condition (record/cover): VG+ (light marks and occasional surface noise) / VG+ (small writing on top left corner on the back)  Panorama of Musique Concrète on Ducretet Thomson predates the Varèse International compilation, earlier attempt to survey a field still young enough to fit on a single LP. Ducretet Thomson was French label associated with early electronic music documentation, institutional memory before the GRM consolidated its own archival function.

The panorama format implies comprehensiveness that single-composer releases can't achieve. Listeners get sampling rather than immersion, tastes of multiple approaches rather than deep engagement with any one. The format has advantages: breadth of exposure, comparative listening, sense of a field's range. It also has limitations: nothing gets the attention it deserves.

For 1950s or early 1960s audiences encountering musique concrète for the first time, such panoramas provided essential orientation. You couldn't understand what Pierre Schaeffer or Henry were doing without hearing the range of what the techniques permitted. This disc supplied that range, primer for a music that still needed primers.