Reissues
Make Way For Mother Mallard
Mother Mallard's Portable Masterpiece Company was the first all-synthesizer band to ever deliver live concerts. They were founded in the late sixties by David Borden, and they were the first to do so. They even predated giants such as Tangerine Dream with their live performances. Make Way For Mother Mallard: 50 Years Of Music is a double disk collection of wholly new music that was published to commemorate the band's fiftieth anniversary. The first disc of the compilation included previously unh…
The Serpent Power
The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.
Ιn 1966, San Francisco-based poet David Meltzer and his wife Tina, who was a singer, recruited local musicians Clar…
BBC Broadcast In Concert 1975
The legendary 1975 Fairfield Hall Croydon broadcast now available as a high quality vinyl pressing. Broadcast as part of a short UK tour following the release in 1974 of Autobahn.
Dolls
For the first time on vinyl! The full score from Empire Pictures' 1987 cult horror movie Dolls directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) - at last! Music by the great multi-instrumentalist, producer, composer & singer Fuzzbee Morse (Ghoulies II !)
Tarzanland
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip. Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyō ongaku, minimalistic proto-chillwave, the s…
Medicine Compilation From The Quiet Lodge
Double LP edition. A classic from Haruomi Hosono’s late ’80s and ’90s abstract electronica period, Medicine Compilation From The Quiet Lodge is a sublimely inviting ambient album with touches of acid house, downtempo pop, and ethereal trip-hop. Standout “Laughter Meditation” opens up the album with gorgeous zither and kalimba from Laraaji, a peaceful 4-to-the-floor beat, and spoken word. Medicine Compilation from the Quiet Lodge features ultimate ambient music that invites listeners to another w…
The Tale Of Genji
Another favorite from the Haromi Hosono canon. This was the score for the first animated adaptation of The Tale of Genji, a sprawling piece of 11th century literature written by noblewoman Shikibu Murasaki, considered by many to be the first modern novel in recorded history. (Isao Tomita later write his own symphonic adaptation of the story.) The anime was directed by Gisaburō Sugii, and while it only covers a small part of the epic storyline, the score is highly ambitious.
Unlike much of Hosono…
Dead Can Dance
The uncompromising eponymous debut, Dead Can Dance, harnessed a bewitching barrage of sounds (including the distinct sound of the yangqin) with the then five-piece interchanging instruments to leave the vocals of Lisa Gerrard and Brendan Perry as the only constant. The album’s cover was important as an introduction too, a Papua New Guinean mask that some believe when worn, a life force can be put into the inanimate wood - the dead can dance.
When In Rome...
When in Rome... is a 1988 live album by the Penguin Cafe Orchestra, and was recorded at The Royal Festival Hall, London, on 9 July 1987. It was produced by Simon. The cover painting is by Emily Young. This iteration for the first time has the full gig and uses the 2008 remaster.
Signs of Life
Signs of Life is the fourth studio album by the Penguin Cafe Orchestra. It was recorded at the Penguin Cafe between 1985 and 1987 and released in March 1987. It includes "Perpetuum Mobile", one of their most famous pieces. The album reached number 49 in the UK Albums Chart. This is the first re-press since 1987 and uses the 2008 remaster, pressed on Orange vinyl.
The Rest Is Silence – Music Of Our Time
*2025 stock* "Stefan Winter, head of the Winter & Winter boutique label, has a different attitude to popularising classical music. Rather than relying on the familiarity of old favourites, he believes that contemporary classical music is more accessible than its ascetic, atonal reputation suggests, and can find an audience outside its assumed intellectual elite. Hence this compilation of excerpts from the label's catalogue…" - The Independent"Winter & Winter is something of a special case when i…
Chorbuch, Les Inventions d'Adolphe Sax
*2025 stock* This Winter & Winter cd of 'Chorbuch' and 'Les Inventions d' Adolphe Sax', recorded in December 2007, was Mauricio Kagel’s last recording, delayed due to unexpected death in the year 2008. The centrepiece of the album, 'Les Inventions d' Adolphe Sax' was commissioned by the Nederlands Kamerkoor, who invited the acclaimed Raschèr Quartet to participate. As a premiere recording and with Kagel’s artistic participation a masterpiece was created. The Nederlands Kamerkoor and Mauricio Kag…
Kantrimiusik
*2025 stock* “There is freshness, there is (self) irony, there is a desire - and for once let's say it without shame - to have fun with music. [...] Nature triumphs in all its aspects: noises and sounds of birds, pouring rain, thunder, animal cries, alternating on the lines of a fiddle violin.” - Corriere di Bologna
The Mauricio Kagel Edition
"It's fascinating, and a wonderful reminder of how fresh and unique Kagel's place in the history of music in the last half-century is." - The Guardian
Die Stücke der Windrose
2025 stock "Kagel's witty intelligence objectifies the ordinary to create important art." - The Wire
You & The Night & The Music
*2025 stock* Debut album from the Judy Bailey Trio, recorded 1962. The theme is the night and the trio give you new and exciting arrangements of 'night' tunes like 'Night And Day', 'In The Still Of The Night' and 'Night In Tunesia'. Possibly the swingin’est jazz album ever to come from Australia.Pianist Judy Bailey was active on the Sydney studio scene in the early '60s, and was the choice rhythm section of Australian bandleaders. It was as a composer that her reputation began to grow in the fol…
Schwarzes Madrigal
*2025 stock* "In composing a piano trio, I fulfilled a long-fostered desire. This is a genre which, like the string quartet tradition, can slightly intimidate any composer. I too waited patiently but anxiously to make my own contribution. The pre-history of the piece is closely tied to my Music Epic about the devil, La Trahison orale (Oral Betrayal), which I wrote in 1981-83. When conceiving this work, I had already decided to compose character pieces, relatively short numbers with a particular …
Playback Play
*2025 stock* Famous for his examination of unusual and exotic instrumental sounds, here Mauricio Kagel focuses on the most mundane of sound materials. While attending a music trade show, Kagel was taken by the many levels and orbits of sound activity emanating from the various booths and stages. In 'Playback Play' (subtitled 'News from the Music Fair, A Radio Piece') he has arranged a spatially sensitive tableau of crowd noises, sales pitches and fragments of the sort one hears in music store sh…
Tricrotism
*2025 stock* It's a fact that Bjarne Rostvold has won relatively little recognition to this day -in contrast to some of his Danish fellow jazz musicians. Quite unjustly, as we think. For many years Rostvold played with the Danish Radio Big Band before forming the Bjarne Rostvold Trio (Bent Axen: piano and Erik Moseholm: bass) and the Bjarne Rostvold Quartett, which included the trio's musicians plus trumpeter Allan Botschinsky. Both groups represent brilliant Danish jazz from the '60s. That's wh…
Sittin' In
The hard-swinging Three Out were attracting large and enthusiastic crowds in Sydney and shared the bill with such names as Dizzy Gillespie, Coleman Hawkins, Teddy Wilson and Sarah Vaughan. Here we find them continuing in the same exciting manner as their first album, 'Move'. The Three Out are joined by four horns on the second half of this album from 1960. The session has the flavour of the hard jazz of the American Masters of the sixties, particularly the "Big Soul Band" type from Chicago and N…