New Arrivals

“Constantly transiting and transitioning, suspended in a liminal state.”

*2023 stock* In science and the human heart is the latest album from Tokyo-based audio artist and gagaku (Classical Japanese imperial court music) musician Hiroshi Ebina. Ebina made his debut on Kitchen. Label with Faraway Vicinity EP, via a collaboration project with composer Kin Leonn, was recorded during the early days of the Coronavirus pandemic and offered a remedy for social isolation. In science and the human heart represents an evolution of its predecessor and goes deep diving into craft…

*2023 stock. 100 copies limited edition* In this era of uncertainty and shaken normalities, we are forced to confront a different landscape in society - one which has modified our interactions with people and nature. There is a sense that the zeitgeist, the spirit of the times, has shifted further into the dystopian territory. "Faraway Vicinity" is the amalgamation of these landscapes - human and non-human, familiar and unknown - to construct a sonic world that mirrors these strange times. But m…

*80 copies limited edition* Natalia Beylis' latest instalment picks up where her last solo release left us: in an audio universe of Beylis' own transient design: a perpetual arrangement of notes, chords, voices, rattles and rhythms that seem to constantly flow though all her work. 'Library of Sticks' brings us in deep to her vast archive of found sounds and field recordings. A moment in sound captured by Beylis' ears and recording device, stored away until it's time becomes apparent and then nes…

Tip! *50 copies limited edition* Another fine mess we've gotten you into

Mong Tong's latest album, "Tao Fire 道火", not only continues the idea behind their previous work, "Indies 印", but also incorporates more local elements such as gamelan music, phin guitar, tabla drums, and Taiwan sisomi. While sampling more sounds from the street of Southeast Asia, including weddings, funerals, and traditional celebrations, Mong Tong again explores different folk sounds around Austronesia. Different to their last Guruguru Brain release "Mystery 秘神", "Tao Fire 道火" will take us to a…

*2023 stock* Like a long journey this record unfolds itself through many layers. Fans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey. The patient listener is rewarded by tracks like “Trad” and “Silver Owl” that …

‘Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us. XIII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer. This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a b…

California’s Nico Georis has always straddled (or, rather, negotiated) multiple dimensions. As a child, Georis flitted between the rigors of classical training and DIY experimentation—studying under a disciple of Franz Lizst (a mentorship that would enshrine the piano as his primary instrument), then squirreling away to the basement of his childhood home, strewn as it was with his father’s instruments and home-audio equipment, to play and record freely. Despite his evident virtuosity as a traine…

*2023 stock* "Big Jim Sullivan's rock'n'roll credentials go back as long as British Rock's family tree existed. Big Jim's career started in 1959 after meeting Marty Wilde in the 3'i's coffee bar. He's played on fifty nine number one UK hit singles, and his lengthy career included stints with Tom Jones and the James Last Orchestra. Naturally, his Sitar technique was far superior to virtually anyone elses in the western world (yes even Bill Plummers!), although he still is no Ravi Shankar of cours…

Som Imaginário are the stuff of MPB mythos. Integral to Brazil’s Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz and traditional Brazilian rhythm flows through the three studio albums the band recorded between ‘70 and ‘73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But ar…

Stunning private press album from 1981 by Minas Gerais singer-songwriter Fernando Oly. Fernando Oly is a musician who was part of Lô Borges' band and took part in the recording of the album "Via Láctea" in 1979. He placed one of his compositions among the album's tracks: "Chuva na Montanha," whose original version was also included on “Tempo Pra tudo.”

Music From Memory is excited to introduce the self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschyar.

"Since he emerged in 2014, Tzusing's style of techno, tough and tactile, has differed from the grungy lo-fi with which L.I.E.S. is associated. Though the Malaysian-Chinese producer's music is loud and authoritative, he eschews the noise that defines some of his labelmates' music. On his first album, 東方不敗—named after a character, Dongfang Bubai, in a Jin Yong novel—industrial and EBM is the name of the game. Incorporating ideas from a vast array of artists across those genres, Tzusing's debut alb…

"Delmore FX (moniker of poet and artist Elia Buletti) is a purveyor and craftsman of avant-world and post-world sounds. His sophisticated but straightforward electroacoustic language made of experimental novelty and folkloric ancientness has the oblique capacity of making one listen, dance and think astray at once. "Scompaio" (I disappear) is the new full length work by Das Andere Selbst label’s bright spark. Built around the mundane but magic disappearance of shapes, things and beings alike in …

