* Edition of 500 * Marc Sabat's Gioseffo Zarlino is "the third in a series of pieces inspired by ideas in the history of music theory, which I seek to experience and unfold in a sounding world" (taken from the liner notes by the composer). In the piece, unfolding cyclically over 70 minutes, voices, strings, harp, and flute, weave through each other exploring a novel tonal space developed by the Renaissance Italian Composer-Theorist, Gioseffo Zarlino in 1558 and reinterpreted in the 21st Century by Sabat.

By articulating minor differences in tone and interval (through instrumentation and vowel formants) during successive interpretations of the piece, Sabat conjures the spirit of restless innovation put forth, and all too often forgotten in modernity, over 400 years ago by musical theorists such as Zarlino.

Instrument enters midway through a cycle. Instrument ends midway through a cycle.