We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Savvas Christodoulou was born in Cyprus in 1949 and moved to Melbourne in 1950 as part of the great wave of Greek immigration following WW2. His story is long, involved and fascinating, and the liner notes and interview contained within the LP's 4-page insert tells the whole story.
Perhaps more briefly, what you need to know is that he released the Savvas studio LP in 1974 in an edition of 300 copies, and enjoyed such a strong local following that he sold out the 2,000-seat-capacity Dallas Brook…
Never heard of Canberra's Samuel D. Rich, who rocked our nation's capital for approximately a mere 18 months circa 1973 - '74? No? That's OK. Up until about a year ago, nor had we. They - they were a band - played with a host of luminaries of the day - everyone from The Aztecs, Stevie Wright, Buffalo, Hush and Bakery to Mackenzie Theory and beyond, recorded this album then split up. Through a rather bizarre chain of events, these unreleased recordings landed in our lap from band member Geoff Ros…
"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…
Books have been written, recordings analyzed, colleagues questioned, and nevertheless Bix Beiderbecke remains as much an enigma today, ninety-five years after his death, as he was to friends and fellow musicians during his all-too-brief, personally and professionally erratic odyssey through the 1920s. The body of work he left behind both reveals and conceals crucial aspects of his creative reality and unfulfilled potential, while innovating a subtle, eloquent manner of expression that would sugg…
On Colonial Vipers, various artists from the Dutch Trumpett orbit condense the 1982 home‑taping surge into 13 rare tracks of minimal synth, DIY cold wave and concrete industrial atmospherics, finally transferred from cassette obscurity to heavyweight vinyl.
On Inner Storm, Seth Price channels a deeply personal rupture into four raw, single‑take synthesizer improvisations, turning real‑time manual control, LFO pulses and live pedal work into a stark study of emotion, process and duration.
*100 copies limited edition* Pursuant to PQR’s reissue of San Michael’s and Gandalf’s albums (both sold out in a flash), and more recently of Midsommar’s debut, we continue digging into the gold reserves of the Swedish 70s underground to unearth the highly collectable album by Kontinuerlig Drift (meaning ‘continuous operation’ in Swedish). Just like Gandalf, this is a versatile album, equally split into ethnoprog, psychedelic and bluesy moments, all of which were indispensable facets of the band…
*100 copies limited edition* First ever reissue, remastered by the band. Long recognized as a one-off gem among Europrog collectors, Coma’s debut Financial Tycoon reflects the proclivity of Danish peers such as Secret Oyster and Burnin’ Red Ivanhoe for producing outstanding jazz-fusion, albeit uniquely blended with prog textures, and a sardonic sensitivity that was engraved across Europe in the releases of the likes of Kandahar, Supersister, Banzai, Brainstorm, Plastic People of the Universe, Pa…
*100 copies limited edition* We are repentlessly thrilled to bring you the first reissue of Tercer Milenio, probably the best hard rock/heavy prog album released in the prolific Argentina 70’s scene. This is a more mature and tighter effort compared to Orion’s Beethoven’s debut Superangel that places them in the spotlight of heavy prog/proto metal. The album’s opening blaster Amistades Desparejas establishes very clear expectations about what is to follow: a tapestry of scorching riffs and acid-…
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz’s leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz’s departure from the traditional forms of jazz.
*2026 repress* Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in mid-1969, a year after her debut and two years after the death of her husband, Coltrane performs on piano and harp and is backed by bassist Ron Carter and drummer Rashied Ali.Musically, it's a bit more relaxed than before, with Coltran…
*2026 repress* Transa is the fourth album by Brazilian musician Caetano Veloso, released on 1972 by PolyGram. Like its predecessor, it was recorded while the artist was exiled in London, though he returned to Brazil shortly after completing it. Evocative, eclectic, intimate, and rhythmically complex, Transa contains everything that has made Caetano Veloso the most distinctive and, arguably, most important voice in modern Brazilian music. The record was cut in 1972, shortly after Veloso's return …
Les Rallizes Dénudés returns with Disque 4 -’76 Studio et Live-, the latest in the ongoing series of official archival releases from the celebrated Japanese underground band.
Wewantsounds is delighted to continue its extensive reissue program of Meiko Kaji's early discography, originally released by Teichiku Records in Japan between 1972 and 1974. The Quentin Tarantino muse—famous for her starring roles in Lady Snowblood and Stray Cat Rock—was also a gifted singer. Otoko Onna Kokoro No Aika is another collection of superb cinematic songs featuring Kaji's signature mix of Japanese Pop and Groove, backed by lush, atmospheric orchestrations. This includes her rendition …
"Live At The Hammersmith Odeon 1982." is an electrifying concert, recorded on February 8, 1982, captures the raw energy and dynamic performance of the band during the second leg of their acclaimed La Folie British tour.
Originally recorded for the BBC radio series 'In Concert,' this performance remained in the vaults for nearly 16 years before seeing its first official release on CD. Fans can finally experience the unfiltered excitement and passion of The Stranglers, as they take the stage at on…
Pioneering, magisterial compilation, which turned many of us here onto Mustafa Ozkent, Fikret Kizilok, Erkin Koray, Temiz and co, a decade ago. Still dazzling, fresh, essential.
The music on this record is a reflection of journeys and travel. The real world kind and the metaphorical ones as well. Having experienced the arrival of my children, the decline and departure of my parents, and the many years of venturing out and returning home in my own life, travel feels like the perfect tropology to consider the mysteries we inhabit. Travel and Its impressions, rituals, superstitions-the possibilities and risk-all open up onto the landscape of our biggest questions, fear and…
"I first came across Jeff's mysterious "Reggae Foes" 45 in the mid-2000s at the legendary Logos book/record store in Santa Cruz, California (RIP) - the kind of generic sleeve and label that gives you nothing more than a font and some scant shards of text to go by (luckily this text was "A Flying Saucer Came Down and Burnt My Baby's Neck"). What I heard upon bringing it home felt like some kind of alternate-timeline post punk calypso, unknowingly adjacent to the deconstructions occurring at the B…
On Interview with a Cat, Marcel Broodthaers turns a deadpan Q&A with a meowing interlocutor into a razor‑sharp miniature of conceptual art: a five‑minute 1970 audio piece where questions about painting, markets and museums collapse into one insistent “miaow.”
On Live 1979/80 + Rehearsal 1978, SODS are caught mid‑mutation: from Copenhagen’s first feral punk band to the darker, more avant‑garde force that would soon become Sort Sol, in a barrage of raw tapes, sweat and beautiful mistakes.