Reissues
Electronic Music
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.
Computer Music From The Outside In
*2024 stock* A 1983 Folkways release, Computer Music from the Outside In showcases three composers narrating the ideas and processes behind their computer music compositions, as well as the compositions themselves. The first two pieces are by Barton McLean: “Etunytude” is an etude-like piece made of gradually changing harmonic sounds, and “The Last Ten Minutes” is meant to be an abstract representation of the devastation of “the last nuclear holocaust.” “The Whistling Wind,” by Karl Korte, is ba…
Computer Music
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
A Different View
*2024 stock* Contrabass (double bass) solo virtuoso Bertram Turetzky performs seven solos on the contrabass in this 1981 release. Using bow, plucking strings, tapping on the instrument’s wood body, and employing a little audio technology, Turetzky demonstrates the full range of musical sounds that can be produced on the contrabass. His repertoire on this recording includes a piece dedicated to him (“The Last Contrabass in Las Vegas”), two of his own compositions, and the Lennon-McCartney ballad …
Angus Maclise
Edition of 35 copies, with two inserts. A reissue of Angus MacLise's Kathmandu Cycle with added material from other, long out of print, CCC releases. Angus MacLise is something of a legend within the realms of avant-garde sound. A central figure of the 1960s New York underground, the percussionist, composer, poet, occultist and calligrapher contributed to the early Fluxus newspaper, VTre, was an early member of the Theatre of Eternal Music, alongside La Monte Young, John Cale, Tony Conrad, and …
Untitled (Book + 2 Tapes and Ephemera)
Edition of 26 copies. Greta Monach (1928-2018), an early proponent of computer generated concrete poetry. Greta spent her childhood in indonesia and curaçao. In 1946 she returned to the hague, where she saw abstract painting for the first time, and started to think about abstract (non-semantic) poetry. For decades she experimented without success. from 1946 to 1948 monach studied literature at leiden university, then switched to music. She studied the flute for seven years at the royal conservat…
Live in Paris – The ORTF Recordings 1966/67 (3LP)
A never-before released Nathan Davis 1966/67 live recordings. Official release with the full permission and cooperation of the Nathan Davis Estate & INA (Institut National de l’Audiovisuel). "Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world…
Sahib Shihab And The Danish Radio Jazz Group
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was …
Paris ’76
A never-before released The Heath Brothers 1976 live recordings. First official release with the full permission and cooperation of the INA. Sam Records is proud to presents here a live recording the band gave in Paris at Studio 104, Maison de la Radio, on April 16, 1976. In addition to a superb version of ‘One for Juan’, the band perform two tracks from the ‘Marchin’ On! album, ‘Watergate Blues’ and a wonderful version of ‘Smilin’ Billy’.
“That was the first Heath Brothers album. Stanley Cowe…
Antibes '75
Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a …
Drummer of Two Worlds
The first official reissue of one of Turkey's most sampled records in 45 years! Turkish psychedelic masterpiece from 1980.
Oceanheart
"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…
The Wicker Man
Tip! *2024 stock* Originally released in 2013 for the 40th anniversary of the cult 70’s horror film, only 500 copies of The Wicker Man 40th Anniversary Edition were pressed on black vinyl which have become highly sought after. One of the maddest soundtracks you'll ever buy – a strange mix of folksy tunes, sound effects, and odd noisy bits – recorded for the equally odd film of the same name!
The record is impossible to describe accurately, but it's a really dark one – strangely fragile at some …
Hammer Horror - Classic Themes 1958-1974 Original Soundtrack Recordings
*2024 stock* "What could be more classic for all you horror-soundtracks-on-vinyl heads out there than a compilation of Hammer Horror themes eh? This release, spanning the years 1958 to 1974, features works by a variety of composers, from films like The Mummy, Quatermass and the Pit, and Taste the Blood of Dracula. Stacks of dramatic bloody fun on Silva Screen." - normanrecords.com
Don't Look Now
*2024 stock* "‘Don’t Look Now’ a film that is now considered a key work in the horror genre of cinema and has caused some critics to reappraise it some thirty years after it’s original release. A guarded Pauline Kael writing in 1973 for The New Yorker wrote “the fanciest, most carefully assembled enigma yet put on screen.” Jay Cocks for Time wrote more enthusiastically “Don’t Look Now is a rich, complex and subtle experience that demands more than one viewing.” The film’s director Nicholas Roeg …
The Living Planet (A Portrait Of The Earth)
*2024 stock* "Silva Screen repress the soundtrack to 'The Living Planet', the sequel to David Attenborough’s groundbreaking 'Life On Earth'. Scored by Elizabeth Parker who joined the BBC in 1978 her synthesizer-led score for The Living Planet received an Emmy nomination at the time, and it was released the same year by the BBC on vinyl. Now, the Silva Screen label has unearthed this rare album, and have re-issued it on limited arctic pearl coloured vinyl. (Recorded at BBC Radiophonic Workshop)."…
The Avengers: Original Tara King Season Score
*2024 stock* "Mention The Avengers to people above a certain age - let’s be kind and say over 40 - and the famous Laurie Johnson theme music will get mentioned almost immediately. It’s as much about the show’s iconic status as Steed’s bowler hat or Mrs Peel’s fab outfits - all Biba and Quant.
But as with all the best spy shows of the 1960s - and the strike rate was amazingly high - the music wasn’t just about having a great opening theme. Incidental scores also played a major role in developing …
The Devil Rides Out - Original Motion Picture Soundtrack
*2024 stock* 1"‘The Devil Rides Out’ is a 1968 Hammer horror film. The score, by James Bernard, perfectly amplifies the film’s scary nature, moving from sparse string and woodwind arrangements, emphasising the creepy bits, to full on orchestral power to aid the film’s more dramatic, edge-of-the-seat moments." - normanrecords.com
The Third Man
*2024 stock* "Carol Reed’s classic post-war mystery, The Third Man, hardly lacks for admirers. If in 1949 it was merely a well-received thriller, “a bang-up melodrama” as one New York Times reviewer put it, at some indeterminate moment it became a masterpiece – a cherished grandfather-clock in the Academy attic. In 1999, a BFI poll declared it the No. 1 greatest British film of all time. In 2018, Time Out rightly criticised this list’s lack of diversity and ran its own poll on the subject. They …
The Constant Sound
Superbly constructed pop psychedelia c. 1968, performed by some of the best musicians in the world
First commercial release of any kind and in any format of these recordings Comes with an 8-page booklet with photos and detailed information of the creation of this rarity