We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
A new set by the coolest chap in New York City, documenting the development process of a solo electric guitar piece that Alan Licht has been playing out for the last four years. Revered for his work in the Blue Humans and Text Of Light, and a key figure in the pantheon of experimental solo guitar players born in the late '60s such Jim O'Rourke and Oren Ambarchi, Four Years Older is his debut Editions Mego release, representing another peak in a career of mining the rich seams of minimalism, noi…
Stunning work of radical free music by saxophonist Masayoshi Urabe and guitarist Rinji Fukuoka (Overhang Party / Majutsu no Niwa). Recorded in 2004 in various locations (France, Spain, Switzerland and Japan), this album brings together elements of free jazz, rock, noise and even folk music, in a way that is magically spontaneous, iconoclastic and full of grace in every single sound produced. Pretty much uncomparable to any of the music 'out there' nowadays, these are wild cuts by two wild …
*Deluxe 2LP Edition Now In Stock* Scott Morgan makes a welcome return with his seventh album of amorphous ambient drift as Loscil. Since 2001 the Vancouver resident has eked out a special niche with his much-loved Kranky releases, a sound that's equal parts dub techno momentum and tenderly organic sound design, one which consistently and carefully treads a fine line between crepuscular, chamber-like melancholy and widescreen optimism. 'Sketches From New Brighton' is an impressionistic col…
This is an album based on the beauty of the electric guitar sound. The pure sound of the electric guitar (mainly “clean” or sometimes get a little bit “dirty” with the fuzz pedal) evokes memories, images, emotions. The harmonics, simple chords, arpeggios, single sustained notes of Sergio Sorrentino’s guitar formed the starting point of the creation of each track. Sergio recorded ideas, sketches and improvisations, which were then further processed by Machinefabriek. Mainly using the sounds of Se…
A big circle drawn with little hands was created from a box of things sent to Steve Roden by label owner Sylvian, who runs the ini itu label. the box contained everything from newspapers, coins, wooden toys, pamphlets, plastic objects, plastic bags, broken airline headphones, notes, a bottle opener, a noise maker of wood, a small electronic toy shaped like a butterfly that offered tones and animal noises, cardboard, a fan, and other things. i also used a banjo in the first track, and my voice in…
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Rhys Chatham's 'Harmonie Du Soir' presents three compositions. The title track is the first major piece written for the configuration of six electric guitars, electric bass and drums since Die Donnergtter (1986). The second is The Dream of Rhonabwy, a piece written for large brass ensemble and percussion, realized in 2012 by a 70-piece brass band called Harmonie de Pontarlier, lead by the French conductor Patrick Erard. The last track on the CD version and bonus download for the vinyl edition is…
Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…
New studio album recorded by Rafal Iwanski and Rafal Kolacki with special guest Slawomir Ciesielski - great percussionist and drummer of legendary Polish rock band Republika (in 80. Republika was one of the most original European bands - thanks to their specific antimainstream rock & roll songs, with new wave-inspired music and lyrics). HATI forms a link between a personal interest in modern improvised and acoustic music with ritual and meditation. They worked together in 2010 on several tracks …
In December 2011, I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's actually the same setup that I still use nowadays, consisting of an old Phillips analogue tone generator and a selection of effects pedals. The Stroomtoon album still feels like an accomplishment. It's layered, subtle and considered, but I wanted to see …
A collector's dream come true, Sam Sander's Mirror Mirror is so rare that the recordings on this album have never before seen a proper release and even the cover art had to be created from scratch. An almost unbelievable fact given that it ranks as one of the strongest releases in the already air-tight era of Strata Inc's Detroit. Although he's been compared to John Coltrane, Ornette Coleman, and Joe Henderson, Sam Sanders stands out as one of the most unique phenomena to come from the Motor Cit…
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
Effortlessly fusing krautrock with jazz and ethnic music, Embryo were unparalleled in the world of progressive fusion and 1984's Zack Glück is one of their most ambitious and rewarding LPs. Flutes and saxophones mix with oud, marimba and violin to make an intoxication concoction. Originally released on Italian's Sonori label, Mirumir is pleased to present the very first official vinyl reissue of this prog classic.
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
Initial copies on Blue wax, all purchases come with an instant MP3 download. The Noise Musician's Noise Musician, Scott Reber of Rhode Island presents a jaw-dropping slab of two noise symphonies for Type. In operation for over a decade now, Reber has amassed a plethora of CDrs, tapes and the odd vinyl under myriad names and in scant quantity, many known only to the Rhode Island fraternity, like this one originally released on his Three Songs Of Lenin label in 2012. As the title infers, 'The Phon…
Double LP edition. Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba H…
What makes the music of Kasia Głowicka special? First of all space. Deep and extensive. As in ambient music. Built by reverbs, echoes and electronics. Against this background - a piano. Flickering , rippling . Cascades of repeating notes and rhythms. As in minimal music . Tonal associations, but with different development. Clear sounds, distorted, appear then re-appear hear and there as whispers and crackles. As in glitch music. But clearly you hear the skills of a seasoned composer –…
Time of the Last Persecution is Bill Fay's second and final album for the Deram label, originally released in 1971. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time of the Last Persecution is almost single-mindedly obsessed with end times so it's fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly laude…
Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of producer and musician Laurent Thibault (Magma). Her debut album "Galaxies" (1974) is pure genius: almost all instrumental, with gorgeous keyboards of many types, acoustic/electric guitar, even a little Zeuhl bass. There are wordless vocals on many of the tracks, although she occasionally sings in a soft, seductive manner. Incredible, spacey “avant-garde progressive chanson,” a Holy Grail for most collectors of 70's underground Fren…
House of Low Culture is the long-running solo project of Aaron Turner (Isis, Mamiffer, Lotus Eaters, etc.) and Poisoned Soil is the first proper album to be released in nearly a decade. HOLC's first release, Submarine Immersion Techniques Vol. 1, would set the tone for all that would follow. Recorded from 1997-1999, released in 2000, the album explored lonely, lysergic drone territories and the construction of textural weavings. Over the course of the next several years, Turner broadened …