We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Consisting of one side of solo lute material by Van Wissem and one side of new pieces by the duo. Film maker Jim Jarmusch plays electric and acoustic guitar and does tape on one piece. Van Wissem plays lute and 12 string electric guitar. Limited silver on black silk screened vinyl edition.
Bengt is the new solo recording by Mats Gustafsson and is dedicated to Bengt Nordström. Mats Gustafsson plays a plastic alto sax. A classic Grafton sax. The type of sax that was used by Charlie Parker, Ornette Coleman and Bengt Nordström. Nordström is best known having produced Albert Ayler´s first recording Something Different!!!!!! on his Bird Note imprint. It is in his own role as a sax player Bengt was truly inventive. Bengt was playing solo sax improvisation already in 1962 (!!!) Nor…
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
After a few years spent living in Sweden and touring with Cecil Taylor's Jazz Unit, Ayler moved to NYC to begin imposing his revolutionary style of jazz on the world through a number of groundbreaking records. Spirits, recorded at Atlantic Studios in New York City on 24 February 1964, was his first effort. Recorded a few months prior to his landmark album for ESP-Disk, Spiritual Unity (but only released in Europe on Denmark's Debut Records), for the occasion Ayler recruited Norman Howard …
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
"If string theory is correct, this is approximately the thirteenth album Matt Valentine has released that definitely shouldnt be filed under a group name (Tower Recordings, Bummer Road, Golden Road, etc.). On the other hand, if string theory is correct, this might also be his 11,000th album. The truth, one suspects, is somewhere in between. Since bedding down in southern Vermont at the dawn of the century, MV has been as cussedly prolific as anyone. The gout of LPs, cassettes, CDRs, singles and …
"Her first classic album originally released in 1969 on John Peel's legendary Dandelion Records. A wholly acoustic, almost wholly solo folk affair like a female Nick Drake or Nico recording a folk album. A calm, beautiful and somewhat melancholic batch of songs sung in that sunny low register always associated with Bridget make up this beautiful but criminally forgotten debut album. John Martyn adds second guitar and backing vocals while John Peel serves as producer. A magnificent sound p…
LP version. The is the second full-length release by Sweden's Andreas Tilliander as Mokira for the Type label. It's hard to believe that five years have passed since the release of Album, Tilliander's first outing on the Type label. Album marked the final stage in Andreas' development as a "laptop" artist, and since then he has collected synthesizer upon synthesizer and enough tape to make the boys in Berlin jealous. Ditching the zeroes and ones, Andreas set about piecing together a follow-up to…
A while ago one of the members of the youngest antwerp based free jazz band SHELDON SIEGEL (all 16 year olds..) visited me, I had just met them and he wanted to come by to get some records. We spoke about free jazz for a while, then he said the magical words "My dad use to play free jazz in the 70's as well".. I was like "ow, and if that was in antwerp, was it with WIM?", he said "Yes yes, he's on one of their tapes with Fred Van Hove, Ivo Van Der Borght etc". My heartbeat went a little faster, …
Two tracks of incredible beauty characterized by unbelievable depth and intensity, from one of the finest masters of contemporary electronic music.Deep, powerful, brutal, quietly melodic drone massages from The King. Housed in a beautifully packaged LP edition, "Graf Spee" is a collaboration between artists CM von Hausswolff, Jan Håfström and Juan Pedro Fabra for an installation commissioned by the 5th Nordic Biennale of contemporary art and by Wanas Foundation in Sweden
Guitarist /composer Glenn Jones claims a lengthy and rich relationship to what his longtime friend John Fahey so famously dubbed "American Primitive Guitar". Aside from being seduced by punk in its latter-70's heyday and brandishing the electric for a large portion of his career (including 20 years as a founding member of post-rock instrumentalists Cul de Sac), it was the acoustic steel-string and the seemingly multi-directional genres born from Fahey's homespun Takoma imprint that informed much…
Amazing!! There is a murder in the beach. Ducktails arrives in his spaceship escalade to investigate the scene. Dracula Lewis is the principal suspect. They become best friends and decide to work on a split LP. When a vampire kills a body is never found. At the same time beautiful and terrifying cavern drone sounds from Dracula Lewis, Psychedelic spiraling melodies and electronics beats from Ducktails. Both investigate the limits of the space time continuum. This is the new dawn of expansi…
"Kluster (1969) metamorphosed into Cluster (1971) and Cluster became Qluster (2011). In a period spanning over 40 years, Hans-Joachim Roedelius was a driving force behind this unique transformation. Now, as Qluster, he has recorded together with Onnen Bock in the latest incarnation. Three albums already released document the current status of their musical journey to pastures new. Lauschen is not a studio album, but a live recording of a performance for which Roedelius and Bock invited world mus…
British avant pop artist Alexander Tucker releases his much anticipated new album, Third Mouth, on Thrill Jockey in 2012. This album builds on the strengths revealed by his landmark debut for the label, Dorwytch released in April 2011, culminating in his finest work to date. Using songs written over a 12 month period he achieves his own inimitable blend of psych rock and ambient pop using a variety of studio crafted effects, rudimentary beats, guitar and bass, as well as synth and cello drone…
Forever Falling Toward the Sky is the first ever release by Bay Area based Vestals, AKA Lisa McGee. A taught set of haunting electric ballads, these five tracks weave together a number of layered guitars and vocals into a smokey tapestry of blown electricity. Rather than the ephemeral drones McGee has been involved with recently, most notably the group-mind ensemble Portraits & the duo Higuma, Vestals retains the clarity of song, with these hypnotic gyms having been slowly carved out over…
Absolutely mind melting release from this consistently amazing American duo. This release has a very different sound to the superb drone recordings of their recent releases, yet it is still totally immense but really quite unexpected. This was previously issued as a tour-only CDR in a press of somewhere between 20 and 30 copies. Brian Pyle and Merrick McKinlay spent sometime recording legendary Humboldt based pianist Darius Brottman, who also happens to have a radio show before Brian's own show …
The product of more than a year's work, finds Caminiti shifting away from the evocation of the land elements and towards the urban- the coarseness of blood on the streets and people living in squalor juxtaposed with beautiful, fleeting moments like sun reflecting off of glass buildings into dingy puddles- to produce a dialogue where guitars float through the air weightlessly, weaving around each other like butterflies and other moments that are more solitary, monolithic excursions into the night…
Recorded at Supersonic 2008, this was Harvey Milk’s first ever UK performance.After much persuasion Capsule managed to coax Harvey Milk out of America to play in the UK for the first time. Saturday night on the outside stage at Supersonic 08 became a memorable occasion with this long awaited performance providing a suitably raucous climax to the festival’s proceedings…they certainly didn’t disappoint then and we’re equally excited to have been able to record and package up this little piece of S…
Now that we've wrapped up our inaugural six-volume CD series, Azul Discografica continues in earnest with our first vinyl release, The Sakada Sessions. Sakada is the duo of Eddie Prevost (AMM) and experimental noise agitator Mattin (Billy Bao, Josetxo Grieta, and countless other projects). Since Sakada's 2001 inception, the pair has performed with a host of radical improvisers of the highest order. This record documents two such sessions: the first, a spare, inverted dronework featuring Alan Cou…