*2023 stock* Norma Tanega’s I’m the Sky: Studio and Demo Recordings, 1964–1971 is a comprehensive survey of the pioneering folk artist’s two commercially released studio albums, an unreleased album, and a trove of unheard demos. Before playing a pivotal part in folk music’s cultural crossover in the ‘60s, Tanega was a curious little girl born at the very end of the ‘30s to a multicultural Navy family in Long Beach, California. Her parents often brought her to Los Angeles for piano lessons, and e…

*300 copies limited edition* Inner Roads and Outer Paths is Herefordshire born Vic Mars’ third release on Clay Pipe Music. It follows last years ‘The Soundtrack To The Hospice’ commissioned by Gideon Coe for BBC 6 Music, and 2015s critically acclaimed ‘The Land and the Garden’. Inspired by in part by Alfred Watkins words and photographs of Herefordshire, the record also harks back to a period in Vic’s youth spent exploring the abandoned houses and factories on the fringes of his home town; the i…

Standards of Living is a multimedia work that investigates the relationships between the desire for comfort and the forms of living in neoliberal society. The work highlights how our “standards of living” are reduced to surrogates for the utopia of contemporary comfort, with the aim of satisfying the global commodification of living. Standards of Living compares the authentic appeal of parquet flooring with replicas made of synthetic composite materials and adhesive laminates, which proliferate …

*200 copies limited edition* “Future Chorus is a conceptual release curated by Eleni Ikoniadou, researcher in Digital Culture and Sonic Arts at the Royal College of Art. A collection of readings, spoken word, nonlinguistic sound, poetry, MCing, cello and animal sounds were combined with machine learning processes to artificially generate a new voice speaking a nonhuman language. The vocal database and AI voice then became the raw material for five remixes by AGF, Chino Amobi, Harrga, Savvas Meta…

Tip! First reissue of these cult 1974 recordings of a Mayan brass band playing funeral dirges and popular songs in its distinctive extended harmonic and rhythmic style. The members of the San Lucas Band lived in the mountain village of San Lucas Tolimán, Guatemala, playing local events of both religious and social nature. The pride of their town since 1922, the band represented a fast disappearing musical tradition when these recordings were originally released in 1975. Their unique sound deriv…

The second part in a collection encompassing Akan blues, palm wine and early guitar-based highlife music, with recordings dating from the late 1920s through to the end of the 1950s.

*150 copies limited edition* In 2010 Giovanni Di Domenico formed a band called “Mo(ve)ments Ensemble” and released a CD on Belgian independent label Spocus. The concept and repertoire of that band reflected Di Domenico’s love for subtle orchestration and chamber music sensibilities, the basic idea behind it being the dissertation of the organic elements that form the instruments involved (in that case the wood of the strings and clarinet) and the re-construction of them by means of musical ideas…

Tip! For José Manuel López López it is essential to approach the works on this album with an open mind and to explore other forms of instrumental expressivity and sonic emotionality. He draws significant conclusions from these seemingly fragile figures, gestures and minimal elements, which evolve and multiply to achieve a great expressive and formal perspective. All this affirms a hallmark that reveals a great continuity and coherence among the works included on this album.

This record is a nice summary of some of the band's earlier work -- when infamous bassist Moriaki Wakabayashi was still playing before he went and hijacked a plane (he was a member of the "Yodogō Group" of the radical New Left Japan Communist League's "Red Army Faction" that carried out the hijacking of Japan Airlines Flight 351 in 1970, ultimately forcing the plane to fly to North Korea, where Wakabayashi currently resides). A seemingly endless sonic flame-throwers of phased white noise streak …

Temporary super offer! Insect Trust were an American jazz-based rock band that formed in New York in 1967. The members of the band were Nancy Jeffries on vocals, Bill Barth on guitar, Luke Faust -- formerly of the Holy Modal Rounders -- on guitar, banjo, fiddle, and harmonica, Trevor Koehler on saxophone, and Robert Palmer (1945 -- 1997) on clarinet and alto saxophone. Elvin Jones and Bernard Purdie both drummed with the group at times. Bill Folwell, who had played with Albert Ayler (and later a…

“Brilliant drumming by two fearless artisans; hearing, resounding the real world around us. Truth is in our ears.” - Chris Searle, The Morningstar

"Fractured grooves blend into dark, cinematic ambient drones and morph into spontaneous improvisations, colored by epic electronica and ornamented with raw noises." - Eyal Hareuveni, Salt Peanuts

"It is one of the finest documents of how improvisation is made that this listener has heard, on par with the two astounding The Life of a Trio albums (by Paul Bley, Jimmy Giuffre and Steve Swallow)" - George Grella, New York City Jazz Records

“Excellent testimony to the quirky and detailed improvisation of the British where the emphasis is on dynamics, the sporadic use of silence and restricted playing with a multiplicity of playful options (…)” – Jean-Michel Van Schouwburg

