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Irreversible Entanglements’s self-titled debut album was originally released in September 2017, and features the first music ever played together by the freshly assembled Philly/NY/DC-based quintet of poet Camae Ayewa (aka Moor Mother), bassist Luke Stewart, saxophonist Keir Neuringer, trumpeter Aquiles Navarro, and drummer Tcheser Holmes. The explosive collection of improvised free-jazz with spoken word accompaniment was born after the group's initial meeting at a Musicians Against Police Bruta…
The 2018 live performance captured on Carlos Niño & Miguel Atwood-Ferguson’s 'Chicago Waves' marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of 'Universal Beings' and recreate their contributions to that album's “Los Angeles Side."
The two musicians were keen to use their time in Chicago to not only support Ma…
Jeff Parker’s 2016 album The New Breed was a turning point for both Parker and International Anthem, changing the trajectory of his solo career as well as drawing an abundance of attention to our fresh imprint despite our then very limited catalog. Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by improvisation and live instrumentation (performed in this case by the high-level crew of Paul Bryan on bass, Jo…
Wewantsounds is delighted to continue its Algerian music reissue program with the release of Les Abranis' coveted 1983 LP, Album No. 1. Originally recorded in Paris and privately pressed by the group, the album is now being reissued for the first time. Curated by Cheb Gero, who recently compiled the Sweet Rebels Rai set for Wewantsounds, Album No. 1 is a masterful blend of Kabyle grooves, funk, and hints of reggae. Also known as Id Ed Was, the album is reissued with its original artwork, remaste…
2025 stock Los Angeles, not unlike other great cities such as Detroit, New York, Chicago, and Philadelphia, has given birth to and nurtured many great musicians. One of those young, versatile musicians Los Angeles has produced was Wayne Powell. In High School he played percussion & tuba in the concert band, later he switched to baritone horn. Shortly after Wayne heard Lionel Hampton play vibraphone at the Paramount Theater in downtown Los Angeles, he purchased his own set of vibes. In 1965, Wayn…
2025 stock In August 1972 King Crimson guitarist Robert Fripp was producing some material for Robert Wyatt. Brian Eno - then a member of Roxy Music, came to the studio to add synth to the same sessions. Fripp and Eno found common cause. The 21 minutes piece of music that resulted, 'The Heavenly Music Corporation' became one of the most significant and influential pieces of electronic music ever recorded. The other track on the album 'Swastika Girls' was not recorded until over a year later in au…
2025 stock Moonmadness was originally released in March 1976. It was their fourth album and the last to feature the band's original line-up (Latimer, Bardens, Ferguson, Ward). After the success of the tightly structured, instrumental The Snow Goose in 1975, the band added vocals to their music again. The tracks that comprised the album were conceived as a loose concept based on the individual personalities that made up Camel; Air Born about Andrew Latimer, Lunar Sea about Andy Ward, Chord Change…
A long-lost gem of Italian library music, Condizione Umana by Rino De Filippi is a hypnotic journey through jazzy sketches, intimate atmospheres, and avant-garde experimentation. Reissued on vinyl after decades in obscurity, this visionary 1972 album invites listeners to explore deep grooves, primal percussion, and the boundless creativity of Italy’s golden age of soundtracks.
*2025 repress* Spittle Records presents a reissue of Chinese Restaurant by Italian new wave duo Chrisma, originally released in 1977. The album was recorded between London and Milano during the second half of 1977, and the results were something like post-punk. More in the direction of bands such as Ultravox, The Stranglers, and Suicide than the Sex Pistols and the Ramones, due to the use of electronic keyboards, obsessive rhythms, tense harmonies, and scratching vocals emerging from generally d…
You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93 on the 25th October. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin’s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.
The album’s collaborators all have voices that are alluring in their own right whilst hard to pin down: from james K’s ethereal, rev…
Dais reissues Coil's seminal Black Antlers, the group's final studio masterpiece completed by Peter "Sleazy" Christopherson after Jhonn Balance's passing. A vital document of the group's final creative surge - where live energy, poetic mysticism and digital experimentation reached their apex.
For the first time on vinyl a collection of tracks by Cortex, Alain Neffe (Bene Gesserit, Insane Music) experimental spoken-word project originally released on tape in 1984. Cortex was never intended to be a conventional musical project. From the very beginning it was centered around free live performances. These encounters were stripped down and highly visual: Alain Neffe constructed a trapezoidal fluorescent white screen lit by black light. The narrator—la récitante—was only illuminated in the…
A spiritual jazz masterpiece, Bennie Maupin’s The Jewel In The Lotus returns on vinyl. Featuring Herbie Hancock and a stellar ensemble, this ECM classic blends meditative soundscapes and collective improvisation, inviting listeners on a timeless journey of musical discovery
For the first time on CD and vinyl, the soundtrack of the cult Italian Giallo film Nothing Underneath composed by Pino Donaggio. This soundtrack perfectly represents Pino Donaggio's style, capable of transitioning from terrifying and sharp symphonies to sweet and sensual electronic pieces. The atmospheres are reminiscent of films such as 'Body Double' and 'Dressed to Kill.' A limited edition not to be missed, for all lovers of Italian thrilling giallo and for all fans of Brian De Palma's films.
Limited reprint of the sold-out Volume 4 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time
Soul Media, led by Jiro Inagaki, played a part in the development of jazz rock in Japan. This work, "Memory Lane" recorded in 1980, was the final work under the same name. Inagaki said about this work, "We tried to create this work while predicting the fate of fusion music" and it is true that the sound is completely different from ordinary fusion. The mellow and emotional "Memory Lane" the stormy and refreshing "I Will Give You Samba" and the groovy and edgy "Take My Hand". The sound that was c…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
*2025 much needed repress!!* Since it's formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusio…