New Arrivals
Le viandier de taillevent
for almost 10 years, the québécois collective napalm jazz gets its hands dirty with its unorthodox approaches to improv.' 'mostly activ as a duo with erick d'orion and philémon they like to get different guests like for example a_dontigny, arnaud rivière, erikm or erik minkkinen. limited to 181 copies and coproduced with notype from montréal." (label info)
Alpi
oreledigneur is the duo of giuseppe ielasi and renato rinaldi and “alpi” is the new film by photographer and filmmaker Armin Linke. rinaldi followed linke’s shooting sessions between 2004 and 2009, recording on-location sound for the film, which was then edited and sound-designed by oreledigneur. the whole sound archive was used by ielasi to edit and compose (without any additional processing) those two sides, which bear very little resemblance to the final soundtrack of the film. the lp consist…
L'Orchestre National "A" De La Republique Du Mali
Beautiful Mali music from formation "A" of L'Orchestre National – one of a pair of groups organized as the National Orchestra for Mali in the wake of its independence – led by the great Keletigui Diabate. This set has some really wonderful guitars by Keletigui, excellent vocals and overall melodic sensibility. Titles include "Malamini", "Taara", "Jaanfa", "Son T'Aw La", "Duga", "Saakoba", "Nonsi Komotigi" and "Ciwaara". © 1996-2010, Dusty Groove America, Inc.
Alien column
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
When California Falls Into the Sea
The product of more than a year's work, finds Caminiti shifting away from the evocation of the land elements and towards the urban- the coarseness of blood on the streets and people living in squalor juxtaposed with beautiful, fleeting moments like sun reflecting off of glass buildings into dingy puddles- to produce a dialogue where guitars float through the air weightlessly, weaving around each other like butterflies and other moments that are more solitary, monolithic excursions into the night…
Whisper Not / The Wrong Holiday
This latest release on the excellent Forced Nostalgia imprint is by some distance its most illuminating release to date - a split LP that features an astonishing rediscovery from the early 1980's synth-pop era. That album is 'Whisper Not' by Vazz - a duo consisting of Anna Howson & Hugh Small, and is redolent of so much classic, deeply cherished music from around the same period (think Crépuscules, Antena, early Cocteau Twins on the one hand, and The Cure's 'Seventeen Seconds' on the othe…
Live at Aston University, Birmingham
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
Voice of the Seven Thunders
Already drawing comparison to the heyday of '70s acid rock & the likes of Amon Duul II, Peter Green's Fleetwood Mac, Japan's Flower Travelin' Band, early Pink Floyd, the Velvet Underground's drone jams, the electronic kosmische of Cluster & the unhinged organic grooves of International Harvester
New Bodies
Peter Kolovos is a free sound artist from Los Angeles, CA. Over the last decade he has developed an intensely personal sound vocabulary based on raw texture, volume, and duration. The result has been physical, abstract work that constantly shifts and evolves in real time. The mechanisms of impulse, memory, intent, restraint laid bear. Mastering: Rashad Becker. Full Color Heavy Tip-On Cover-180 Gram Vinyl. Edition of 500 copies.
About To Choke
His only album for Capitol Records (originally released in 1996) was another exceptional batch of songs. An edgy slice of country-folk showing his unique version of Americana that was usually several things at once: his craggy voice, raw honesty, an acoustic guitar (or a piano) and an outrageous imagination. Vic Chesnutt was a rare kind of artist and definitely one of the most relevant songwriters of the last 20 years.
Kappe
Limited Edition of 400 copies, already out of print: Erik Skodvin, the crown prince of nefarious Nordic doomscapes, returns with another incredible dark ambient grimoire for the Type label. Kappe finds the Deaf Center member peering yet deeper into the sonic abyss, concentrating his efforts on four lengthy compositions, each one following its own distinct subterranean tributary. 'Tunnel Of Love' opens the set with a blurry swell of dense tones and funereal howling before eventually throwing in a…
Lux Aeterna
greay-area LP reissue, Lux Aeterna, was originally composed to celebrate a friend of William Sheller's wedding, thematically driven by concepts of union and togetherness, and ostensibly based on the Catholic mass, this is far from any sort of religious music you've ever heard. Following in the footsteps of other iconoclastic composers, like Serge Gainsbourg, Jean-Claude Vannier, Lee Hazlewood, David Axelrod, Scott Walker and of course Magma (more on that in a second), Sheller conjured up w…
Lip Syncing to Verme
As a slow motion Stan Brakhage on K, this last and definitive new album from Aaron Dilloway is fluid and cinematic. After the monumental Chain Shot Lp and a furious live activity, the Mid West's mad tape-scientist is back to take your hand and dive you in a buzzy ocean of muddy water loops. Welcome to this creepy journey to the south of heaven, here you can just crawl like a worm.
The Resurrections Unseen
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
Songs for the Gentle Man
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
Trans-Europe Express
Classic album from 1977, the sixth Kraftwerk album, originally issued by Kling Klang. This is the English-language, U.S.-cover art version. One of the inspired electronically-based pop records of all time. Performed by the quartet of Hütter, Schneider, Flür & Karl Bartos, this is the quintessential Kraftwerk sound recording experience. Tracklist: Side One: A1. Europe Endless; A2. The Hall Of Mirrors; A3. Showroom Dummies. Side Two: B1. Trans-Europe Express; B2. Metal On Metal; B3. Franz …
Insect
'insect is a work by Dave Phillips that consists of untreated field recordings made in Thailand in 2001. It was first presented live on the 6th of December 2002 at Egocity in Zürich. the accompanying text evokes questions of what might happen to humanity if insects were to perish. Insect was originally issued as a cdr in an edition of 50 copies in 2003, and later rereleased by dp on demand. By the time i heard this work, almost 3 years after its release, i was astounded by its sound. A wo…
Untitled
Edition of 380 copies** Powell marks up the 2nd release on The Death Of Rave, following Mark Leckey's debut entry, 'Fiorucci Made Me Hardcore'. Powell's 3rd release refines his ascetic blend of lawless New York no wave, cold European electronics and late '90s D&B with incisive vision and propulsive torque. The EP's standout 'A Band' emphasises a chimeric indistinction between the "real" textures of sample-spliced guitars and drums and the gritted tension of painstakingly processed electr…
The World Is A House On Fire
Veterans of the sprawling Chicago music scene, Zelienople have carved out a unique sound over their album releases. The World is a House on Fire is the latest chapter in the band's story, and frames their music more succinctly than ever before. Mike Weis (percussion), Matt Christensen (vocals, guitar) and Brian Harding (bass, saxophone) managed to perfect brooding, melancholy doom-pop on their last full-length Give it Up (TYPE 054CD), and this latest LP finds the band in a more evocative mood.…
The Inner Treaty
With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pete Kember…