New Arrivals
A vacant lot to be in
Jason Zeh is a hands-down master of cassette tape and cassette playback devices. Using magnets, metal, plastic, car stereo tape adapters, cassette players without tape, cassette tape loops, modified tape decks, and sand paper (among other devices), Zeh creates two tracks that swim through hiss, grit, and wavering, fractured soundwaves to create some of the most engaging audio I've had the pleasure to hear. This recording reflects not only Zeh's dedication to mastering and refining his source mat…
KK Null + The Noiser
KK Null (computer, kaospad, voice, member of Zeni Geva). The Noiser (machines, kaospad, voice, member of Formanex). For few years now KK Null and The Noiser had been playing together through Europe giving their best version of a new noise and contemporary music mixing critical beats, electroacoustic composition combined with improvised sound poetry and extreme post-punk. This first album of their collaboration, released by Monotype Records, is a glimpse of their relation to live acts and studio …
Moths
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.
Brokeback And The Black Rock
In the fall of 2010, when Douglas McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. The band, a long-running side project for Tortoise and Eleventh Dream Day's Douglas McCombs, had stiffened up, sometimes getting lost in a welter of meticulously constructed electronics. McCombs's idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different directio…
23 formes en Elastique /The only authentic work
New work of Lionel Marchetti. 23 tracks. Length more than 77 minutes. Materials went through last 23 years of his field recording, composition, experiments and musiques concrètes composition studies. A backward looking by a forward creating. By this CD Lionel Marchetti built a labyrinth of elasticity, empty space, reality and its metamorphose. A material world of sound. The Only Authentic Work Yan Jun’s writing with inspiration of Marchetti’s music. 23 essays on music, literature, art and …
Frequencies
Nicolas Bernier’s Frequencies (Synthetic Variations) is his first piece made entirely of synthetic sounds. Having evolved within the musique concrète and field recording traditions, Bernier wanted to break with habit — the result being 15 short movements of warped and crackling textures, vividly articulated sine waves and rhythmic bursts of pattern. The piece is designed to be listened to at random (the sound sample above is such a sequence), offering a new duration and dynamics with every heari…
Under A Single Banner
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
Survivalist Tales!
Emil Amos, world renowned as drummer of the illustrious experimental rock groups Om and Grails, has an increasingly prolific, though relatively unknown, solo career under the moniker Holy Sons. Home recording over 1000 songs since the project's inception in 1992, Amos has spent the better part of the last two decades honing his song writing and production skills over a wide swath of genres in a mission to capture his internal world sonically. Only a handful of shows have ever been pla…
Rare Tracks 1979 - 1982
Conrad Schnitzler is considered to be the keyfigure of electronic Avantgarde Music in Europe. Schnitzler was member of Tangerine Dream and Kluster and Con Many years ahead of his time, CON was revolutionary in many aspects, He predated Industrial Music, sounded like Kraftwerk and DAF before they did and makes music today at the age of 71. Some rare early works in re-edited versions by Mooner aka Zombie nation. The track ''Electroklang'' is featured as a loop only!! Amazing electronic music…
Surveillance
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
With helpful hands
In our ongoing quest for music from the home of Alain Neffe and Insane Music Contact, we are extremely proud to release this CD. For about thirty years now, we at Plinkity Plonk have been great fans of the music of Pseudo Code, a trio of Alain Neffe, Guy Hinant and Xavier S. Electronic, minimal, desperate, lonely, frightful, and simply beautiful. Music that can only be fully identifief as Potlatch Music. Over the past thirty years a number of releases have been available displaying their unique …
Yird Muin Starn
A sonic map of the artwork and cosmos, Yird Muin Starn is at once funny, moving and informative, surging from singing to hymnal pockets of throbbing space where scale is both tiny and boundless'. The third element in their new public artwork 'Yird Muin Starn' (old Scots for Earth Moon Star) this album of cosmological songs and sonified constellations is Matthews McIntosh second space related release. Composed and engineered by Matthews from field recordings gathered all over the Galloway f…
Kimouchi
Candie hank is a grotesque entertainment show with no limit, a collision of rock´n roll, moog influenced but harsh synthscapes breakcore but belly dance punk and gabba like proto pop. His debut lp ´kimouchi´ just got released on gagarin records run by felix kubin who couldn´t deny to release the candie hank stuff and even called it a ´landmark´. Candie hank calls it lubricant sleazecore.
Recur
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Music for Earbuds
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
S/H
Autre membre du groupe Emeralds, Steve Hauschildt nous offre une sélection de son travail solo entre 2005 et 2012 regroupée sur un double vinyl. Comme on pouvait s'y attendre, c'est une musique électronique planante, autant marquée par la niaiserie new-age que la méditation du drone. Les amateurs du genre seront plus que ravis.
Frog 2
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
The Just Reproach
The Just Reproach documents the second concert given by John Tilbury and Oren Ambarchi as a duo. When they first performed together in Reykjavik, Iceland in March 2012, the aptness of the pairing was evident. When they reprised the duo at London's Cafe OTO in September the same year in the concert presented here, the city was in the midst of a heatwave. With the air-conditioning turned off to accommodate the low volume of the performance, the uncomfortable squirming of the audience members…
Lines Describing Circles
Over the past year as Peder Mannerfelt has shed the skin of The Subliminal Kid, we've only had small samples to taste of his new brand of musical sorcery. Lines Describing Circles changes all of that. Ten tracks deep, this is not so much an album as it is a declaration. From the opening, harrowing crackle of "Collapsion," Mannerfelt's intent is to crush the listener into a perfect metal cube. Lines Describing Circles displays the sound of a man fully in control of his machines. Throughout th…
Live from Festival au Desert, Timbuktu
Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …