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Personal Injury is pleased to present R. Stevie Moore’s classic 2nd album Delicate Tension, originally released by Stevie’s uncle on HP Music in 1978. Delicate Tension is regarded as an absolute highlight of RSM’s massive discography and was featured as one of his six most “essential” albums in The WIRE’s recent cover article. Reissued for the first time on vinyl in an exact-repro sleeve and mastered from a digital transfer off the original analog reels. - His first LP made in New York. Along wi…
Osaka Fortune is the meeting of two Norwegians and to Japanese artists Ð two drummers and two noise musicians. The album was recorded in Osaka, Japan February 2011. The quartet had previously performed live together, but this time they set up a studio recording on their tour of Japan.Jojo Hiroshige is the guitarist and leader of infamous Japanese noise band Hijokaidan, which has been going since 1979, known for their violent and energetic performances. Hiroshige has also run Alchemy Records sin…
Jazz-man Henry Franklin, widely respected for his service to the finest jazz players, brought that ineffable quality called soulfulness into play when he made his first record for producer George Porter at Black Jazz, The Skipper. Not unexpectedly, his follow-up affair titled The Skipper at Home teems with the same jaunty uplift. In sync with Franklin's musical spirit on the second recording are returnees Charles Owens on saxophone, Oscar Brashear on trumpet and Kenny Climax on guitar along wi…
Deep Politics was conceived during the lengthiest gestation period between Grails albums, and reflects a deeper, more educated level of concentration. In their ongoing exploration of occult/fringe culture and the rich history of film music, they have cultivated a unique environment that inspires both an eternal sense of longing and an indelible sense of dread. Produced by the band, as always, the most immediately noticeable advances are the lush string arrangements (courtesy of acclaimed compose…
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Beautifully presented reissue of classic archival electroacoustic works, within "Warszawa-Oslo" project, a recollection, phonographic documentation and reactivation of bonds between Polish and Norwegian electro-acoustic music, presentation of their individual character and unquestionable significance on the international scale. This beautifully designed set (with extensive booklet of note) collects some of the most exciting, shimmering and crystalline electronic sounds to be unearthed in quite a…
By now, the significance of Sam McKinlay's extensive body of work is undeniable. After having begun his mapping of the depths of monomania, fetish, addiction, and vice, in the mid-1990s with his flagship project, The Rita, McKinlay briefly halted his work in the early 2000s. Though it was unforeseeable at the time, McKinlay's return to substantial recording output and live performances around 2004 would quickly and permanently alter the landscape of Harsh Noise. The Rita became one of the most …
Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-released by the Brain lab…
Kogetsudai is Sylvain Chauveau's 10th album, the second in a trilogy initiated by Singular Forms (Sometimes Repeated) (2010), where the song structure is dismantled and reconstructed on the fringe of silence. Whereas Singular Forms found inspiration from Abstract Painting, Kogetsudai is influenced by Zen rock gardens found in Japan Ñ also the location where the album was conceived (for the most part) Ñ and from which the album borrows its title. Layers of minimal electronic sounds and filtered f…
Finnish experimental electronic musician Mika Vainio's first solo album for Blast First sees him return to his classic power electronics/heavy beats approach that made Pan Sonic garner a worldwide reputation. The album developed from Vainio's recent live sets to make 10 tersely-titled tracks inspired by the shipping container industry. Four stars in Mojo: "heavy-freight," The Quietus describes it as "fearsome."
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor.The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing.Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
Grapes and Snakes is the first collaborative work of two of the most respected American underground experimental/noise artists, Aaron Dilloway and Jason Lescalleet. Using purely analog synths and tape manipulation, they build a foggy psychoacoustic mass that lies between dynamic yet patiently treated tape-music and industrial howl. Aaron Dilloway has been releasing and recording music since the age of 16. He was a member of experimental bands Couch, Galen and Universal Indians. He is a form…
Once more Chicago’s finest delivers another devastating slab of emotionally charged noise. Its been 10 years since the epic statement that was ‘Sheer Hellish Miasma’. Since then Drumm has trawled through the depths of the global underground with a back breaking speed, adding many masterful releases to his oeuvre for labels the world over. Armed with his distinctive palate of audio tactics, Drumm returns to Editions Mego to deliver ‘Relief’, a 36 minute hypnotic roller coaster ride through…
Recorded in the same two week session as 'AODDOL I' by Stuart 
Hallerman at Avast and mastered by Mell Detmer, Earth's 
'Angels of Darkness, Demons of Light II' carries on in the freely 
improvised, folkloric vein of the title track from their last 
release. Tape was rolled and spontaneous composition occurred.'Angels of Darkness, Demons of Light II' is striking in many ways, not least, in the wildly improvised nature of this particular 
recording. Earth's songs, Sigil o…
Homicidal Texture was released by Slaughter Productions in early 1995 in a bizarre packaging consists of a metal mesh that completely envelops the cover. The four tracks on the tape are based on obsessive synth drones. The smell of death is soaked in every sound produced by the brilliant and twisted mind of Marco Corbelli. Anxiety, alienation and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power…
"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
Shipping by the next week: MIE Records are unbelievably honoured to be releasing Effigy by Pelt this October 29, the first album recorded since 2007 by the acoustic-only droners. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular pl…