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Twenty tracks made on 20 synthesizers spanning 20 years, accompanied by a 60-page color book with a foreword by Robin "Scanner" Rimbaud, Twenty Systems is Benge's acclaimed concept album, first released in 2008. His 10th solo album, this ambitious project combines an audio CD of new music with a hardbound full-color book containing photos and diagrams of the electronic instruments used, along with a detailed history documenting the development of synthesizers between 1968 and 1988. The purpo…
'Dutch Tvashar Plumes' seems to map the changes in Lee's approach to music making over the last 4/5 years. From his initial exposure and subsequent immersion into Jungle as a teenager, he soon began experimenting with structure and sound design which led him to a more 'academic' approach with 'Computer Music'. There were many self-imposed rules he adhered to during this time. These last few years he decided to break with that and make an intuitive venture forward. This record is the first real d…
Air Museum blurs the lines between acoustic and electronic music even more without sacrificing melody or the delicacy of their sound. It is an album of firsts. It was the first album that the acoustic instruments were not processed via a computer. Instead, the processing of the instrumentation (acoustic and electric guitar, cello, accordion, piano, bass etc.) was done using a variety of pedals, modular synths, and other analog techniques. While acoustic instruments were used extensively, …
Cute doesn’t cut it, at least not all the time. But take cute, add drum machines, and put him (yes, for our purposes, “cute” is a dude) in short-shorts, smear him with trashy makeup, wrap him in cellophane and bind him in handcuffs—as Of Montreal’s Kevin Barnes has been doing onstage lately—and suddenly this thing called “cute” undergoes a transfiguration. It’s a whole new beast.Once the most overtly precious of the Elephant 6 menagerie, Barnes has since jettisoned the everybody-and-his-roommate…
As a duo Tim Catlin and David Brown aka Candlesnuffer come together as 'Helium Clench' and boast long histories in the Melbourne and international avant-garde music world. Both have independently developed a fascination with microtonal sound, in particular through Catlin's construction of harmonic overtone guitars and metal rod instruments tuned in just intonation, and in Brown's case through his explorations using the quartertone bass guitar. 'Sieve', their first duo recording is a stud…
The audio on this LP was inspired by early efforts to explore extreme locations on earth, and the clash between the will of humans, the limits of their bodies, and the immutable laws of the natural world - the latter which can easily destroy both of the first two. The 11° 22.4'N 142° 35.5'E side is based on the 1960 dive by Jacques Piccard and Don Walsh in the bathyscaphe Trieste to the Challenger Deep in the Mariana Trench, the deepest known point on earth. This side aims to mirror the …
Next up on Deep Distance following a full sold out back catalogue thus far (Kosmonaut / JD Emmanuel / Kohn etc) is the long promised mighty new EXPO 70 full length. Released as a pressing of 500 only on mauve, red and black splatter wax with embossed DD insert.The LP features 3 extended jams from the latter days of the working relationship between mainman Justin Wright and Matt Hill (prior to his wonderful recordings under the ‘Umberto’ moniker). Recently unearthed by Justin specifically for thi…
Limited LP pressing for The Cremator, as ongoing commitment to the lost music of the Czech New Wave cinema movement from the late 1960s and 1970s, Finders Keepers Records follow up our series of previously unreleased music to Valerie And Her Week Of Wonders, Daisies, Saxana and The Little Mermaid with a short series of soundtracks for films by the country’s master of the macabre and the nation’s first point of call for freakish fairytales and hallucinogenic horror, Mr. Juraj Herz. As another lat…
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
São Paulo Underground is an electronica-laced tropicalia funhouse, a secret passage between Chicago’s volatile avant garde jazz scene and Brazil’s teeming creative capital. Featuring Chicago maestro Rob Mazurek on cornet, harmonium and various effects, and São Paulo’s Guilherme Granado on keyboards, synths, sampler and vocals, and Mauricio Takara on percussion, cavaquinho and electronics, SPU delivers its fourth revelatory album Beija Flors Velho E Sujo.In its latest incarnation, SPU is a power …
Chimerizations feature a radically new form of documentation of Florian Hecker’s sound works that dramatize the phenomenon of Auditory Chimaeras.
“Chimeras are integrated bodies that synthesize incompatible modalities, surpassing their respective particularities without fusing them, finding a common ground, or reducing one to the other.” (Robin Mackay)
The publication presents the documentation of Hecker’s recent sound pieces (“Magnitude Estimation,” 2010; “Hecker Leckey Sound Voice Chimera,” 20…
Based around the married couple Paul and Limpe Fuchs, the group Anima, also known as Anima-Sound, was one of the most radically avant-garde and creative groups to emerge from the thriving Krautrock scene of Munich at the end of the 1960s. In fact, their improvised atonal sounds and unconventional instrumentation is much closer to the spirit of experimental free jazz than anything remotely close to rock music. The Fuchs began in the late '60s as part of the counterculture at the time. Adding to t…
Paul Nagle is an electronic artist and synthesist from UK who started to produce wonderful fascinating electronic sounds since the late 70's when his parents moved to a remote farmhouse, triggering creative outbursts in many fields - music, painting and writing to name but three. His music which combines elements of electronica, ambient, trance, minimalsynth and new age would have perfectly fit to a label like Martin Reed's Mirage who also released early works of Colin Potter, Ian Boddy, Mark S…
Instrumental Tourist' is one of the year's most anticipated electronic music albums. The meeting of established artist Tim Hecker and studio magician Daniel Lopatin aka Oneohtrix Point Never at his Software Studio yields an otherworldly and near symphonic suite apparently conducted "...to mimic the tropes and techniques of jazz-based improvisation, with little preparation prior", effecting a wide-eyed and fascinating sound as dramatic and enchanting as any we've heard this year. As you'd expect …
Something very different from Digitalis, a destroyed dub session somewhere between Rhythm & Sound, Disrupt, Actress, Pole and Vladislav Delay, vinyl edition of 500, initial copies on purple vinyl* This unexpected salvo from Digitalis comes from the hitherto unknown Seekers International crew and dives head-first into a bubbling mass of soundsystem culture and dubwise tropes in fine, destroyed style.The album was written and compiled during the darkest hours - and it shows - reviving a b…
Three years ago, a triple cassette oddity appeared out of nowhere adorned in washed-out nature collages and zero information. Turns out that John Elliot of Emeralds was behind the madness, and after further dissection of the sounds enclosed and it all began to make sense.Those three tapes (one yellow, one blue, one red) were the first taste of something that felt like a lost private-press object from the early European electronic experimentations of the '60s & '70s. Each vignette is its own stor…
Brian Pyle is becoming a big name in disquieting ambient and haunted audio, and two new releases (this and Light that Comes, Light that Goes) from him this week aptly explain why. Interval Signals is an enticingly evocative story, a single-take journey through a series of interiors and exteriors spaces layered with memories and geographies. Melancholy like an old crime scene, its mixture of ancient broadcasts, echoes trapped in the dusty twentieth-century telephone network, spiritualistic tuned …
Recordings in harbor area made in Le Havre (France) March 2010 and Liège (Belgium), September 2010. Each musician works with these site specific recordings. CD1 Eric La Casa (2011- revised in summer 2013). CD2 Cédric Peyronnet (2012-13).