'I started recording sounds when I was 17 years old, in 1984 when by chance someone gave me a K7 tape recorder with 2 diverse speeds... I discovered recording sounds was already a full and poetic act which was able to be used for the experimental music which i was dreaming of. In 1987, after one month of hard work in a summer camp restaurant I bought a 4-track stereo tape recorder and I started a lot of experiments in my little flat in Lyon (France) : via an old Radiola radio from the 50's, my hifi system, an old synthesizer, my clarinet (I tried to play in water), a rhythm machine, a bad (good?) microphone etc. At that period I knew nothing about Revox tape recorders and the idea of tape montage. Nevertheless, when I started Katakomb (which is a part of a series of my first 33 little musique concrete compositions, I discovered how incredible was the changing of speed for a recorded sound, or all synthesizer sounds, voices... and the beautiful possibility to reverse all sounds - I was discovering the 'power' of a recorded sound. For me, the act of recording became an incredible acceleration to join a new poetic 'world' : Katakomb was the first composition which was talking to me from a 'nowhere' place as if, as a composer, I became a 'stranger'. Satan and Alpha Z Centauris are composed as little free musique concrete studies and they follow what I started in 1987 : the idea of an accumulation of little aphoristic studies which can communicate all together even if they are composed in diverse periods and studio places. I have, since that period and always today, numerous little study compositions following that direction and I am happy to build around them, via a first edition of my archives on Mirror Tapes which has founded a new architectural place of montage and perceptions.' L.M. (label info)