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Reich's three string quartets on one record for the first time: Different Trains (1988), Triple Quartet (1998) and WTC 9/11 (2010), each setting the live quartet against tape. New readings by New York's Mivos Quartet, made with the composer's involvement.
The 1974 DG recording of Drumming by Steve Reich and Musicians, with Six Pianos and Music for Mallet Instruments, Voices and Organ. Remastered from the original four-track tapes for the first time, cut all-analogue at Emil Berliner Studios. Numbered 3LP box, 180g, original artwork.
The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.
A landmark of 1970s Turkish psychedelic funk, Zafer Dilek’s Oyun Havaları returns to vinyl 50 years after its original 1976 release on the legendary Yonca Müzik label.
John Coltrane’s legacy defies boundaries—not only musical ones. From his early beginnings in Philadelphia to his final, urgent explorations of the unknown, Coltrane continually expanded the language of modern music, transforming the possibilities of the jazz saxophone and redefining the relationship between performer, composition, and spiritual expression. His playing was never merely virtuosic: it was a deeply personal force, capable of moving from the most delicate melodic statements to torren…
“Few bands in the history of jazz have reached the heights achieved by this group... The entire LP is fantastic. I cannot imagine being without it.” – Ralph J. Gleeson. These words perfectly capture the enduring power of Cookin’ with the Miles Davis Quintet, a landmark recording by one of the greatest ensembles ever to shape the history of jazz. In the mid-1950s, the quintet brought together Miles Davis on trumpet, John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on double b…
*OBS, the book is in Dutch language only* Tijd voor een feestje: 2026 – 50 jaar punk en 30 jaar Het Gejuich Was Massaal, de geschiedenis van de punk in Nederland, 1976 tot 1982. Wat in 1996 al eindeloos lang geleden leek, is nu een eeuwigheid. Het oorspronkelijke boek was zwart-wit en had hier en daar best wat foutjes. In 2022 verscheen een 1-op-1-herdruk maar ook een Engelse vertaling met een sprankelend nieuw design, in full colour, met een uitgebreidere discografie met veel afbeeldingen en ee…
Between 1970 and 1973 Soft Machine recorded five albums for CBS, and across those five records the band changed almost beyond recognition. Third still had Robert Wyatt singing on one side of it; by Seven there were no vocals, no Wyatt, no Elton Dean and no Hugh Hopper, and the group was playing a dense, written, riff-driven music that had more to do with Miles Davis's electric bands than with anything else coming out of England. This box follows that arc in detail. All five albums are here, rema…
Massive, piercing, and raucous - deliberately raw and disorienting, "Noise" features tracks by musicians from mainland China, Hong Kong, and Taiwan: Torturing Nurse, Wang Changcun, Mei Zhiyong, Ronez, Wang Fujui, Orgasm Denial, Li Jianhong, Xu Cheng, Zafka, and more... Originally released in a small edition China-only 2CDR 15-track set (2012, Kwanyin Records), this new edition of "Noise" incorporates seven additional sets of works; 22 tracks in total. Scattered throughout, they feel entirely nat…
Swiss saxophonist Gilles Torrent may have been initially smitten by the sounds of US jazz giants like Coltrane, Shepp and Sanders, but as he’s developed and matured he’s cast his creative net much wider. After teaching himself the sax at 21 he spent the next 11 years studying the concepts and innovations of Coltrane before moving on to take the next logical step - exploring and soaking up the many styles music from around the world, and incorporating them into his Coltranesque vision of jazz.
A…
Birmingham Frequencies, a landmark ambient classic recorded in 1997 by Higher Intelligence Agency and Biosphere, receives its first release on vinyl. The follow up to Polar Sequences, a previous collaborative project between Biosphere & HIA, Birmingham Frequencies features location recordings of the city’s sonic landscape, captured by Bobby Bird and Geir Jenssen, which form the basis of the compositions.Birmingham Frequencies was first presented in concert on 4th October 1997 within the sublime …
Music for New String Instruments, composed and performed by Allan Bryant. A pioneer of underground American electronic music, Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019. During a period in the early to mid 1970s, Bryant channelled his …
Originally released by CRI in 1974 and now reissued on vinyl for the first time by Death Is Not The End, Music by Earle Brown is a concise overview of the composer's landmark early experiments with graphic notation, open form structures and magnetic tape.
DINTE reissues Charles Dodge’s 1976 LP collection of synthesised speech music, 1972-1975. Using mainframe computers at Bell Telephone Laboratories, Dodge analysed and dismantled audio recordings of surrealist poetry by Mark Strand, mathematically and meticulously reconstructing them in synthetic form, resulting in these uncanny, landmark pieces that spearheaded early computer speech synthesis as a form for musical composition.
A Colourful Storm's Fleetway Tapes series follows classic entries from Time Is Away, Vladimir Ivkovic, Felix K, Young Sparks and others with a heart-stopping selection put together by Berlin-based film journo Florence Scott-Anderton, a fathoms-deep, laser-focused mix that doesn't come around often, engulfing high-art/low-culture TV samples with a series of cues excavated from film - think of it as a sort of Blockbuster Video nostalgia-tinted answer to Time Is Away's flawless thematic mixes.
Over the better half of a decade, Time is Away, the London-based duo of Jack Rollo and Elaine Tierney, have made tender and heartfelt transmissions through countless mixes, sound works, live appearances and radio. Exploring deeply human themes of memory, persistence and resistance using an assemblage of source material, the duo’s unique mode of storytelling culminates in Ballads, a new suite of songs and, significantly, their first officially licensed compilation. From the opening notes of Horvi…
After many supporting appearances on IARC across the years (including Makaya McCraven's Universal Beings in 2018, Daniel Villareal's Panamá 77 in 2022 and Lados B in 2023, Bex Burch's There is only love and fear also in 2023, and earlier this Summer as a core member of SML on Small Medium Large) we could not be more ecstatic to announce our first lead artist release with Anna Butterss!!!
The Adelaide, Australia-born bassist and composer "has built their career around unshakable rhythm, blinding …
On October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained …
*Alt cover art edition* On June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill. Hill recalls: "Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes bef…
In August 2022 the Australia-based, French born new age musician and electronic music composer Ariel Kalma was invited to participate in BBC Radio 3’s Late Junction series of special collaborations. The program pairs artists who have not previously worked together to create new music cooperatively. Kalma was quick to suggest working with two musicians whom he had never met – International Anthem recording artists Jeremiah Chiu & Marta Sofia Honer, whose critically-acclaimed duo debut Recordings …