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Electronic Jugoton part 1 is officially opened by the band Laboratorija with the song Devica 69, which opens a window to a completely new and experimental world in former Yugoslavia. Laboš and Luketić have boldly chosen the material without reservations, suggesting that for the first time in one place we have a section of forgotten, unique underground bands like Beograd, Data, Brazil, The Master Scratch band, DU DU A and beyond. Besides the excellent underground bands, we find popular performers…
*In process of stocking* What would you do if a never before released jazz funk album from 70s Yugoslavia had dropped suddenly into your arms? An album which sounds like a crate diggers holy grail!? Album full of heavy drum breaks, repetitive bass grooves, superb sax solos and world class jazz arrangements finely intertwined with Yugoslavian folk music elements?! – “Press it!” ~ That’s what we said always striving to present the future of unheard sound of Yugoslavia! With the help from Mr. Cosmi…
Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King.…
Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros a…
*In process of stocking* Niagara was more a project than an actual band formed by German jazz drum legend Klaus Weiss. He formerly worked with another jazz legend from his mother country, Klaus Doldinger and gained fame in the German jazz circuit of the 60s and 70s. His 1971 works with Niagara was the offspring of the vision to create an orchestra made entirely of drummers and percussionists. Despite the fact that there is definitely no regular melody instrument to be heard on this album, the tw…
*A numbered edition of 26 copies* Live New Departures featured some of the UK’s finest modern jazz musicians together with poets Pete Brown (co-writer/Cream) and Michael Horovitz (Britain’s Beat Laureate). Live New Departures 1960-1967 ephemera map. An A 5 envelope filled with Live New Departures ephemera. Facsimile prints of programs, selections of letters, press sheets, flyers and much more.
Live New Departures was a series of poetry, folk and jazz happenings - where interaction between artis…
Michael McClure’s mysticism is vigorously scientific. Even the familiar patterned shapes of his poems remind us of the stars in the night sky and those we see when we shut our eyes. In the dancing lines of his newest work—the title poem “Antechamber” most especially—are the whirl of galaxies, the radiance of molecules, the energy lines of the double helix coiling around its core. — New Directions, 1978
Foamola is an underground musical group from New York City, consisting of Sparrow and his wife, who went by the cyber alias Violet Snow. Also in the group is artist Lawrence Fishberg and Sparrow's daughter, poet Sylvia Gorelick. Their music has been described as "folk-minimalist", and as "anti-Plutarch pop"
“Foamola is the only anti-rock band named after an herbal arthritis remedy. All our music is original, with tunes by Lawrence Fishberg (keyboard, vocals) and lyrics by Sparrow (ocarina, item…
There are certain works by minimalist pioneer Terry Riley that are rightly celebrated as classics, paradigm-shifting masterpieces that exerted a wide influence within classical music, but also well beyond its often hermetic borders. Hello, “Baba O’Riley!” But there is so much more in his repertoire deserving the same accolades. On “Terry Riley: Keyboard Studies”, released by Another Timbre, one of the premiere contemporary music labels of our time, three mid-1960s masterpieces are interpreted by…
New edition with iridescent foil blocked cover. 3CD box set facsimile of the original vinyl set, contains the entire album plus 40 minutes of previously unreleased music from the original sessions
Slapp Happy's Anthony Moore, fresh off a year of collaboration with Henry Cow and the simultaneous dissolution of his own group, bounded up from the art-rock/20th century composition underground with this chart-challenging pop set for Virgin. Dropped before its planned release in ‘76, Out is an essential grab from the Britprog cutting room floor!
Kicking it off with a tricky asymmetrical keyboard riff reminiscent of Brian Eno’s Tiger Mountain, before rolling into a narrative that unites the mach…
The influential Detroit pianist's sole 1970s album. Remastered and lacquered by Bernie Grundman. Now-Again presents the definitive Tribe Records reissues. Deep, spiritual jazz of the highest order. The Tribe label, one of the brightest lights of America's 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards tow…
Concrete Island, music by The Heartwood Institute & Hawksmoor. 'Our collaboration was initiated in February 2020, on the cusp of what would become a historically fateful year. We began with no rules and by sharing files, which could range from a modular loop to a bass line, melody or rhythm track, or something more realised that needed a fresh pair of ears to deconstruct and re-work it. Eventually something cohesive began to take shape. It wasn’t always an easy listen and frequently the results …
*Edition with 20 pages booklet and poster* 'Often referred by the title Free Electric Sound, Gila's debut is an amazing work, full of acid guitar freakouts, spacy organ and mellotron, exotic rhythm structures, and loads of electronic effects to fully realize the psychedelic visions. From the Floyd-ian space rock of the first two tracks the record moves into even stranger realms on the four segued pieces that make up the second side of the original vinyl. "Kollaps" starts off with ritualistic dru…
Saved from the dust of time, here is a truly rare and obscure piece of vinyl by one of the most enigmatic bands in the whole history of British Progressive Jazz. Originally released in 200 copies in 1973 and reissued here for the first time, Quincicasm's only release stands as a brilliant document of the 70's British underground electric jazz scene. Somewhere at the crossing of open form jazz and art rock explorations.
Ken Eley - saxophone, Dick Pearce - flugelhorn, Julian Marshall -vibraphone. …
Absolutely recommended. Photographs by Roberto Masotti, texts by Carlo Maria Cella, Silvia Lelli, Luca Scarlini. This is the third volume dedicated to musicians-composers that Masotti has collected for and with the publisher Seipersei after those dedicated to Keith Jarrett and John Cage. The one on Battiato shows a panorama of photographs that starts in 1973 with a service made in Bologna in the studio and on location commissioned by the Bla Bla label by Pino Massara and followed by a whole seri…
*Edition with 44 pages booklet. In process of stocking* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar we…
*20 pages booklet edition. In proces of stocking* 'The band began in 1974 in Hagen but unfortunately this excelent album was emerged only in 1978, when progressive rock was not more in "fashion". Then this first work is sadly also the last. A similar problem that happened with Locanda delle Fate and his masterpiece "Forse Le Lucciole Non Si Amano Più". Since then Albatros is almost completely forgotten until Garden of Delights reintroduce this gem to prog fans in general and kraurock fans in par…
* Edition with 68-page (!) booklet * Electrip was released in 1969, the same year as the Amon Düül II's Phallus Dei and CAN's Monster Movie, which makes Electrip one of the very first albums to fall within the genre of Krautrock. The band successfully draw from an incredibly diverse list of contemporaries to create their astonishing sound. Album opener "Electric Fun Fair" and it's successor "Pop Games" are heavily jazz inspired, and bring to mind some not so subtle Miles Davis influences as well…
The long-overdue first reissue of two super rare grooves from Armando Trovajoli’s score to Sessomatto, one is a super-sexy afro-funk track featuring legendary vocals by Edda Dell’Orso, the other a wild and fun electronic samba.