To Live and Shave in L.A. -- Illustrative presentations of critics'lipsticks and protagonists' stills; tangential bruises, ephemeral knots; an inter-generational installation view; the gulf between conscious quotation and subjective arrangement of cabinets of parasitic methodologies; tolerance and idealization via dirty electric documentation; staged symposia with supplemented acoustics; subtle modifications of unconcerned expressions; a formal repertoire in characteristic rasps; interventionist fragments lapsed into large, bleached spheres; wooden reconstructions of servicable correlations -- the disturbance that fingers perception as the endless trace counteracts the contemporary headlong swoon.' Karl Schmidt, Hannover. With RM74, Howard Stelzer, Blevin Blectum, Aprox., Alexei Borisov, Carlos Giffoni, Truth Serum, Aaron Dilloway, Core of the Coalman, Newton, Otto Von Schirach, 16 Bitch Pileup, Isaac Linder, Philippe Petit, Medroxy Progesterone Acetate, Hull Curve, Krapoola & Noish, Wolfram, Astrid Hagenguth & Pit Noack, Sickboy Milkplus, RWL, Dave Philips, Anton Nikkila, Dylan Nyoukis, Larsen, Staplerfahrer, Richard Devine, Terminal 11, Sudden Infant, Panagiotis A. Stathis, Ulle Matzen, Duran Duran Duran, Karmakumulator, Magas, Rudolf Eb.er's R&G, Cornucopia, Weasel Walter, Family Battle Snake, Thee Majesty, Tree Creature, Don Fleming, Olga Nosova, The Teknoist, Achim Wollscheid, Wouter Jaspers, Patrick Spurlock, Alexandr Kibanov, C. Spencer Yeh, Chrissy Murderbot, Jared Louche, William Fowler Collins, Komora A, Stefan Roigk, Don Hassler, Andreas Brüning, Graham Moore & Nutchild, Toecutter, Raionbashi, Torturing Nurse, Ironing, Kevin Drumm, Evil Moisture.