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2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
John Oswald (Plunderphonics) returns with two fourteen-minute-plus tracks of sliced and diced audio assemblage. Pre and post versions of Plexure out in 1993 on Avant, 'PrePlex' (1982 - 1992) and 'Plexure concentrate' (1992 - 2009). Here some feedbacks: 'Highly recommended. Imagine playing Ôname that tune' at 5 times the speed of your ears' ability to recognize familiar sounds. This composition, made up entirely of pop music samples, deserves five stars because of its meticulous organizatio…
Steven Warwick aka Heatsick cocks a unique and compelling perspective on contemporary dance music with his bold follow-up to 'Intersex', a gorgeous, layered work that those of you into DJ Sprinkles should check out without delay. Now woven with leaner dancefloor muscle, the deeply funked views of 'Re-Engineering' are characterised by the artist as a "cybernetic poem". We can take this quite literally in his use of spoken word in pieces such as 'Re-Engineering' with its Chris Morris-esque wordpla…
CD reissue of 2001 recording, originally released on cassette by American Tapes. Kevin and I traded raw material at some point in 2001. After discussing a collaboration I found a cassette of unreleased material of myself messing with Renaissance (the band) and junk noise 8-track loops on the floor of my car as I was getting ready to leave for home from a Chicago trip. A couple days later Kevin sent me a mini-disc of his own unreleased material.. His disc was caked in spilled coffee or something …
After the dark conceptual ambience of Beyond the 4th Door, the members of Eternal Tapestry decided the time was right to do an album embracing their live show - blistering psych rock filled with lyrical guitar soloing and a caveman approach to rhythm, an oddly euphoric state where melancholia is blasted by ecstatic noise. Compiled from a variety of sessions at Tapestry Space throughout the spring of 2011 (some of this material first found a home on the two fall tour tapes), this set of so…
"It's been a while since Scorces sorceress, Jandek collaborator, and Volcanic Tongue branch manager Heather Leigh has ventured out on vinyl under her own name. And it may be a while longer, as Jailhouse Rock is in fact a wax reissue of a long OOP 2006 cassette classic on Michigan crud factory Fag Tapes. It was a fave of ours that year (and every year), so it feels extra celebratory to be able to offer up a freshly remastered (by Pete Swanson) LP edition of the album for global re-appreciation. S…
Korm Plastics is proud to present the twenty-fourth release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a…
Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muziek these days), Zebra (with Roel Meelkop) and such solo projects as Freiband, Shifts as well as his own name. He played various solo concerts as Goem-FDW in Japan, as part of a package tour with Pan Sonic. Frans de Waard also likes to play sets of i…
This Berlin-based group combining the talents of artists Marcel Türkowsky, Hanayo, Christopher Kline, Domink Noé and Jan Pfeiffer, who each seem to spread themselves between a number of different projects. Interestingly, Noé is credited as a member of "krautrock legends Lustfaust", which is the fictional band created by conceptual artist Jamie Sholvin for the 2006 Beck's Futures exhibition, which might prompt you to think that Wooden Veil re made up too. There's definitely some sort o…
Nar is the first solo record of DuChamp. It has been composed and recorded through reharsal space changing, ideas deleted, fatwas from former lovers during year 2012 in Berlin.All tracks are played by DuChamp and recorded and mixed by Diego Ferri. Brian Pyle (Ensemble Economique, Starving Weirdos) sung in “A Worship” and also did the mastering.
The albums is released on LP with cover photo by Lara Schilling and graphics by Alice Cannavà (Occulto Magazine).
"Compilation of truly great sorrowful American ballads recorded between 1927 and 1943. Songs mostly about murder, death, and broken hearted-ness. Lots of intense minor chords and stark gritty vocals. Artists include Emry Arthur, Bascom Lamar Lunsford, Red Hot Old Mose, the DeZurik Sisters, Shortbuckle O'Rourke and Family, Jimmie Tarlton, Mississippi John Hurt and more. Mountain bluesmen and songsters presenting their darkest & most intense work. Old school 'tip on' sleeves."
In the 1980′s, New York City was a dismal wasteland filled with urban decay and creative miracles. It was only a matter of time before the suits saw an investment opportunity, with cash in hand they bought off NYC and started the criminal gentrification of downtown New York, sterilizing any sense of culture and fumigating all residents deemed financially worthless. This kind of invasion brought the perfect storm in the form of Missing Foundation. Founded by Peter Missing in the early 80′s, Mi…
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
Recorded at Forest City Gallery, London, ON with help from John Clement. 'The NSB was formed in 1965 by a group of people who enjoyed music and wanted to play in a band. There was no desire to learn to play traditional instruments so kazoos were bought and assorted noise makers modified or built from scratch. The band started playing regularly every Monday night in 1966 and has just carried on. The personnel has stayed the same. John Boyle (artist) kazoo and drums, John Clement (MD) guitar…
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
After their last release from 1982, the seminal "California Babylon", San Francisco industrial pioneers Factrix are back with a new studio album, recorded together with Italian duo Control Unit (whose critically acclaimed debut "The Fugitives" was released on Backwards last year). The quartet formed by Bond Bergland, Cole Palme, Silvia Kastel and Ninni Morgia moulds a new language of industrial music with guitars, bass and electronics, resulting in a fusion of acoustic and electric elements, pri…
Jérôme Noetinger is an improviser and composer of electroacoustic music based in Rives (near Grenoble), France. He plays Revox, tapes and radio. SEC_ is the moniker of Mimmo Napolitano, an electronic musician and sound engineer from Naples, Italy. He plays Revox, no-input feedback, laptop, electronic devices. Together these two play the kind of improvised electronic mayhem that put Europe on the map. Testcoda features two separate recordings of shapeshifting electronics. One side recorded…
Debut album from NYC sound manipulation specialists, back in print on vinyl w/ download. Black Dice is an explosive, radical, and viciously unique rock & roll band. Based out of Brooklyn, NY, the trio is fiercely independent, doggedly disciplined, and uncompromisingly DIY in approach. Brothers Eric and Bjorn Copeland and Aaron Warren have spent over a decade recording, touring, and unleashing their bizarre musical doctrine on audiences the world over.By the time Beaches and Canyons made its reti…
Continuing on from last years reissue of the first Aritomo LP, here we have Aritomo's second LP, 'Blooming The Ena' which was previously issued on his own private Hakanairo label in 2007. It was housed in a brown card sleeve with paste on artwork on the front and back with an insert in an edition of only 200 copies. This original pressing is impossible to find now. This reissue has a pro printed cover reproducing the original cover art as the private press edition and a 4 page insert printed ont…