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Intense, squally noise drones from Dublin's Where Is This, his first for The Tapeworm. To date Mark Ward aka 'Where Is This' has released a slew of his own recordings on his Bored Bear label, along with countless others by the likes of Black Orgasm, Piss Gag, Female Harikiri and other such friendly-monikered miscreants. His 'Inifinite Hum' opens The Tapeworm's 2014 catalogue with a bracing 20 minute blast of viscous, vicious white noise licking up high peaks of blizzard-like distortion in hypnot…
There are two basic reasons why composers like Philip Glass end up getting remixed: rhythm and repetition. Glass' most identifiable music is simple, or so it seems: Play a chord, break it down into its constituent notes, and repeat the notes in hypnotic succession. If there's another instrument playing, they're probably playing the same notes in a different order. At the foundation of the music, there's what's called an ostinato. One way to think of it is as a bassline; another, in the words of …
2012 Re-release "The Spanish Suite was written to magnify the contribution that Moorish Spain made on the European Renaissance. The relationship of music to cosmic rhythms and harmony was altered from the original state of Spanish music and eventually distorted down to the 12 tone equi-temperment system of tuning. The Artistic Heritage Ensemble was taught to play outside of the 12-tone system and to recognize natural tone relationships. The musicians had to be dedicated to music for life …
Popol Vuh's soundtrack work for the films of Werner Herzog in 1970's and 1980's are some of the most stunning in the field. Editions Mego is pleased to present two re-workings of classic Vuh tracks. Mika Vainio takes 'Nachts: Schnee' from the 1987 soundtrack 'Cobra Verde', and delivers a skillfully constructed ambient piece of beauty, which shifts and turns over 10 minutes. Haswell & Hecker turn the majestic 'Aguirre' from the 1972 soundtrack 'Aguirre - The Wrath Of God' into possibly the first …
COH is the moniker used by Ivan Pavlov from Russia for more than a decade. COH is also the Russian word for 'sleep'. Yet, do not be deceived - RETRO-2038 is much more of a deep space than a deep sleep. The second COH release on Editions Mego is a true delight to behold, inviting as it does its exploration of electronic sound in minimalism, futuristic pop and the uncharted territories inbetween. Ranging from digital updates of Giorgio Moroder's pulse experiments to menacing lingering LF to…
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
"Terrifying monster of the ages raging with pent-up passions! ...with every man his mortal enemy ...and a woman's beauty his prey! Could only her beauty tame its savage fury?""...forbidden depths!" Creature libertinage; voyeur of the women's legs enveloped in dark waters. The hosiery has been cast aside in exchange for a one-piece to enter the watery depths, setting the stage for obsessive creature tendencies targeted toward the shapes of Kay Lawrence, Helen Dobson, and Marcia Barton. Sam McKi…
Saxophonist Gerd Dudek's 2012 concert in London at the Vortex in a quartet with Hans Koller (piano), Oli Hayhurst (bass) and Gene Calderazzo (drums), with Dudek and Koller picking some of their favorite jazz tunes including works by Nichols, Shorter, Coleman, Wheeler, &c. Gerd Dudek (soprano & tenor saxophones), Hans Koller (piano), Oli Hayhurst (double bass), Gene Calderazzo (drums). Gerd Dudek came to London early in 2012 to give a concert at the Vortex. The next day the quartet went to…
With RV8, the Osaka-based producer and musician Aoki Takamasa continues his long-term project that focuses on the modulation of rhythms and grooves. It began with his first EP Rhythm Variations in 2009, released as part three of the Unun-series. Besides his collaboration with Raster-Noton, he released records on several labels like Commmons, Progressive Form and Op.Disc, produced remixes for well-known musicians like Ryuichi Sakamoto and Yoshihiro Hanno and played performances at Elektra/Mont…
Double LP edition. Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba H…
Mauricio Kagel’s 1970s film Ludwig Van, a rather critical piece of avant-garde cinema, asked pointed questions about the ways in which later audiences appropriate and interprete Beethoven’s music. Pianist F. Blondy and turntablist DJ LENAR reclaim and reinterpret the soundtrack in this post-modern mashup that includes source material such as Herzog soundtracks, a lecture by Alfred Cortot, samples of string playing and percussion from contemporary improvisation records, and numerous other …
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
The Kel Tamasheq people of the Sahara respect an ancient social order of noble families supported by lesser nobles, craftsmen and former slaves. Noble princes never would pick up a musical instrument -- that was for the craftsman, the griot, the professional bard, or the lesser nobles. But all that has changed during the droughts and rebellions of the past 50 years. The whole social order has been challenged. In the 1970s, electric guitars appeared in the desert. Everything began to c…
Heavyweight, tip-on style gatefold jacket printed on uncoated Stoughton stock includes download code redeemable from the label. Vinyl mastered by Lupo at D&M** In swift succession to his excellent Vallens 12", Barn Owl Jon Porras presents his third solo side under his birth name. Inspired by a book on the San Francisco Tape Music Centre, Jon creates expansive atmospheres from slowed down tape manipulated with analogue FX to complement the hazy grain and shapes of his signature, plangent g…
**One-sided canary yellow vinyl with screen-print to rear. Individually hand-numbered edition of 300 with photo, insert and download code redeemable from the label. Mastered by Rashad at D&M** Berlin publishing house, Infinite Greyscale present a beautiful 2nd issue courtesy of West Coast sorrow-monger, Jefre Cantu-Ledesma of Tarentel and The Alps. In key with their other releases this week - a 10" by former Yellow Swan, Gabriel Saloman, the heavy-hearted 'Requiem (for violin and magnetic…
Remarkable subterranean radicals have been getting to enter the stage since mid-late 2000's via the label Lust Vessel and the lineage, which are actual first ever fulcrum of genuine industrial cassette culture and the actuality in Japan, after a long period of the mostly scorched ground for that culture from the far east. This is a document of an aspect of thee lust-age and the assembly, featuring six assassins which are true to themselves and standing on their own territories.
Tongue Knax ; a h…
On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
It's been a little while since we've last heard from Oakland-based sound artist Marielle Jakobsons in a solo capacity, but that's certainly not to say she hasn't been busy. Last year saw full-length outings by her two duo projects, Date Palms and Myrmyr, and already in 2012 works with Bay Area drone ensemble Portraits and trio recordings with Helena Espvall and Agnes Szelag have been released. Her last major solo outing (under the nom-de-plume Darwinsbitch) came in form of the dark, comple…
The second chapter of SStudios (Software Studio Series). SStudios is a new venture in the Software Recording Co.'s expanding catalog that invites artists in the field of electronic music to create collaborative works of quality and vision. Inspired by the historical intersections of live performance and studio post-production, Wake Up Awesome is a modern kind of fusion in technique as well as genre. At its core are three artists highly experienced with both instant and labored composition.…