New Arrivals
Regressions ''Blinding Confusion''
"Over the past few years, iconic noise artist Nate Young has been carefully crafting his own signature solo sound, as evidenced through his progressive recordings and performances with American experimental music staples such as Wolf Eyes, Stare Case, Demons, and Moon Pool & Dead Band. Regression 'Blinding Confusion' enters a new era, retaining the techniques and studies from his previous work and raising them to new levels. Intense compositional building and structure seep through each t…
Kassidat: Raw 45s from Morocco
Features six extended tracks from the Golden Age of the Moroccan record industry. 'Kassidat', the Arabic word for poetry, is one of the essential ingredients in Moroccan song. Despite the bewildering array of musical styles in Morocco, the Moroccan sense of poetry is found throughout the music, regardless of the style or language. This isn't the language of high art, but an often impenetrable vernacular poetry of oblique references, symbols, metaphors, and double entendres that describes the liv…
Red Riding: In the Year of Our Lord 1980
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
Natural causes
Two new tracks from LA based duo Pedestrian Deposit. Side A is a little more noisy than last works, starting from jon's harsh-noise origins and the use of multiple layers of sound, they created a piece of musique concrète, near of what they did in Austere.Side B is dominated by shannon's cello and behind it, the sound of manipulated electronics and minimal textures to build the perfect background.
Fuzzweed
With each successive release, MV & EE strive to map new territory and to travel more distant orbits. It makes sense that this mission is their furthest reaching yet. While they've long been comfortable navigating the same planes as such cosmic explorers as Sun Ra and Alan Silva, Fuzzweed sees them planting their freak flag in the sorts of different galaxies where the atmospheres counterpoint the music of the spheres with the more earthbound plaints of the blues. Please remember that The …
Lipstick
This valley-chameleon changed colours more than David Bowie dyed his hair, which takes a lot of skin, brains and guts in an area that should have been called Noisehampton, a hay fevered pit surrounded by mountains that stare at champions such as Body/Head, Fat Worm Of Error, Thurston Moore, Breaking World, Joshua Burkett and so on, all playing in premier leak! Krefting was a member of the glammed Velvet rock band The Believers, of the much loved drone band Son Of Earth with Aaron Rosenblum…
Kilo
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
Brokeback And The Black Rock
In the fall of 2010, when Douglas McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. The band, a long-running side project for Tortoise and Eleventh Dream Day's Douglas McCombs, had stiffened up, sometimes getting lost in a welter of meticulously constructed electronics. McCombs's idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different directio…
The miraculous mechanical monster
'The Miraculous Mechanical Monster is the latest addition to the ever growing and highly collectible 'Monster' series from Andrew Liles. The Miraculous Mechanical Monster is in part a concept LP that tells a tale of malfunctioning robots, monsters and bizarre sex. With robotic narration throughout, the story can be followed by reading the text on the back of the LP. As with all of Andrew Liles' output this LP fits into no established musical genre and is arguably one of his strangest and …
Jack Allett / Kalbakken
"Relay I" is the first in Smeraldina-Rima's Relay Series. An artist for the A-side is chosen by the Smeraldina-Rima clan, after which the A-side artist decides upon who will get to fill the B-side. For every Relay 7" a different artist will be chosen to create the outside artwork. The A-side of "Relay I" fell to Jack Allett, the fingerpicking whirlwind formerly known as Spoono. Allett chose Kalbakken for the B-side. A great choice, Kalbakken, with its shamanistic folk, offers a great supplement …
Live from the Sahara
The Kel Tamasheq people of the Sahara respect an ancient social order of noble families supported by lesser nobles, craftsmen and former slaves. Noble princes never would pick up a musical instrument -- that was for the craftsman, the griot, the professional bard, or the lesser nobles. But all that has changed during the droughts and rebellions of the past 50 years. The whole social order has been challenged. In the 1970s, electric guitars appeared in the desert. Everything began to c…
Air Museum
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
Expressions East
Exact repro edition of this LP, originally issued in 1964. This is the limited edition colored vinyl version. "John Berberian is considered to be one of the finest oud virtuosos in the world. He has been featured in numerous concerts and dances throughout the United States, Canada, and South America. John is known for a series of successful Armenian and Middle Eastern recordings and has recorded with such major companies as: MGM, RCA, Roulette, Verve and Mainstream Records. Expressions Eas…
A history of every one
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…
Intervisions
Intervisions documents select live actions by Andy Votel, Sean Canty of Demdike Stare, Jane Weaver, and N. Racker's NeoTantrik syzygy over the last 12 months. It breaks down to five parts recorded on location in Bristol, Rotterdam, and Stockport -- some previously issued on tape -- in mutating alignments of personnel all deeply focused on common goals of abstract sonic transcendence uniting a mind-field of mimetic and sensual references to nu-religious and metaphysical phorms. Three pieces…
Freedom Of Speech
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
Jessica In The Room Of Lights
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
Forest of Eden
Previously unreleased tracks from the legendary eccentric folk singer Jackson C.Frank. He was Sandy Denny's boyfriend; Nick Drake, Bert Jansch, Al Stewart and others have covered his songs. His first and only album was produced by Paul Simon. After being burned in a fire and the death of his son, he became an NYC vagrant and eventually succumbed to pneumonia and cardiac arrest in 1999 at age 56.
Galaxies
Laurence Vanay is the pseudonym for Jacqueline Thibault, wife of producer and musician Laurent Thibault (Magma). Her debut album "Galaxies" (1974) is pure genius: almost all instrumental, with gorgeous keyboards of many types, acoustic/electric guitar, even a little Zeuhl bass. There are wordless vocals on many of the tracks, although she occasionally sings in a soft, seductive manner. Incredible, spacey “avant-garde progressive chanson,” a Holy Grail for most collectors of 70's underground Fren…
Cry
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …