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Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
"The controversial and influential Naked City Black Box couples two of Zorn's most extreme and violent creations. Torture Garden (1991) presents Naked City's intense and groundbreaking music combining free jazz, bebop, r&b, country, funk, rockabilly, surf, metal and grindcore—usually in the same song! The rare, seldom heard Leng Tch'e (1992), released only in Japan and long out-of-print features Naked City in an agonizingly slow, brutal 32-minute assault. This special 20th anniversary ed…
After 4 intensive days of recording with Steve Albini (WTF!?! Thought he didn't like jazz) The Thing created Bag It!, a new mastodon of ecstasy music. The Thing is well known for their free jazz versions of rock classics from artists such as PJ Harvey, White Stripes, The Sonics, Yeah Yeah Yeahs & Lightning Bolt. This time the band is only doing two rock interpretations, one by Japan's 54 Nude Honeys & one by the The Ex/ Muzsikás. The rest of the tracks on the album are written by Mats Gustafsson…
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
Full-colour Digipak. Recorded at the Red Rose, London. November 2003. Originally released in 2004 as a Picture-Disc LP by RRRecords (USA). Mixed by Paul Coates. Mastered by Paul Coates.
Post is the solo guise for James Wilkinson, who has gleefully cracked the ground between free jazz and punk in Bucketrider and made sonic cinema with the electro-dub-hip-hop fusion of High Pass Filter. He’s also provided innovative sound design as director for the internationally acclaimed Snuff Puppets, and his adventurous spirit runs free through Post’s pop persona. It’s the same ecstatic abandon shared by the likes of Mouse on Mars, Plaid and Caribou. Post’s playful but stirring sense of comp…
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
Otomo Yoshihide (turntable), Ozeki Mikito (kirie), Mats Gustafsson (baritone saxophone from Mats Gustafsson's solo LP 'It Is All About' on Tyyfus label). Mastered by Jun Numata. Released to commemorate the exhibition Ensembles '09: With Records at Gallery 45-8, Tokyo, October 11-November 8, 2009. No cover, limited 800 copies, serial numbers. Otomo Yoshihide (turntables), Ozeki Mikito (cutout art) and Mats Gustafsson (baritone sax).
Reissued by Fledg'ling in 2007, this is a classic title from 1971 by Chris McGregor's magnificent big band -- Brotherhood Of Breath. Arguably one of the most influential albums to emerge from the London jazz scene of the early 1970s, the Brotherhood of Breath was an exuberant big-band created by South African-born pianist and composer, Chris McGregor. In South Africa, McGregor had formed the racially mixed Blue Notes in the early 1960s. By 1964, finding it very difficult to work at home, t…
Solo piano, performed by Roger Woodward. "It is fitting that Hans Otte's Stundenbuch/Book Of Hours, recorded by pianist Roger Woodward on a Bösendorfer at the Radio Bremen concert hall, is a co-production between Celestial Harmonies and Radio Bremen. The piece was commissioned by Radio Bremen for its Pro Musica Nova 1996, the highly-regarded biennial festival for contemporary music founded (in 1961) and directed (from 1962) by Hans Otte, during his tenure as Head of Music at Radio Bremen (1959 t…
“The cold ice burns like the hot fire” wrote Max Beckmann in 1948 in his letter to an imaginary female painter. The extremes of fire and ice have always been a popular metaphor for the opposites of ardent passion and unfeeling frigidity, of flux and torpor – extremes which, for all our polarizing way of perceiving them, are very similar. This is also true, especially so in fact, in the acoustic field: in terms of their behaviour and dynamics, the sounds we associate with fire and ice – as create…
Fluid forms of drones, doomy laments, & folk melodies fleshed out from a backbone of sine oscillators & violin. Behind these droning squalls is the lone figure of Marielle Jakobsons. Armed w/ her tiny army of sonic weapons, she concocts a lavaflow of melodies only to then bury them underneath a flowing river of muck. Limited to 500.
Pimmon is the alias for electronic composer Paul Gough. In the last decade, Pimmon has forged an international reputation for creating dense, challenging and engaging electronic music. Smudge Another Yesterday is Pimmon’s first full length release in five years. This release picks up and goes further from the point where the acclaimed Secret Sleeping Birds left off. Smudge Another Yesterday is an exploration of the song behind the noise; the secret whispers hidden in the static. Within these vas…
"simple sonic events are unfolding themselves and evoke the sound of an orffean children ensemble. pleasant and strange noises join a bass foundation that recreates the ground shaking subsonic waves of mid-nineties drum&bass. it's like a drum major meets a tibetan monk. all is good in the noosphere - with "redsuperstructure" robert lippok's new record "redsuperstructure" is based on the spectacular set he performed at raster-noton electric campfire at villa massimo in september 2010. afte…
A high point in Konstruktivist's career, "Glennascaul" was originally released on Nigel Ayers' Sterile Label in 1985. Produced and mixed by Chris Carter of Throbbing Gristle, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. "Glennascaul" is proto electro at its very best, with Glenn Wallis's unique vocal style on top. For this, the first ever edition on CD, we have remastered the or…
Comes in digipak with 12-page booklet. Volume 3 of this forum and magazine for sound-art in the form of an audio CD. It compiles contributions from artists who have chosen for the acoustics as working field, starting from the visual aspect and going to the musical one, then trying to promote the teachings of their sound art. The final purpose is to present it as a 'listenable exhibition'. So, a magazine to listen to. Featuring Carl Michael Von Hausswolff, Gal, Maria De Alvear, Miki Yui, Alvin Lu…
The London based improvising string trio Barrel of Alison Blunt on violin, Ivor Kallin on violin & viola, and Hannah Marshall on cello, all members of London Improvisers Orchestra and performers at the 2007 Freedom of the City. "These three musicians have been performing in various combinations with others on the London improvising scene for several years. As well as the numerous small groups they have participated in, all three are members of the London Improvisers Orchestra. About six years a…
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers.
'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
Zai Kuning (g., vo., perc., misc.), Otomo Yoshihide (g., turntables, perc., misc.). 'The Asian improvisation of the present, a connection between Singapore, Tokyo and Hong Kong. A vivid 71-minute performance moving back and forth between turbulence and stillness. 'Book from hell' is the denomination of the concert, Zai Kuning organized on September 2008 in Singapore. CD title is used as it is and also CD cover is the poster of 'Book from hell' concert, Zai designed. This is Asian improvi…