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The first collection in English of Dan Graham’s influential body of writing on Rock and Roll music. Stretching from the late 60s to the late 80s, Rock/Music Writings contains the following 13 essays, most of which are currently out-of-print or seen here for the first time in a widely distributed form:
Tracce, percorsi e geografie del nuovo rumore USA: All’alba dei 2000, l’universo delle musiche indipendenti americane è stato invaso da un’inattesa, temibile generazione di estremisti sonici. Nomi come Black Dice, Wolf Eyes, Lightning Bolt, sono solo la punta dell’iceberg di un movimento ramificato all’inverosimile, tra discografie in cdr, festival, fumetti, performance, concerti negli scantinati e inattese canonizzazioni mainstream. In queste pagine si raccontano le storie, i protagonisti, i lu…
"Scultori di suono: percorsi nella sperimentazione musicale contemporanea" raccoglie una serie di percorsi attraverso i grandi cambiamenti avvenuti nella sperimentazione non ortodossa e nel modo di fare e di pensare il suono negli anni Novanta: la glitch music e la rivoluzione ‘riduzionista’, i primi segnali di ‘dissenso’, il ritorno della melodia, il rapporto tra suono e spazio, le poetiche della frammentazione, della decadenza, della memoria."Scultori di suono" comprises a number of paths thro…
This book introduces a subject that will be new to many: sonic arts. The application of sound to other media (such as film or video) is well known and the idea of sound as a medium in its own right (such as radio) is also widely accepted. However, the idea that sound could also be a distinct art form by itself is less well established and often misunderstood. "The Fundamentals of Sonic Arts & Sound Design" introduces, describes and begins the process of defining this new subject and to pr…
an amazing book that xplores the influences on the four musicians in the early 50s who, because of their deep interest in art, associated closely with the New York School of painters: Varese, Wolpe, Feldman and Cage. Musicians and artists have always shared mutual interests and exchanged theories of art and creativity. This exchange climaxed just after World War II, when a group of New York-based musicians, including John Cage, Morton Feldman, Earle Brown, and David Tudor, formed friendships wit…
ound is one of a series documenting major themes and ideas in contemporary art. The ‘sonic turn’ in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning in to this incessant auditory stimulus some of our most influential artists have investigated the corporeal, cultural and political resonance. In tandem with r…
the fourth issue in a series of monthly magazines collecting activities and changes in general.This fourth issue collects 20 pages, a bunch of mat inverted purple music paper and a bunch of raw green glossy messyness!the golden cover portraits are made by Mima Schwahn and the inside cover is tripple stamped and hand numbered!lay out by jef cuypers, offset printed and limited to 200 copies
Three years ago we suggested to Mattin the possibility of publishing a book containing all his texts to date. Mattin was a little reluctant since much of the material was already available online in one form or another. However, at that stage this material was both distributed and disorganised. With the help of Anthony Iles this material has been revised, edited, and is presented here alongside newly commissioned materials. This book contains texts, interviews and responses to performance…
bilingual edition (English / French). 21 x 27 cm (softcover). 144 pages (color & b/w ill.)Second issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history, around the problematics of voice and oralness. Featuring: monographs (Anthony McCall, Vittorio Santoro, Loreto Troncoso Martinez, Benjamin Seror, Anna Barham), analysis (Radiotopia by Manuel Cirauqui, From verbivoco-visual poetry to the spatial…
This collection of rare album artwork reflects the independent energy of the African American jazz movement. Located in the heart of Soho in London, Soul Jazz Records is a musical oasis. While many of the quality record shops that once graced this area have closed their doors Soul Jazz seems to go from strength to strength. Stuart Baker and his partner Karen Tate oversee a thriving business which is driven by their own tastes and beliefs. A pragmatic duo, they recognize that the survival of Soul…
Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…
Klanggalerie are very proud to present you the first full re-issue of this second album on CD by Diana Rogerson with Steven Stapleton of Nurse With Wound. The CD has the original cover artwork as well as previously unpublished images. Full album, includes bonus tracks not on the Beastings CD re-issue. Remastered by Steven Stapleton and Colin Potter. "'Riding the Red Rag' closes the …
'The only album by Tia Blake was recorded at the Ossian Studio in Paris in 1971 and released that same year by the tiny French label SFP (Societe Francaise de Productions Phonographiques). Great psych-folk with guitars, dobro, flute and fantastically fragile female vocals. First time available on CD, with Tia Blake's own recollections."
Andy Bolus (Evil Moisture) armé d'électroniques maison et autres oscillateurs, Korg 800DV ou Revox (!) est accompagné de la voix de BB soit Brigitte Bordelle, qui crie quand on la chatouille et qui crie aussi quand on la cogne. If you want to fuck the sky, teach your cock to fly Ñou si tu veux un frère, dis à ton père de baiser ta mère Ñ ou quand les cons voleront, tu seras chef d'escadrille Ñ est un excellent disque de bruits divers et variés avec moults rebondissements dynamiques, cut-u…
Curated by Jozef van Wissem the “New Music For Old Instruments” festival took place all over the world: in Brussels, New York, Paris, Utrecht, Antwerp and other cities. The idea was to rid traditional instruments of their clichés. When one thinks of a lute for example the Robin Hood image comes to mind of the player standing under a balcony serenading a lady and getting a flower pot thrown at him. In order to update the instrument, to make it mature and give it it’s recognition it deserves, one …
The new LSD March album Under Milk Wood is their first full length since 2007's Constellation Of Tragedy for Important Records. With grace (in the rock sense), style, humor & the perfect touch of heavy riffage this tremendously unique and original recording is a classic of the new Japanese underground. Recorded at Black Snowflake Studios in Japan, Under Milk Wood is a fascinating ghostly rock album full of clean untreated restraint and a grounded calm compliments of Takahashi Ikuro's drumming. I…
Trumpet virtuoso Marco Blaauw, known for his pioneering performances of contemporary classical music has been working with composer and sound improviser Yannis Kyriakides in numerous projects including a multi-media perfomance 'co-inc', and several projects for the ensemble musikFabrik in Cologne. 'Play Robot Dream' is a set of improvisations for trumpet(s) and computer. At times playful, at times meditative, they fuse a haunting melodic tendency with a provocative mix of drum machines an…
Deleted scenes, the debut album by Marion Wörle aka Frau W (Laptop) and Maciej Sledziecki (Guitar) uses the vocabulary of sound-art just as instinctively as it does elements from psychedelia, noise and Krautrock. The electronic music of the 90s and 2000s is also bursting through every crack on this record. Refreshingly non-academic and equipped with a fine sense of humor they bring great diversity to the day. No one track compares to any other - each has its own very individual character. PIRX i…
Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic tracks skirt the fri…
The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists. "Keith Rowe and John Tilbury are both known as prominent members of AMM, the legendary ensemble which has been incredibly influential on the field of improvised music.Originating the tabletop guitar, Keith Rowe was a co-founder of AMM in 1965. He's since been involved in a…