We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

New Arrivals

Your Naked Ghost Comes Back At Night
Double LP version. Originally released in 2004 on the Les Disques Du Soliel Et De L'Acier label and now reissued by Type, this is the debut release by On -- the collaborative duo of Chicago-based percussionist Steven Hess (Haptic, Pan American) and French composer/producer Sylvain Chauveau. The concept behind Your Naked Ghost... is simple: the duo record an album in the studio, and then place it in the hands of a third party. The resulting work is then "remixed" (for want of a better word) and t…
Black Mill Tapes Volumes 1 & 2
Not much is known about the shadowy figure of the Head Technician, the man supposedly behind Pye Corner Audio. There are rumors that in another life he was an engineer to the stars, and while that can't be verified, there's certainly an air of expertise in this bumper set of productions. Black Mill Tapes Volumes 1 & 2 were originally released by the Technician himself, and have been picked up for a very special vinyl release. These collect the first handfuls of tracks from the Pye Corner A…
Drums Between The Bells
Gatefold 2LP version. "Pairing prickly electronics with live drum patterns, Eno dumps great globs of blotchy machine -- malfunction into the mix. Holland's poetry is interlaced courtesy of [a] monotone voice...the combined effect makes the whole undertaking sound like a wild William Gibson fantasy come to life." --Pitchfork "Brian Eno first came across the work of Rick Holland in the late '90s during the Map-Making project; a series of collaborative works between students of the Royal College, t…
The Emotional Plague
Includes digital download voucher redeemable from the label** "Jagjaguwar is proud to reintroduce the first ever vinyl pressing of 'The Emotional Plague' from 1996. Supreme Dicks put out one single in their career, Ia double B-side. Maybe they had a sense of humor, but in hindsight it's hard to tell. Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who've found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak d…
Family album
Double hybrid LP: One LP on black vinyl and one LP on clear fuchsia vinyl and picture disc artwork on the back side (first time!).  "Of all the records I got from 2000 to 2010, a coupla by Second Family are among my fav... they remind me a bit the good old Sunburned Hand of the Man (or at least that tradition) but of course, with their own unique sound. Anyway, I wrote them... Tony kindly sent me stack of stuff... I selected & compiled a few things and they kindly agreed without exception. …
On Patrol
Gorgeous double LP version "If a tree falls in a forest and no one's around, shit still gets crushed. If Cameron Stallones holes up solo-style in a suburban cave and wah-riffs over canned bongos for five straight months, double LPs still get dropped. These are basic life laws. The latest from Mr. Araw is easily his least compromising audio self-portrait to date. Three minute rhythm sketches are stretched into ten minute loop pedal odysseys. Organ solos last for entire vinyl sides. Ambiguou…
Versions
"David Daniell and Douglas McCombs's first collaborative LP, Sycamore (THR 216CD/LP), was assembled from seven hours of in-studio improvisations. Daniell and McCombs sifted through the material looking for their favorite moments, then combined, cross faded, mixed, and matched those moments into something that made sense to them as a long player. For their new release, the double LP Versions, they gave the same seven hours of material to noted recording engineer and producer Bundy K. Brown…
Spiritual Jazz 3: Europe
Gatefold double LP version. Esoteric, modal and deep jazz from the European underground, 1963-1972. At the end of the '50s, Miles Davis' Kind of Blue heralded the revelatory arrival of modal jazz. As the vibrations of these giant steps resonated across the world, European jazz musicians reassessed their bearings and began to steer a new course. Across the continent, they sent roots down into the rich soil of the European folk and Christian liturgical traditions, extended their music along a…
A static place
Deluxe edition on double LP, an edition of 155 copies, individually inscribed and numbered, cear vinyl, 140g audiophile quality "Sourced from a mic’d gramophone playing 78rpm records from 1928 to 1932 with a cactus needle for a stylus, A Static Place has the more urgent, dynamic feeling to it. There is heavy use of hissing and layers of analog static to be heard on "Schwarzschild Radius", but it is used sparingly, burying processed choral arrangements and organ passages in its fuzzy warmth. Viny…
Progression
Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…
Life (...It eats you up)
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
Mimikry
Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from that first batch of material was the Alan Vega/Pan Sonic collaboration, yet Mimikry goes much further than combining the established aesthetics of its constituent parts and creates something that actually feels very new. Car…
Four Aims
LP has tracks not on the CD and not available via download. The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record w…
On fire
Norway's Smalltown Supersound label is just one of those imprints that you have to keep an eye on, because if not you're sure to miss out on some nugget of psyched avant-metal or North European disco that you'll be kicking yourself over neglecting in 10 years time. 'Smalltown Supersound On Fire' is a very handy and rather essential compendium of forthcoming releases on the label, including tracks from Arp, Meanderthals, Diskjokke and Tussle alongside remixes from the likes of Prins Thomas and Bj…
Narc Beacon/Nag Nag Bacon
Goodiepal or Gæoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a controversial Danish/Faroese musician and composer. The eccentric and self-made Goodiepal has influenced the course of modern music through radical excursions into computer technology and media art. Until recently he has been employed as a teacher at DIEM (Danish Institute for Electro-acoustic Music) at the Royal Academy of Music in Aarhus, Denmark. Goodiepal declared intellectual war against …
Gramercy
On 'Gramercy', we find clarinet abuser Gareth Davis (who might be best known for collaborations with Machinefabriek and Steven R. Smith) paired with virtuoso cellist Frances-Marie Uitti. Uitti is widely revered for her unusual and original twin bow technique, which allows her to eke out far more sounds from the humble cello that you might initially expect. These sweeps and drones are matched perfectly with Davis's patented haunted drones and breathy chokes resulting in a deftly academic yet unne…
Rocky Mountain Low
Few critics in their right minds would hail Colorado as a hotbed of early punk rock, but the vigor of our state’s late-’70s punk and new wave scene should not be forgotten. Joseph Pope and Dalton Lawrence Rasmussen give it a proper salute with “Rocky Mountain Low,” an exhaustive, lovingly assembled compilation on CD and double LP. Like countless music scenes of the time, we had our own versions of the Stooges, the Velvet Underground, Buzzcocks, X-Ray Spex and others. And while locals like the He…
Dreams Say, View, Create, Shadow Leads
Dustin Wong's second LP Dreams Say, View, Create, Shadow Leads, is a departure from Dustin's previous methods but more closely a distillation of his live show into recorded form. The pieces are so intricate and detailed that we've asked Dustin to explain his process and he happily obliges us: "When I begin to explore and to build a song through a series of pedals, I begin with the tuner. It helps keep my guitar's pitch consistent. An octave pedal and the distortion pedals allows me to …
Kill For Love
16 Track Deluxe Double LP on Magenta coloured wax finally available, includes downloiad code redeemable from the label* At long last available for public consumption - Johnny Jewel and co make their loooong overdue return with a gorgeous new album. It's now five years since 'Night Drive' triggered an avalanche of copy-cats and even a film - Nicolas Winding Refn's 'Drive' - and although we were all blessed with Johnny Jewel's sumptuous 'Symmetry, Themes for an Imaginary Film' earlier this…
Weight / Counterweight
"Recorded in April of 2008, Weight/Counterweight, the new release by Bill Dixon marks his return to small group playing, his first trio since the Dixon/Taylor/Oxley Victoriaville recording. The group, assembled by Hall at Dixon's suggestion, marks a new direction in Dixon's instrumentation with no untreated trumpet whatsoever and a barrage on pitched and unpitched concert percussion creating landmark skeletal architecture which Dixon pushes out from into unmediated solos of gravity and we…