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This is the first collaboration by ambient master Alio Die with soundscape creator Parallel Worlds. The unique sound achieved could be described as a hybrid sonic world, made out of bouncing electrons and air vibrations. The modular machines of Parallel Worlds are merged with the acoustic instrumentation and drones of Alio Die, joined by the ethereal voice of the Polish vocalist/composer India Czajkowska, resulting in a surreal, yet down to earth, listening experience. The compositions, b…
Since Joshua Tillman had his profile raised by association with Seattle folk favourites Fleet Foxes, whose drumsticks he wields, he hasn't exactly been making an attention-seeking racket in his solo career. In contrast to Fleet Foxes' dawn-chorus harmonising, Tillman favours a spare style, and his sixth solo album may be the year's most subdued record. "I possess a taste for blood. I have numbered mankind's days," the 28-year-old murmurs on "There Is no Good in Me", throwing in a reference to fi…
A is Sunburned's second album with producer Kieran Hebden, a.k.a. Four Tet. Directed by Kieran like actors in a film, Sunburned is taken off the bandana smokestage of their previous collaboration -- Fire Escape -- and put onto a sweat-soaked 4am lysergic dance floor. Kieran uses the band like his live instrument laptop and sampler. The results are truly stunning which makes this record into one of the best moments of each artist's respective musical careers. With artwork by California vis…
The Slaves may well have gone and made one of the standout debuts of the year - a layered mass of ethereal vocals most reminiscent of Grouper with a brutal, doom-stricken underbelly that at turns sounds like My Bloody Valentine, Sunn O))) and Slowdive, massively recommended if you're into any of the above and available in a limited edition run of 500, with initial copies on pure white vinyl* The Portland, Oregon duo of Barbara Kinzle and Birch Cooper, aka The Slaves, operate in the void …
First ever vinyl reissue of the highly coveted classic LP by Italian noise composer Maurizio Bianchi. Originally released in an extremely limited quanity in 1983, Endometrio showcased M.B. at his most crucial turning point, delving into the uncharted waters he aptly titled ‘bionic music’, blending organic electronics with contorted sounds of the human body to compose one of the most interesting ambient records to date.copies of the original lp are practically non-existent and hard to co…
The title Ex Patris (from the fathers) plays on the idiomatic baroque lute compositions presented here which emulate the classical repertoire. It also refers to this almost forgotten instrument, which was passed on by the fathers. The aim is to bring back and liberate the lute. The four compositions on Ex Patris form a circular narrative of interlocking repetitive melodic series. The follow up to Important release “ It is all that is made” kicks off with the pro apocalyptic track “The Day is Com…
"If string theory is correct, this is approximately the thirteenth album Matt Valentine has released that definitely shouldnt be filed under a group name (Tower Recordings, Bummer Road, Golden Road, etc.). On the other hand, if string theory is correct, this might also be his 11,000th album. The truth, one suspects, is somewhere in between. Since bedding down in southern Vermont at the dawn of the century, MV has been as cussedly prolific as anyone. The gout of LPs, cassettes, CDRs, singles and …
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk and Harmonia) recorded this first solo album with producer Conny Plank in 1976. Rother's signature guitar sound, the mechanical percussion (Jaki Liebezeit of Can) and the simple yet outerworldly anthemic melodies make Flammende Herzen an outstanding and visionary record."Finally reissued on vinyl, this is the 1976 solo debut from from Neu!/Harmonia guitarist Michael Rother. This would be the fir…
When the shoe drops on the first bars of the USA is the Monster's new full length, it becomes clear some changes have occured since the last record, Sunset at the End of the Industrial Age. Buttery synth and elaborate vocal harmonies combine to levitate hairpieces at least a wee bit. This is the perfect synthesis of the pastoral wanderings circa thier second full length record, Wohaw, and the punk spunk junk of their first and third full lengths. The band is still a New York two-piece tribe of N…
Doom rock pioneer, influential drone-master, occultist and professed anglophile, Dylan Carlson ov Earth comissioned by the Southern studios on 16th April, 2012 to record six covers and one original song, found on his latest Drcarlsonalbion issue. Accompanied by Teresa Colamonaco on vocals and Jodie Cox on guitar, 'La Strega and The Cunning Man In The Smoke' continues a progression from his ace instrumental recordings for The Tapeworm to the more recent, collaboration-oriented work 'Modern…
*Exquisite black and silver silk screen printed cover. Limited edition** Oh man, this match-up must be a dream come true for at least a handful of freaks, somewhere, us included! The tenth release on Jozef Van Wissem's Incunabulum imprint sees the label curator jamming with LAFMS legends, Smegma at the Pink House in Portland, 2010, infusing his 13-course swan neck baroque lute into their uncontainable free improvisations in eight parts. They appear to be entirely respectful of each others space,…
"for the latest of their sound expeditions, the two warriors of experimental music from two generations (hans joachim irmler from faust and fm einheit as a founding member of einstÜrzende neubauten), have rejuvenated themselves and added a feminine touch. here, the german multimedia performer ute-maria paul, as well as the american composer and bassoonist katie young, broaden the sound cosmos which could already be explored on "no apologies", irmler's first co-operation with fm einheit. b…
"For the past 25 years, New England's Idea Fire Company (IFCO) has positioned themselves at the frontline in the ageless battle for aesthetic purity. Founded by the enigmatic duo of Scott Foust (aka The Commander, aka The Last Great Man) and Karla Borecky, IFCO have built up a bulletproof discography, with each release refining the sound of its predecessor. They have been well served at home through their own Swill Radio imprint, and internationally, by Rund Um Den Watzmann, Entr'acte and…
The production duo's debut full-length album is a highly focused study in the effects of consumer electronics that touches on sensual bangers and hyper-spherical anthems prime for the dance floor. The record was engineered by another childhood pal, Al Carlson, and mixed by Prefuse 73 who states: 'Mixing these ideas that span from high school notebooks into a present sonic territory is F+L's right on conceptual evolution.' There's a fantastical, futuristic narrative arc running hard throug…
Great & rough Split-LP with both sides recorded 1996. Beast People (Dilloway, Harper, Young ?) with tracks pulled off very rare tapes. Schimpfluch side features collage of (previously unreleased) R&G studio material and Schimpfluch Group-Actions performed live. Highly recommended! Edition of 300 copies with cover-art & photography by Rudolf Eb.er.
Driven primarily by neo-tribal drums, which would seemingly put them in league with the rumbling sound of Bmore's Thank You. But "12 Plus Harsh Tanz" in particular is much more reflective. The guitar brings to mind the cracked post-1960s dream-psyche hangover of Pink Floyd, I'm thinking here of an instrumental interlude that might have been on Obscured by Clouds, or perhaps the contemporaneous Eastern-infused lines of Popul Vuh's Daniel Fichelscher. It's headspace music, to be sure, but in some …
'Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as 'singularity', a zone of infinite density, which is also what is thought to exist at the core of the 'black hole'. The result of its expansion is what we call the 'Universe' and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums…
Field recordists Douglas Quin and Cheryl Leonard have gone to great lengths to capture their Arctic and Antarctic field recordings, spending countless frigid days with frozen fingers trying to hold tightly to hydrophones dangling amidst the ice floes and slushy waters. It's no wonder those two present their work in such an unadulterated fashion when the work came at such cost and at such peril. But Jana Winderen is far more creative in her approach to field recordings, only too happy to …