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Stunning work of radical free music by saxophonist Masayoshi Urabe and guitarist Rinji Fukuoka (Overhang Party / Majutsu no Niwa). Recorded in 2004 in various locations (France, Spain, Switzerland and Japan), this album brings together elements of free jazz, rock, noise and even folk music, in a way that is magically spontaneous, iconoclastic and full of grace in every single sound produced. Pretty much uncomparable to any of the music 'out there' nowadays, these are wild cuts by two wild …
"The noise rock parade that defies definition, set out on a mission of pure volume worship that is the post-decade pilgrimage of NY-based Sightings. After eight instinctive albums, the Sightings guys show no mercy with endless annihilation of their newest material on Terribly Well. All parts destruction measured against their abrasive songwriting. Jagged, collapsing rhythm based mayhem, guitars that can be mistaken for a freight train being ripped for scrap metal, only to be held together …
Sensational reissue!!! In 1969, a French chanteuse, an Algerian multi-instrumentalist, and a Chicago jazz quartet undertook an experimental, exploratory, revolutionary musical voyage; a redrawing of musical parameters that, to this day, stands as a glittering beacon, glowing in the dark abyss of 'out' music. Featuring Areski Belkacem and Aart Ensemble of Chicago, Comme a la Radio is the sophomore album in Brigitte Fontaine's prolific career. Four decades on, and Comme à la Radio still sounds…
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Eyes closed, ears wide open, we are given freedom to dream the void. Sweeping, intricate, sometimes ominous yet always exuding a warmth and depth of emotion, The Stargazer's Assistant produces pure cinema of sound. For the new EP, David J. Smith (Guapo) is joined by Circle vocalist Mika Rttö', who sings on the heart-breaking 'Coral Butterfly'. David also had the honour of playing the late Finnish jazz drummer Edward Vesala's Sound & Fury collection of unique metal percussion. Ancient fore…
The album Living Theory Without Anecdotes confates Nicolas Wiese's acousmatic compositions from the years 2009-2011. There is a common thread: all four compositions are constructed out of samples from acoustic instrument and object recordings, and mostly have rather foating structures with slow crescendos and little disruptions. A significant element in Wiese's soundworks is the spatial layering - there is an architecture of foregrounds, backgrounds and diferent midgrounds that integrate …
Duo of Pedro Sousa and Pedro Lopes, two portuguese young musicians, and some of the most exciting in the plastic, tonal and energic exploration of sound in a long time. Using sax (Sousa), turntables (Lopes) and a communal use of electronics, their music is admittedly nervous, obsessively bent over the following moment. Unlike other past forms of improvisation more concerned with listening and a certain purity of sound, this search is as focused as much as frantic in the pursuit of a new d…
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per…
New studio album recorded by Rafal Iwanski and Rafal Kolacki with special guest Slawomir Ciesielski - great percussionist and drummer of legendary Polish rock band Republika (in 80. Republika was one of the most original European bands - thanks to their specific antimainstream rock & roll songs, with new wave-inspired music and lyrics). HATI forms a link between a personal interest in modern improvised and acoustic music with ritual and meditation. They worked together in 2010 on several tracks …
In the 1980′s, New York City was a dismal wasteland filled with urban decay and creative miracles. It was only a matter of time before the suits saw an investment opportunity, with cash in hand they bought off NYC and started the criminal gentrification of downtown New York, sterilizing any sense of culture and fumigating all residents deemed financially worthless. This kind of invasion brought the perfect storm in the form of Missing Foundation. Founded by Peter Missing in the early 80′s, Mi…
Sonic Youth's Kim Gordon and XO4 and VAMPIRE BELT's Bill Nace team up for the third time (they also released a cassette and did a FEVER cover) showing no band needs a drummer to trash or mildly shake brains!basement jams after listening to basement jams, deep down in the deepest basement of the valley, 2 guitars fighting for a place on a chubby cassette recorder while the ultra no wave vocals of Kim Gordon ghostride thru a pretty packed parking lot.a throw back as well to early raw Sonic Youth d…
Jim O'Rourke's Old News series continues with this, the ninth installment. This new release is unique in the series in that it is the first to feature an all-new composition. The work here showcases the kind of experimental concrete drift which O'Rourke has been exploring for a number of years, resulting in a magical blend of musical abstraction. With the measured hand and alchemical technique of a François Bayle classic, Jim has us spellbound with A-side, transmuting spectral whistles in…
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Compilation of early gospel recordings spanning from 1927-1955. Sanctifies blues by the Two Gospel Keys, Mother McCollum, Blind Rosevelt Graves, Lottie Bracey, & Sister O.M. Terrell. Beautiful slow country gospel by the Anglin Brothers & Delmore Brothers. Intense vocal performances by the New Gospel Keys, Elder Richard Briant & the Silent Grove Baptist Church Congregation, & much more! All killer no filler comp that rocks hard & get deep & sad too. Ltd one-time pressing
Double LP version. Kostas Soublis' productions under the Fluxion moniker helped define legendary Berlin imprint Chain Reaction, and with 1999's Vibrant Forms, the Greek producer released a milestone in the dub techno genre. Hazy and distant, there was still more than enough dancefloor push to propel Soublis into the (very short) list of genre legends, and make Vibrant Forms one of the very rare techno albums that works from beginning to end. Out of press for far too long, this new edition of…
LP album, numbered and stamped vinyl edition limited to 250 copies. A different version from ' Music for Air Raids ', recomposed for the vynil format and entirely remastered. Comes above our heads the distant roar of ' Music for air raids v2.0 ' as a prelude to the waves of polyrhythmic drums and unremitting guitars, of powerful and constructive poundings that will penetrate us to the core throughout the album. As this album is a tour de force end-to-end, with raids of drums, persussions and gui…
"In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very …
Outstanding tape from Angelica Castello (Mexico, 1972) one of the best electroacoustic composers of her generation "I see my music basically as a complex construction of associations, quotations, dreams, nightmares, real and unreal people, stories and reflections. 'erche">Silvertone e il sentimento oceanico' is about a big ship leaving' Angélica CastellóAbout Castelló's music: 'Music that is both visual and abstract, that calls forth memories and chases them away, that ofte…
Mark Templeton presents Jealous Heart, an album which re-imagines the story of his sound in an approach that is both staid and deeply emotional, reorienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations. Templeton's music is always difficult to truly classify, which is part of its charm. It is way too dense and detailed to qualify as ambient in a traditional sense -- instead …