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Limited, hand-stamped white label edition** Highly disciplined master of visceral intensity, Daniel Menche, presents a one-off album for Touch's great white label series. Daniel's work is gladly accepted by both noise and more "musical" spheres, releasing on a wealth of labels including Important Records, Editions Mego and Sub Rosa among many others. Taken as a whole, they capture and play with a timeless sense of drama and direct emotional rawness that's hard to ignore. For Touch, 'Quant…
Julianna Barwick returns with the successor to 2011's charming The Magic Place. Given how successful that self-recorded LP was, it’s surprising to see that the Louisiana-born singer has looked to an external producer to document and frame her work this time around, namely Sigur Ros associate Alex Somers. Barwick once again uses delay-pedals to build heaven-scraping towers of chorused plainsong out of her earnestly, achingly pretty soprano, placing them in what John Foxx - whose 90s’ ambient reco…
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
Latest release on Vatican Shadow's Bed of Nails label - initial copies on Translucent Orange Vinyl** Dominik Fernow's Bed Of Nails venture welcomes his longtime co-conspirator Kris Lapke with three tracks of haunting Gothic Techno produced as Bronze Age. Kris used to run the Hospital Productions studio when it was operating in Manhattan. It was there that he galvanized seminal records including Kevin Drumm's 'Imperial Distortion' and Prurient's 'Arrowhead' with his signature post-product…
Essential collection from this strange and obscure early 80s electronic noise project."One-man industrial outfit, Deviation Social left a scar on the face of the American 80′s experimental/noise scene that has mysteriously been left to legend and rumor. Dais previously released the first authorized reissue of Deviation Social's compilation tracks dating back from the early '80s. Here within, Volume 2 compiles the two proper 'studio' releases of Deviation Social's checkered past. The destruct…
This documentary by Oscar-winner Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer John Cage. Shot in America, Germany and Japan, the program premieres rare archival footage; presenting concert excerpts and a set of short episodes, featuring associates of Cage and contemporary artists, playfully delineating different aspects of John Cage. The documentary features interviews with Yoko Ono, David Tudor, Christian Wolff, Steffen Schleiermac…
Immer Etwas is the first full length release from this one man bedroom recording project turned full on 5-piece live band. Nice Face have been turning out singles, comp tracks, and cassettes at a steady clip over the past two years and change. This LP is a solid thirteen tracks of drum-machine driven blown out hook-laden punk rock that one reviewer prone to curmudgeonly ranting proclaimed “locks Blank Dogs in the pound, erases ‘Psychedelic’ from Psychedelic Horseshit, makes purses and boo…
2013 release "From the time we started Latitudes, we’ve held a secret wish list of bands that we intended to lure into our studio. We’ve cut a major notch in our bedpost by finally scoring with Arbouretum, a band that meets universal approval at Latitudes HQ. Arbouretum offer up four cover versions of the brilliant Gordon Lightfoot, the oft-overlooked Canadian singer-songwriter who helped define the folk-rock sound of the Sixties and Seventies. The highlight of the session is unsurprisingly the …
'A Life Is Everywhere' is an ecstatic mix of rhythm, noise, drone, texture and melody. Simultaneously heartfelt and not for the faint hearted. Within their self contained world Cindytalk continue the unique trajectory that has purveyed their career starting in 1982. This instalment further explores the fearsome terrain that was initiated with previous Editions Mego releases such as 'The Crackle of my Soul' and 'Hold Everything Dear'. Throughout the 6 tracks on offer the standard fair of m…
Odd tracks duelling with vintage sounds and acid riffs, krautrock and 70s sound, then add some weird sample and you get the abstract image shot by this trio
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
Reissue of the private LP, issued in an edition of 300 copies in 1982 and titled in original Mörder Unter Uns/Neuro Habitat , considered with Regel one of the Maurizio Bianchi's most representative works , Neuro Habitat is finally reissued for the first time in vinyl and remastered under the supervision of the Milanese artist. Side A "Morder Unter Uns" made of puzzled motifs and effects is a dark, sinister mantra to oppressive musical experiences. The piece finishes in an industry of molecular, …
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
In its history throughout millennia it is fair to say the Gamelan has never had an encounter quite like this. Marriage of Metals is a devastating extension of the harmonic properties found in the instruments of Indonesia. Daniel Menche was granted access to a remarkable Gamelan studio where he was given full privilege to record any and all of these rare and ancient gongs -- most notably, the gigantic "Gong Ageng," that contains the deepest of deep acoustic bass. Menche took the raw source mat…
Rob Aiki Aubrey Lowe (Om, 90 Day Men) swiftly proceeds his stunning 'Timon Irnok Manta' side for Type with a humbling, stripped down suite crafted almost entirely from his own vocals, subtly layered with some synth work. 'Lítió Fólk' feels at once vast and intimate: Lowe's vocals resonate deeply, instinctively - quavering notes and curling overtones centre the sound within the body - while the layered and sustained drone structure seems to draw the spirit ever outwards, drawing enchanting melodi…
Escorting is a new massive effort by the Canadian king of Harsh Noise Sam McKinlay, with his most acclaimed creature The Rita who, once again, waves the banner of Uashima, with a luxurious and lustful 3 LP box set dedicated to the world's oldest profession, its leading actresses and enthusiastic johns.For once THE RITA takes a break from its current conceptually driven texture research for returning to its original full-frontal impact, not unlike older works like “Bodies bear traces...”, “Swinge…
THE WIRE'S BEST OF 2010!
Jailbreak s the duo of pedal steel-vocalist Heather Leigh and drummer Chris Corsano. The name foregrounds the kind of outlaw violence with which the two reformulate rock-roll instants by bringing free jazz fire power to amp-humping sex beats. Their musical alliance goes all the way back to the legendary Brattleboro Free Folk Fest, the birthplace of the 'New Weird America', where Corsano and his long-term saxophone partner Paul Flaherty joined Leigh and Christina C…
As per usual, Hundebiss delivers a sick record for us to choke down before we even know what’s in it (like your mom used to do at the dinner table). Problems, by Primitive Art, to these ears, represent a warped union of dub, industrial and even chillwave/hypnagogic pop. Reminds of that solo Avey Tare record, albeit dub-ified with the corners melted down and the beats rendered with more vintage care.
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
A sequel to last year's eponymous debut as a duo, this new Drag City LP from Espers cellist Helena Espvall and Ghost's Masaki Batoh delves even deeper into traditional and ancient musics, making use of an armoury of instruments that extends beyond 'mildly obscure' (renaissance harp, sho, hurdy gurdy, etc) and enters into the realm of 'are you sure you haven't just made that up?' (auschpfeife, crumhorn, cornamuse, rig and darbuka). On hand to assist in this piece of instrumental archeology is anc…