Big tip! *199 copies limited edition* Akifumi Nakajima, renowned for his prolific and captivating work under the alias Aube, stands as one of Japan's most intriguing noise artists. His artistic prowess extends beyond the sonic realm, encompassing an impeccable sense of design and a deep appreciation for materials. Nakajima's creative journey began in 1980, but it wasn't until the early '90s, prompted by a request to compose music for an art installation involving water, that he stepped into the …

Tip! *99 copies limited edition* Taking immense pleasure in unveiling the exquisite vinyl reissue of Jun Konagaya's seminal solo album, titled Organ. Originally presented in 2012 on the CD digital medium, this opus marks Konagaya's inaugural solo venture, distinctly departing from his earlier collaborative endeavors under the monikers Grim and White Hospital. A prodigious figure in the Japanese noise and industrial landscape, Grim left an indelible mark in the 1980s with its dark, luminous allur…

Tip! *300 copies limited edition in a deluxe wooden box* Prepare to embark on a sonic odyssey as we unveil the official reissue of Grim's groundbreaking Amaterasu 7". A visionary one-man project, crafted by Jun Konagaya, Grim transcends the conventional boundaries of industrial music, power electronics, and noise. Emerging from the ashes of the legendary White Hospital, Konagaya's artistic trajectory spans nearly three decades, with a unique ability to draw inspiration from a diverse array of in…

Tip! *Limited edition of 199 copies. White vinyl 2023 repress* Grim is the one-man project of Jun Konagaya - formed from the ashes of White Hospital, his legendary early 1980s noise duo with Tomosada Kuwahara - which, accepting a long hiatus in the middle, has bridged the worlds of industrial music, power electronics, and noise for nearly three decades. Belonging roughly to the first wave of Japanese noise, Konagaya is particularly noteworthy among his peers for casting an eye further afield, dr…

Circular Music and Extended Circular Music are two collections of compositions written by Jürg Frey between 2011/2016 and 2014/2015 respectively. The first cycle is composed of seven distinct compositions while the second is divided into nine parts but, in reality, the n. 4 and no. 9 of the second series share the same harmonic progression. What distinguishes them, in addition to the ensemble (no. 4 is for string quartet and piano while no. 9 is for piano.

"A recording of a piano tuning session was the starting point for a series of different pieces, all of which question the experience of measurement. These two pieces, "about a thousand years" and "a falling sound", for piano and cello, are a new stage in this process. If the music results from a work of measurement - that of the piano as a territory and of its different acoustic regions, both the voice of Pandit Prân Nath, which gave rise to the playing and scordatura of the cello, and the bass …

*100 copies limited edition* Jacques Puech is playing since is younger age the cabrette (a french small bagpipes), and the bal music associated to it. He is a core member of the La Nòvia collective who make links between traditional music from Center-France and experimental fields and work as well on collectings on an ethnographic basis in the Auvergne territory. Jacques also collaborates with La Tène, a band founded by Insub's Cyril Bondi and d'incise along hurdy-gurdy player Alexis Degrenier. …

Three pieces based on traditional Japanese scales. Lisa Ullén is a pivotal person on the Swedish improvisational and experimental music scene. Active as a composer and performer since the 1990’s she has produced more than fifteen albums over the last decade with many constellations. In 2018, she was awarded the Jazz composer of the Year prize by the Swedish Radio. Ryan Packard is a percussionist, composer and sound artist based in Stockholm/Chicago. His versatile musical practice can be heard in…

Decomposition Study is a collaborative process. The instrument featured here is an arciorgano, a special microtonal organo di legno with two manually operated bellows and 36-key octaves across two manuals, constructed according to Nicola Vicentino’s designs from 1555. The notes of the music, written according to the rules of canonic contrapunto alla mente, are passed between two organists while four other musicians disrupt and amplify the organ’s airflow, acting similarly to cellular enzymes in …

Cyril Bondi wondered and researched about the process of choice in the making of a bells set for cows herd in the swiss mountains.It revealed to be pretty subjective, mixing parameters of sonic efficiency, financial and social reasons, and sometimes a slight touch of musicality, all of these clotted by the notion of "secret". Later he and d'incise spend a cold winter day into a thousand pieces collection of bells, picking a few sets regarding their own principles and finality.

The Insub Meta orchestra (IMO) is a large ensemble gathered around the experimental and electroacoustic practice.It was founded in 2010 by the Cyril Bondi and d’incise duo. It consists of about fifty permanent members that form the thirty international musicians present at each concert. Born from questionings on improvisation in a large group, the IMO built with time a strong collective and typical background where the individual gesture get lost in the production of global sonic states. Thus su…