God Records Sale
Terror Iridescence
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect notable creative twists to be pulled by the band with each release, and this one will not disappoint. This time around, our heroes have issued forth a boldly abstract haunted-house salvo of dizzying surrealism, loaded with exceptionally biz…
Uspud / Cinéma
GOD Records is very happy to present its first release from the controversial composer with cult status, Erik Satie. He influenced not only the entire musical language of John Cage but also an entire generation of 20th and 21st -century composers, whose influence remains noticeable today. This unique release presents two of his rather obscure and lesser-known, but unique pieces, both composed for visual arts: a movie (Cinéma) and a ballet (Uspud).Renowned Serbian piano player Branka Parlić, famo…
Piano, Violin, Viola, Cello
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from the composition written only two years earlier, for here, in contrast to Piano and String Quartet, Feldman makes every effort to integrate the piano into the string section, and the basic formal components of the composition are no longer staves, as…
Hednod Sessions 5-10
Mick Harris has been an epitome of extremes: either as a drummer or as a sound sculptor and explorer of crushing beats, heavy bass or darkest soundscapes. Through the last 30 years, Harris has been an utterly prolific electronic artist, but known mostly for his famous project Scorn. At the beginning of the century Harris started one of his longest-standing projects, HedNod. Alongside Scorn, HedNod turned out to be his most fruitful project, which in the meantime made up of as many as twenty vol…
Blumenstück
Blumenstück for piano was composed in 1984 as a sound meditation for private use and it celebrates the beauty of the piano sound through tenderness and slowness. All the sounds of the work derived from a word list that lists 168 flower names. All the letters in these names were assigned to notes on the keyboard according to a fixed system. Each sound has to be played softly and as long as possible. After the attack, all sounds should fade away into silence...