We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Time of the Last Persecution is Bill Fay's second and final album for the Deram label, originally released in 1971. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time of the Last Persecution is almost single-mindedly obsessed with end times so it's fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly laude…
Ricardo Donoso completes his latest trance mission for Digitalis with 'One Verse Sharpens Another'. Four tracks of serpentine arpeggios, rolling bass pulses and stealthy, soaring synth chords simulate cybersex in anti-G, from the X-Files atmospheres and alien seduction of 'The Redeemer', to the piloerect triggers and tense pizzicato strings of 'Open Drawer, Full Of Masks' on the A-side and over to the sublime, supple bass roll and gentle ambient caress of 'Child Primitive' or the mind-wea…
Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…
"Noah Creshevsky composes some of the most meticulously constructed electronic music around. For his third Tzadik CD he has created a sonic history of his life work, inspired by the idea of a retrospective. The Four Seasons presents a new large-scale composition that reflects his work from 1992 on to his present work with Hyperrealism, creating virtual "super-performers" using the sounds of voices and traditional instruments pushed beyond human capacities. Another brilliant and varied program ch…
An undisputed 70s spiritual jazz classic – and arguably the best album that Doug Carn ever cut for the Black Jazz label! The set is a masterpiece of spiritual jazz – with Carn on keyboards setting up the groove, and wife Jean singing some incredible vocals. Doug Carn's third album for Black Jazz, Revelation (1973), is as compulsively listenable as his previous outings. The keyboardist-composer-arranger-bandleader is on top of his game -- Jean Carn returns to handle the vocal parts, the hir…
Numbered edition of 700 housed in die-cut, origami fold and foil-blocked jacket** 'The Men Parted The Sea To Devour The Water' is The Haxan Cloak's long awaited Latitudes edition. It's his first release since that jaw-dropping eponymous album (an end of year favourite across the board) and means that we're possibly one step closer to two things: a vinyl edition of said LP, and his hugely anticipated album debut for Tri Angle. But let's not get ahead of ourselves....here we find Bobby Kr…
Dragon Turtle Almanac is a heavy trip; a document of transformation, entropy, and causality. Dragon Turtle evokes Morricone landscapes as if painted by Glenn Branca, where dream atmospheres meet brutal realities of nature and relationships. These forces are both beautiful ("Causality", "Belt of Venus") and destructive ("Moon Fallout", "Burn the Leaves"). The textures and layers move with a sense of urgency and purpose ("Hometime", "Hourglass"). The duality of Tom Asselin and Brian Lightbody's mu…
This fourth audio document, in a series of six, is a split Lp, titled LATEX. It involves two of the most dissolute and sinful names in the Noise scene : Black Leather Jesus and Richard Ramirez. Texas legends for almost 23 years, Black Leather Jesus have destroyed minds, ears, and stereos with their extreme soundart. An orgy of blood, junk metal, chains, screaming electronics, and gay pornography. The band has become a staple of the harsh noise scene. Noise legend, Richard Ramirez has become an i…
House of Low Culture is the long-running solo project of Aaron Turner (Isis, Mamiffer, Lotus Eaters, etc.) and Poisoned Soil is the first proper album to be released in nearly a decade. HOLC's first release, Submarine Immersion Techniques Vol. 1, would set the tone for all that would follow. Recorded from 1997-1999, released in 2000, the album explored lonely, lysergic drone territories and the construction of textural weavings. Over the course of the next several years, Turner broadened …
The sound/video installation-project 'Eye Contact with the City' (recipient of an Honorary Mention at PRIX Ars Electronica 2011) was the outcome of an artists' residency in Bangalore in the autumn of 2010. The primary materials used in the installation were the field recordings made and video footage shot at various locations in Bangalore. Materials also included retrieved audio from old reel-to-reel tapes found at the city's flea markets. The extensive repository of field recordings and other a…
