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In the fall of 2010, when Douglas McCombs convened a new version of the band, Brokeback hadn't played a live show for more than two years and had not recorded any new music for eight. The band, a long-running side project for Tortoise and Eleventh Dream Day's Douglas McCombs, had stiffened up, sometimes getting lost in a welter of meticulously constructed electronics. McCombs's idea was not to start over, exactly, but to start fresh, approaching similar harmonic content from a different directio…
To coincide with Halloween we can announce that Warp Records will be releasing Broadcast's original soundtrack that accompanied the recent Warp Film 'Berberian Sound Studio' - Peter Strickland’s brilliant homage to 1970s Italian horror. The film's integral soundtrack was composed by Broadcast before Trish Keenan's untimely passing last year.
This is Electro 80's minimal punk at its very best - think Grauzone meet D.A.F. meet Suicide!Stephan Eicher recorded the totally 7 songs (only 5 were later released on the debut 7") on a simple dictaphone recorder with no overdubs or mixing and purely with 'stolen' equipment (after the Police stormed the Spex club where Stephan worked, and where the band that was supposed to play had to leave behind their equipment.).With almost no equipment he tried to reproduce tracks by his short living first…
"Roman Polanski’s 1967 film ‘Dance Of The Vampires’ (as it was originally called, but more widely known by its re-named title ‘The Fearless Vampire Killers’, or ‘Pardon Me, But Your Teeth Are In My Neck’) is a camp horror cult classic. At the time the film was marketed as a ‘farce’, which overlooked the fact that this film is fantastically eerie. The major part played by the soundtrack in giving the film this effect cannot be understated, and the cold-as-snow production did much to enhance the b…
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…
Greek Rhapsody -- Instrumental Music from Greece 1905-1956 is a 2CD collection featuring 42 tracks meticulously remastered from 78rpm recordings of Greek instrumentals (1905 to 1956). Many tracks are rare and never previously reissued on CD or vinyl; some are taken from the only known copies, while previously reissued tracks are here offered in far superior sound quality. This compilation offers, for the first time, a unique panorama of the instruments and styles of the Greek music of the…
After the dark conceptual ambience of Beyond the 4th Door, the members of Eternal Tapestry decided the time was right to do an album embracing their live show - blistering psych rock filled with lyrical guitar soloing and a caveman approach to rhythm, an oddly euphoric state where melancholia is blasted by ecstatic noise. Compiled from a variety of sessions at Tapestry Space throughout the spring of 2011 (some of this material first found a home on the two fall tour tapes), this set of so…
Forget what you know about the Seattle-area sound-art project Mamiffer and the Finnish hypno-rock institution Circle. Enharmonic Intervals (for Paschen Organ), the first in a proposed series of joint efforts involving these parties, contains few of the musical hallmarks you might associate with either performer. The comforts of austere piano sketches and solemn nocturnes are largely absent; the wallop of repetitive rhythms and metallic kitsch is nowhere to be found. It’s as if an unseen h…
"Noah Creshevsky composes some of the most meticulously constructed electronic music around. For his third Tzadik CD he has created a sonic history of his life work, inspired by the idea of a retrospective. The Four Seasons presents a new large-scale composition that reflects his work from 1992 on to his present work with Hyperrealism, creating virtual "super-performers" using the sounds of voices and traditional instruments pushed beyond human capacities. Another brilliant and varied program ch…
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…
Now in their tenth year the band have been gathering plaudits and accumulating new fans with every release, and after playing to thousands at Supersonic Festival last year, things are accelerating at an even faster pace. As with each album release, Hey Colossus continue to mutate and for their eighth album they have enlisted the support of a new drummer, Part Chimp guitar/vox man, Tim Cedar, who has undoubtedly brought a whole new kind of energy that has reinvigorated the band. When the rhythm s…
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…
"In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very …
Personal Injury is pleased to present R. Stevie Moore’s classic 2nd album Delicate Tension, originally released by Stevie’s uncle on HP Music in 1978. Delicate Tension is regarded as an absolute highlight of RSM’s massive discography and was featured as one of his six most “essential” albums in The WIRE’s recent cover article. Reissued for the first time on vinyl in an exact-repro sleeve and mastered from a digital transfer off the original analog reels. - His first LP made in New York. Along wi…
Awesome release, stark, doom-laden ambience with an oppressive undertone. Sombre tones flow like lifeblood, underlying squeals of pain, abrasive bursts of metallic guitar drones, atonal meanderings, the occasional cosmic chant, all blurred by a rumbling dirge of noise...somewhere between Tony Conrad, Giacinto Scelsi and Sunn O
Their 7th album! Record & produced by the band in their hometown of Liverpool & mixed w/ assistance from Daniel Lopatin (ONEOHTRIX POINT NEVER, FORD & LOPATIN). The title is apt for this particularly bold & assured new transmission from planet Clinic, it neither turns its back on the sond of their previous albums, nor seeks to recreate them.
Limited edition 2LP. The Invisible Hands is the English translation of the band's original Egyptian Arabic name: El Ayadi El Khafeyya. Taking almost two years to create amidst an unusual and challenging backdrop, this is the new project of Alvarius B. (Alan Bishop of Sun City Girls). Eleven highly-crafted songs projected through his typically dark lens of songwriting and a band of brilliant musicians from Egypt; this special edition limited 2LP includes the English and Arabic language vocal …
The first vinyl document of the Dredd and MV & EE collab recordings, this is a reissue of two deep sides originally released in 2004, as companion volumes to Kissing the Contemporary Bliss, in extremely limited runs. The sessions behind this record represent a singular apex of high in the catalogs of both Dredd Foole and MV & EE, where the playing and being of each of the three individuals involved coalesces into a singularly cosmic perception and extrapolation of the blues doctors' truth…
For Sven-Ake Johansson, the capricious and mercurial character of Paul Klee's texts is not a flaw, but a quality in its own right. His thirteen settings capture precisely this quality of the texts. Johansson's clear diction, his distinct, almost exaggerated elocution, imbues Klee s texts with a lapidary air without stripping them of their personal and intimate nature.
Born in Japan and a resident of New York since 2001, Aya Nishina is a very special and beautiful spirit whose work touches upon nature, spirituality and the deepest human emotions. Five years in the making "Flora" is a brilliant suite of pieces for the human voice. At times layering hundreds of voices at the same time, the music is lush, orchestral and healing. Meticulously written, rehearsed, guided and recorded, this is a fabulous debut CD by a unique composer who has worked with Ryuic…