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Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024
Exceptionally virtuosic and sensitive, South African harpist Jacqueline Kerrod is perfectly at home across multiple genres. This is her first recording with American guitar maverick Joe Morris. These are sublimely adventurous improvisations for pedal harp and guitar.
A reissue on CD of the 1972 sophomore album by Spontaneous Combustion a late British psych band with progressive tendencies.
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted cardboard sleeve. - See more at: https://www.lpcdreissues.com/item/triad-3#sthash.jWSS6KcV.dpuf
A reissue on vinyl of the 1972 sophomore album by a late British psych band with progressive tendencies. The LP is presented in a US pasted…
2025 stock The idea of Grains of Voices was born when Åke Parmerud was commissioned to write a work for the Swedish Radio. A journey around the world, recording the different inflections of the human voice then followed and the material was processed in the studio to make this electro-acoustic composition.
Grains of Voices is an electro-acoustic mix, a collage of voices from all over the world – singing, talking and shouting. The work was premiered in the Dag Hammarskjöld auditorium, in the UN…
2025 stock A composed improvisation, or possibly the other way around – this is one way of describing the music played by Mats Gustafsson and the Nu Ensemble, a multinational group of improvisational musicians.
The saxophonist Mats Gustafsson, born in 1964, became interested in improvisational music at an early age, inspired by among others the German Peter Brötzmann and the Britt Evan Parker.
The Nu Ensemble was a loosely structured, irregularly convened radio and concert project built around …
Bilingual Edition English/German This inspiring book, with texts in German and English, reflects on the aesthetic, cultural and performative dimensions of contemporary (art) music. It opens up and challenges new perspectives in musicological and artistic research with a cultural studies orientation. Texts from the last 15 years are divided into two main chapters: Cultural Practice – including analyses of major festivals such as Warsaw Autumn, Festival d’Automne à Paris and Wien Modern, the impor…
Big Tip! The 5-CD set Gaku-No-Michi is a grand experiment that shatters conventional musical concepts. Electronic music and soundscapes merge, inviting the listener's consciousness into an infinite universe. With this work, composer Eloy pursues the ‘path of sound’ and opens up new horizons of aural experience. In this work, the composer Eloy combined Western musical traditions with Eastern thought to create a unique musical world. Gaku-No-Michi is not just a musical work, but a meditative exper…
Ikue Mori's album "Of Ghosts and Goblins" is a collection of instrumental miniatures inspired by Lafcadio Hearn's Japanese folk tales, featuring themes of ghosts, goblins, and the supernatural, with tracks like "Fragment," "A Passional Karma," and "Lafcadio's Garden". Lafcadio Hearn is an author who spent much of his life researching, documenting, and preserving the ancient folk tales of Japan. He published a series of books in the late 19th and early 20th century including In Ghostly Japan, Kwa…
"Was Drosselbart a Krautrock band just because they came from Munich like Amon Düül, sang in German and released their first and only album on a major German record label in 1971?
'No,' says Monika Vincent-Gunia aka Jemima, Drosselbart's singer. 'We were the first punk band in Germany. The guys in the band could only play three chords, maybe four, but they were burning with enthusiasm'.
However, Drosselbart's music on the album of the same name has very little to do with the punk of the mid-seve…
If you face a „Jesus“ look-alike in a white robe with an acoustic guitar and a beard in full blossom on the cover of a record you know you’re on the trail of a real oddity, in whatever way it might be. Then you check the name and it says D.R. Hooker on the cover. Is it his name or is he a doctor who cures prostitutes, so called “hookers” ? What is this all about? With a bit of effort you may find out that this is the name of a musician from the Connecticut scene of the early 70s and that he gath…
'The fun years', comprised of multi-instrumentalists Ben Recht and Isaac Sparks, have been making music together since the turn of the century, producing intriguing interrogations of ambient, drone, post-rock, and turntablism. Originally released in 2008 on the now-defunct Barge Recordings, 'baby it’s cold inside' is perhaps the high watermark of their discography. Equally concerned with microtonal nuance and harmonic intensity, it is both a product of its time and something well past it. The ch…
Transparent turquoise vinyl / 180 grams, limited edition numbered to 300 copies. Mauro Pagani's first vinyl album, released in 1978, is a masterpiece of sonic cross-cultural contamination. After his experience with PFM, Pagani embraced Mediterranean sounds, mixing progressive rock, ethnic music and psychedelic atmospheres. Almost every of his former bandmates, anyway, plays in this record, together with other great guests such as Area - first of all, their incredible singer Demetrio Stratos - an…
Tip! Kuunatic’s hotly anticipated 2nd album “Wheels of Ömon,” takes another adventuresome deep dive into their self-made fantasy mythology, proposing whole new worlds of psychedelic drama and ritual. In addition to their core sonic palette of tribal drums, pulsing bass, atmospheric keyboards and grouped female vocals, the acclaimed Japanese psych-rock trio played an array of Japanese traditional instruments on "Wheels of Ömon." The result is a thrilling, kaleidoscopic album that brushes against …
Maciej Śledziecki and Marion Wörle show just how exciting the world of the pipe organ is today as the ensemble gamut inc. The retro-futuristic duo uses self-programmed software to dock onto the MIDI consoles of church organs, control their stops in a manually impossible way and perform sound synthesis with surprising results. Their annual AGGREGATE festival in Berlin is a meeting place for the international “New Organ Movement” scene: electronic musicians, composers and organists from different …
2025 stock The significance of the seven pieces brought together here is that they both generate a striking panorama of the intelligence of the material presented, over a period of four years, from 1939 to 1943, by the composer whom the critic Fred Goldbeck described as “the greatest Giraudouxian of our age”, and clarify in an extraordinarily oblique manner the prehistory of this “automation” of the creative act, towards which one can detect the perpetual temptation in the young Cage.
2025 stock Under the title of “studio reihe neuer musik”, WERGO released outstanding recordings in the 1960s, thus creating a trademark of advanced contemporary music in the label's early days. On the occasion of its 50th anniversary, WERGO now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.“studio reihe” now continues with works by Karlheinz Stockhausen:On this CD, “Zyklus für einen Schlagzeuger” [“Cycle for One Percussionist”] can…
2025 stock With “studio reihe neuer musik”, WERGO created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, WERGO now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.
“studio reihe” now continues with a work by Igor Stravinsky:
Stravinsky's last ballet composition “Agon. Ballet for Twelve Dancers” was written over a period of three years (1954–1957). During…
Lettera 22 is a project of Riccardo Mazza and Matteo Castro, hailing from northeast Italy, a region riddled by ravines and sleepy villages. For Blue Telepathy they edited concrete sounds, field recordings, analog instruments and tape manipulations into 4 textured compositions, drenched in tape hiss and interrupted by waves of distorted electronics. At the peak of their powers, the duo created a true sense of space and a hauntingly sensorial, immersive shadow world, where ghosts seem to come aliv…