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The impact made in Britain in the 60s by legendary American blues artists such as Muddy Waters, Little Walter and Howlin’ Wolf cannot be overstated. With their loud guitars, soulful voices and sexually charged lyrics, they inspired a new generation of aspiring young UK bands to throw off their inhibitions and make music that had the same brashly unapologetic energy and raw power. By plugging in and cranking up the volume they succeeded in capturing the imagination of the youth of the day. Freedo…
A cornerstone of the late-1960s Paris free jazz explosion, Ketchaoua by Clifford Thornton stands as one of the most vital and adventurous albums of its era. Recorded in August 1969 at Studio Saravah and newly reissued from the original BYG tapes, this session brings together a formidable ensemble: Thornton on cornet and congas, joined by Archie Shepp, Arthur Jones, Grachan Moncur III, Dave Burrell, Beb Guérin, Earl Freeman, Sunny Murray, and Claude Delcloo.
Emerging in the wake of Thornton and S…
Heaven’s Gate, an American cult founded in 1974 by Bonnie Nettles and Marshall Applewhite, was known by various names over the years, including Human Individual Metamorphosis, Bo and Peep, and Total Overcomers Anonymous. The group advocated extreme self-renunciation, even to the point of castration. It gained widespread attention in March 1997 after 39 members committed suicide in a suburb of San Diego, California.
Acting on an anonymous tip, police entered a mansion and discovered the bodies of…
For the first time on cassette, the soundtrack of this pure 1960s sexploitation film is available. Directed by Russ Meyer and starring Tura Satana, the film follows three infamous go-go dancers who go on a spree of kidnapping and murder in the California desert. The soundtrack of the 1965 sexploitation cult classic "Faster, Pussycat! Kill! Kill!" combines rock, surf, and jazz with the infamous dialogue from Russ Meyer's legendary masterpiece.
Elizabeth Clare Prophet's "Mass Against Rock Music" comprises recordings that document Prophet's spiritual campaign against the negative influences of rock music. These masses were hypnotic drone chants aimed at promoting spiritual protection and purity.
Prophet claimed to be a messenger of spiritual hierarchy known as the Ascended Masters, who she asserted communicated with her and through her. The teachings covered topics such as karma, reincarnation, and spiritual enlightenment, taking inspir…
“From the moment he played one note you knew that was Freddie Hubbard. He had a sound that was as distinctive as Miles Davis, as Louis Armstrong, as Clifford Brown. I mean, he’s one of those trumpet players.” – Stanley Crouch
“Sonny Clark’s music, in one of jazz’s truly magical periods, provides as good an example as any of both the music’s most lasting qualities and its transcendent nature.”
Don Byas Takes His Place Among the Greats
A historical document of jazz at a time when the musicians, steeped in the swing tradition, were creating and setting the mold for the modern sounds of bebop.
One of the Most Distinctive Voices in Jazz
Finally Gets His Due. When you get your copy of Mosaic’s new five-CD collector’s set, “The Complete Joe Henderson Blue Note Studio Sessions,” you’ll be holding a master key to unlocking 1960s jazz.
*50 copies limited edition* Moody cacophonies, sonic dispatches from Japan, crystalline breakbeats that are more environment than rhythm: Jake Muir’s enmixed, described by Muir as a “(re)mixtape,” is a mind-bending deep dive into the enmossed archive. Besides reflecting the history of the label, Muir’s mix is a production in its own right. A Los Angeles native based in Berlin, Muir is a DJ and field recordist who “sees mixes as a vehicle to explore narratives outside of the album format.”
In Bat…
Anthony Moore's post-Slapp Happy output, for years an underrated-to-outright unknown quantity, achieves another dimensional plane with this third archival release from his personal tape library. Home of the Demo triangulates upon the art-pop qualities found in his previously unreleased OUT (1976, officially issued 2020) and the new wave-adjacent Flying Doesn't Help (1979, reissued 2022), finding Anthony's early/mid-'80s compositions drifting into the actual mainstream, just moments before it beg…
Anadol and Marie Klock have teamed up for a joint album, La Grande Accumulation. They met two years ago at a festival in England crowded with violent seagulls and outsider musicians. Klock being prone to barking on stage and Anadol not laughing at jokes she doesn’t find funny, they straight away had the intuition that they would meet again. And so they did, a few months later, at Anadol’s studio in Istanbul. Today, the two Pingipung artists present the fruit of this musical friendship. La Grande…
Experimental fusion project Jade Warrior began in the early 70s when percussionist/flutist Jon Field and guitarist Tony Duhig joined forces with bassist Glyn Havard; Field and Duhig had been in Second Thoughts which later became July. By the time of Last Autumn’s Dream the group was a quintet with drummer Alan Price and Tony’s younger brother David on lead guitar, allowing for denser explorations of the contrast between world music fusion and acid rock: Dave’s searing guitar leads jostle with ea…
*200 copies limited edition* M.B.: electronics, rhythms, neutronic effects. The two suites of Das Testament were recorded in 1982 and can be included among the most extreme and uncompromising M.B. recordings. Once more, maximum electronics.
*202 copies limited edition* First issued on LP in 1981 by Sterile Records, London, England. The moral of this work: The past punishment is the inevitable blindness of the present. MB: electronics. Symphony For A Genocide came out in 1981, on this album, MB construct brutal, hallucinatory blasts of electronic noise and grinding rhythms of hand-cut tape noise and overblown synthetic distortion.
These, bleak chilling drones are reminiscent of Conrad Schnitzler at his most neurotic, Nurse With Wou…
*150 copies limited release* Sounds Like Work, a long-lost soundscape composition by South Australian composer and scholar, Chester Schultz, is made available by De la Catessen Records, for the first time since its private cassette release in 1978. Drawing from material recorded in late 1976 in the workplaces of members of the Maylands Church of Christ congregation, subsequently edited at the electronic music studio of Adelaide University in early 1978, Sounds Like Work has an oddly contemporary…
Maledetta Discoteca proudly announces the birth of their first daughter La Sirenetta (*The mermaid) and the release of her first record! An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene. We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and …