and latest David Grubbs pop album, The Plain Where the Palace Stood, which finds David once again twining together the diverse strands of his vast interests. Working with Andrea Belfi (drums, electronics) and Stefano Pilia (guitar) - plus Attila Faravelli on electronics - creates a sympathetic groupthink that David expects more and greater from in the years to come. The welcome return of his distinctive overdriven guitar tone is a highlight of the record. And C. S…
Line is pleased to announce its latest edition featuring astoundingly detailed audio visual works by six internationally recognized artists: Evelina Domnitch + Dmitry Gelfand, COH, Paul Prudence, Francisco López, and Asmus Tietchens.The fluidity and even the granularity of light can be unfolded by the senses through active attunement coupled with meticulously orchestrated conditions. Though formerly considered impossible to imagine, let alone perceive, recently, a variety of quantum behavior h…
Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…
The absolute deep electric-rain-forest sound atmosphere that the listener will hear on this record is the tip of the iceberg of a same rich and elaborate work process. For over 30 years, Norbert Möslang is making the world sound. He does not use things as instruments, but rather captures their vibrations. He immerses himself in the hidden world of vibrations and convert them into loud sounds and thick textures.Living simultaneously in spheres of inside/outside, micro-vibrations, spacial structur…
An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli issued on Cramps in 1977 (in the legendary "DIVerso" series), a record with energy that's somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence – letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound that's really …
With this new album, Melmac reveals a new maturity gained in the course of three French and european tours that have enabled the group to initiate a major part of the ideas presented here through extensive improvisation sessions on stage in the spirit of the instant composing sessions ran by Kraut Rock bands during the psychedelics years. These new experiments have opened the artistic spectrum of the band to new horizons clearly rock, heavy, trippy or noise reminiscent of bands like Sleep or Sku…