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Die Schachtel is proud to present a recording that embodies the virtuosity of Thollem McDonas and Stefano Scodanibbio in the spirit of Claude Debussy's rebellious creativity. As Terry Riley wrote: “Anyone who has heard Thollem or Scodanibbio as a soloist might well imagine what a combination of their unique genius could produce. Awesome, well matched virtuosos in an ocean of sound." During the listening of this CD, you will witness the renowned talent of Scodanibbio, a 21st ce…
The Modern Sound Quintet were formed in Stockholm by Trinidadian steel drum master Rudy Smith. On Otinku, Smith wails out on his set of 'pans' (as I believe the vernacular goes) in an improbably slick bebop mode, accompanied by a rhythm section capable of keeping it free and swinging one moment, and then within an instant locking down a groove. While pieces like the title track and 'Bye Bye Blackbird' flow effortlessly, 'Mercy, Mercy, Mercy' and 'Memphis Underground' lay down a solid bedrock of …
Awesome 5 CD box set recorded over 3 nights in Oslo on February 19-21, 2009 at Victoria, Nasjonal Jazzscene. This time out the Tentet +1 includes Mats Gustaffson, Ken Vandermark, Jeb Bishop, Joe Mcphee, Johannes Bauer, Per Ake Holmlander, Fred Lonberg-Holm, Kent Kessler, Michael Zerang & Paul Nilssen-Love.
This is the collaborative masterpiece of the 3-piece unit, sim (Oshima Teruyuki on guitar and composition, Ootani Yoshio on computer, electronics, etc, and Uemura Masahiro on drums) and Otomo Yoshihide (turntables, self-made synthesizer). The noise of Otomo sharply incises the unique sound of sim, where Uemura’s controlled roaring drumming sets an main axis on Oshima’s precise rhythmical composition, Oshima’s the chord cuttings beats minimally and the electronics of Ootani give extreme voltage. …
Gatefold 2LP/DVD version. Ambitious, epic and grand in scale, In The Country's previous album Whiteout was an artistic triumph. Always a very powerful and exciting live act, it was only natural that a concert album should come at this stage of their career, after three studio albums and a number of Norwegian, European and U.S. tours. Originally planned as a concert DVD, In The Country invited video director Claus Arthur Breda-Gulbrandsen to bring a crew to film a couple of Norwegian shows i…
This recording is my attempt to play Evan Parker. Seven tracks were recorded in STEIM's Studio 3, trying to reflect the liveness of Parker's solo recordings. All of these are single takes with minor edits at the beginnings or ends. Two interlude tracks are short experiments looking at timbral characteristics when the rotation of the turntable is extremely slowed down. The last three tracks are compositions made from both Parker's and other improvisors' records.
After several years spent searching for a publisher for On The Road, in 1957 Jack Kerouac s fortune finally changed as he literally became a star overnight, thanks to rave reviews by the New York Times and others who heralded Kerouac as the voice of a new generation. It was during this initial period of fame (1957-1959) that Kerouac also recorded a trio of albums. His first effort, Poetry For The Beat Generation, was recorded at the Village Vanguard in 1957 with soon-to-be pop icon Steve …
That is one slick title, is it not? Though I must say, I for one would have preferred it had they gone with ShippMan. Oh, perhaps not... Both repeat offenders on the Treader label, Jason Pierce (of Spiritualized and Spacemen 3 notoriety) teams up with modern jazz icon Matthew Shipp, who plays celeste and harmonium over these two extended drone pieces. This collaboration first came about for Patti Smith's Meltdown festival, and this recording represents a studio incarnation of that performance. T…
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
Collected here for the first time are the complete studio recordings of one of the major ensembles in the renaissance of Jewish Jazz. Featuring five Downtown New York improvisers, these four CDs originally released by Knitting Factory records from 1996 to 2001 embrace the Hasidic musical legacy with a fresh new voice. Blending together an intense mixture of ethnic and cosmopolitan sounds, Hasidic New Wave fuses spiritual songs from Hasidic dynasties to funk and jazz, Arabic dances with avant-gar…
Howard Riley : piano. CD 1 was recorded on 23rd July 1998. CD 2 was recorded on 11th April, 1999. CD 3 was recorded on 29th June 2004. CD 4 was recorded on 2nd August 2006. CD 5 was recorded on 27th June 2008. CD 6 was recorded on 22nd April 2010. All compositions by Howard Riley (PRS MCPS). Mastered by Ar nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Producer Ð Danas Mikailionis. Co-producer : Valerij Anosov.' label info. 'The beauty of a short story, of course, is that it can be taken …
Great album by this Detroit group. The songs range from sticky amoeba-like free ooze to stuff of some international album Folkways suppressed because it was too fucked up for public consumption. Pretty fantastic sleeve. 500 made.
PAT THOMAS (piano and synthesizer), CLAYTON THOMAS (double bass), RAYMOND STRID (percussion) recorded in concert at the 2009 Perspectives Festival, Västerås, Sweden.
A split single with Cremaster (Ferran Fages and Alfredo Costa Monteiro) on one side and Komora A (Karol Koszniec, Dominik Kowalczyk, Jakub Mikolajczyk) on the other side.
Tapestries for Small Orchestra, eminent trumpeter/composer Bill Dixon's new multi-disc set, includes two audio CDs of specially commissioned original music plus a documentary film featuring exclusive interviews and session footage (DVD available only with physical release). Made possible in part by a grant from the LEF Foundation's Contemporary Work Fund and the support of the Festival of New Trumpet Music, this project thoroughly documents the three-day recording session at Firehouse 12's stat…
"Not since Albert Ayler stalked the hamnar of Stockholm and reverberated his fire music off the walls of LES tenements has there been an avant-garde jazz saxophonist who can all out wail like Virginia Genta can. Don’t let her calm presence fool you. Nor should David Vanzan’s taller stature lead to believe this is not an equal opportunity free jazz freak-out. From when their poles first were converged by the Cosmic Force in 1999, Italy’s (with Finnish godparents) Jooklo Duo has been winning he…
Recorded live at Alto Adige Jazz Festival in Bolzano, Italy in June of 2007. All compositions by Anthony Braxton: Composition No. 63, Composition No. 92 (part 1-2), Composition No. 164 (part 1-2), Composition No. 59
Nectars of emergence is the exciting debut release of Mural, consisting of Australia's foremost improviser Jim Denley (alto saxophone, flutes) with Norwegians Kim Myhr (acoustic guitars, preparations) and Ingar Zach gran cassa, percussion). The trio has performed numerous concerts together since their first concert in Madrid in 2007, and now you can finally hear the music on CD. Aftenposten, Norway said of Kim Myhr and Jim Denley's duo CD: 'Systems realignment helps to save improvised musi…