A rarity, while not being in higher atmospheres of any kind, the film "Kodomo Ga Mushi No Shigai Wo Umeni Iku" aka "A Child Goes Burying Dead Insects" forced up a third sleep state, third dream state and third reality check.., wishing the colours were really the colours one would see everywhere, instead of the disgusting digital prints or pixelated madness that get shoved up our body holes! It makes me wonder if I am really here right now or if I had seen the film before 2009 which is not …
Deluxe double LP pressed in an edition of 1000 copies, housed in a gatefold sleeve.Acid Mothers Temple\'s In Search of the Lost Divine Arc heads in a completely different direction from 2012\'s Son of a Bitches Brew. Harder, faster, and more riff-rock oriented, this record is here to slay. AMT skews their vibe between Zeppelin and Beefheart, coming out with another classic Acid Mothers ripper in the process
The first vinyl document of the Dredd and MV & EE collab recordings, this is a reissue of two deep sides originally released in 2004, as companion volumes to Kissing the Contemporary Bliss, in extremely limited runs. The sessions behind this record represent a singular apex of high in the catalogs of both Dredd Foole and MV & EE, where the playing and being of each of the three individuals involved coalesces into a singularly cosmic perception and extrapolation of the blues doctors' truth…
Korm Plastics is proud to present the twenty-seventh release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in …
It is an eclectic collection of inspired Indonesian folk and pop music culled from cassettes and vinyl recorded and released during the 1970s and 1980s. The music on this collection spans several contemporary popular genres - each inherently unique and born from very different cultural and geographical origins within the archipelago. All, however, are also vitally informed by Islamic, Arabic and South Asian popular and traditional music, alongside various Western musical fads -- a distinctly Ind…
The third and final part of the Partikel trilogy is finally here! Another beautifully constructed collaboration from the two noise giants - Japanoise King Masami Akita (aka Merzbow) and Swedish Overlord Henrik Nordvargr Björkk (MZ.412, Folkstorm, Toroidh). The styles on ÔPartikel III' range from total noise barrages, to intelligent electronics, to subtle dark ambient pieces. Essential! Presented in a luxurious matt laminate digipak.
Ways of Meaning, Kyle Bobby Dunn’s new full-length album and the second release for Desire Path Recordings, is a treatise on the resonance of memory; an attempt to harness the finality of meaning as a shared experience.
Mainly arranged for guitar and organ, the six works contained herein offer a look into Dunn’s mind as an artist deeply concerned with time, memory, consequence, identity, and meaning. Each piece, while created from and inspired by very personal moments, represents a point o…
Iancu Dumitrescu 'Plutonian frenzy' for ensemble and electronic. 'Galaxy III' for tape and electric guitar (soloist Stephen O'Malley). 'Hyperspectres I' (for three doublebasses, and percussions). Ana-Maria Avram 'Textures liminales II' for ensemble and live electronics. 'Textures liminales I' computer assisted music. Contemporary music ensemble under the direction of the composers with Stephen O'Malley, Maya Dunietz, Ilan Volkov, Ronald Boersen, Yoi Silver, Eran Bril, Eran Sachs, Assaf Ta…
LOVE is a harmonious partnership between two dissimilar characters.LOVE (for two percussionists) was composed in 2004 by Kunsu Shim and recorded in 2012 by Nick Hennies (drums) and Greg Stuart (sustained sounds).
Kunsu Shim was born as the son of re-migrants from Japan on September 15, 1958 in Busan, South Korea. The ocean provided the adolescent Shim with the experience of spatial openness and expanse. This notion can be seen later as the basis of his production. He twice won the first pr…
Outstanding tape from Angelica Castello (Mexico, 1972) one of the best electroacoustic composers of her generation "I see my music basically as a complex construction of associations, quotations, dreams, nightmares, real and unreal people, stories and reflections. 'erche">Silvertone e il sentimento oceanico' is about a big ship leaving' Angélica CastellóAbout Castelló's music: 'Music that is both visual and abstract, that calls forth memories and chases them away, that ofte…