Reissues
The Gap
**numbered edition of 25 copies** Silvia Kastel is an electronic artist and underground chanteuse from Puglia, Italy, currently living in Berlin, Germany. Since 2009 she has released several albums with her (now ex-) group Control Unit, albums in collaboration with Smegma and Factrix, as well as releasing a couple of solo albums. The Gap was previously released on cassette in 2016 on the German Label Noisekölln Tapes and is now for the first time released on vinyl as a full LP by Des Astres d’Or…
The Flower and The Vessel
Double LP version. Printed artwork on inner and outer reverse-board jackets. French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms -- how even the quietest creative act ripples outward, a whisper with no fixed meaning. The Flower And The Vessel pursues this notion in a more literal fashion, as it was crafted while pregnant on tour. She describes it as "a record not about being pregnant but a record made with p…
Kshatrya (The Eye of the Bird) LP
Small repress available. LP version. Transversales Disques presents Kshatrya (The Eye Of The Bird), a never released before recording by French avant-garde electronic composer Igor Wakhevitch. Wakhevitch composed a bunch of major experimental albums in the '70s, such as Logos (1970), Docteur Faust (1971), Hathor (1972), Les Fous D'or (1975), Nagual (1977), and Let's Start (1979). During this 10-year period, Wakhevitch was close to Jean-Michel Jarre, Pink Floyd, Soft Machine, and legendary choreo…
Wahdon
Wewantsounds continues to pursue its exploration of great Lebanese music with the reissue of Wahdon, released in 1978 by legendary Middle Eastern diva Fairuz. The album includes the Lebanese dancefloor cult classic, Al Bostah. 1978 was a turning point for the Lebanese singer: the '70s had seen her rise as an international star, playing sold out concerts in the US and in Europe, and appearing on national TV in France. She had had a long-lasting artistic collaboration with her husband Assi Rahbani…
Step!
Le Très Jazz Club present the first reissue of Naosuke Miyamoto Sextet's Step!, originally released in 1973. A fantastic modal jazz LP, led by Naosuke Myamoto on bass, with Masayoshi Yoneda on the piano and Takashi Goto on saxophone. On One For Trane, the group delivers a strong and amazing moment of spiritual jazz. Also features Kunji Shigi (trumpet), Takashi Furuya and Shoji Nakayama (drums). Produced by Takeshi Jujii. Recorded on August 25, 1973. Le Très Jazz Club keeps on exploring the Three…
Physical Structure
Le Très Jazz Club keeps on exploring Japanese jazz and the Three Blind Mice catalog with the reissue of this amazing 1976 record by drummer George Otsuka. Unavailable for more than forty years, the album is released for the first time outside of Japan. Physical Structure is an amazing jazz-fusion record featuring Fumio Karashima on piano and Fender Rhodes and Shozo Sasaki on tenor sax. Check the surprising and sublime cover of Naima which alone justifies to get this record! Personell list: Georg…
Earthly Delights
Earthly Delights is a forgotten 1978 free-jazz masterpiece by bass player, composer and improviser David Wertman, alongside his Sun Ensemble. Born in 1952 and raised in Queens NY, Wertman’s distinctive upright playing style was entirely self-taught. He cut his teeth in the notorious New York Jazz lofts, jamming for hours and hours with the likes of Billy Bang, Arthur Blythe, Marion Brown, Steve Reid, Dave Pike, William Parker, Brandon Ross and Charles Tyler to name but a few. Earthly Delights is…
Eastern Standard Time
Following hard on the heels of BBE delving into the archives of Detroit’s Strata Records and delivering their widely acclaimed and hugely in-demand exploration of J Jazz, comes another crate digger’s delight - Ralph Thomas' Eastern Standard Time, which dropped in the USA back in 1980, on the obscure Zebra Jazz imprint. LA based DJ, producer and music supervisor Mathieu Schreyer discovered this gem for BBE. This is the is the kind of “spiritual’ jazz gem that appears on YouTube and upon checking …
J Jazz: Deep Modern Jazz from Japan 1969-1984
In the years following World War Two, Japan developed one of the most insatiable, dynamic and diverse markets for jazz. For a crucial period of little over a decade – from the late 1960s to the early 1980s – Japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. This amazing journey is explored on J Jazz: Deep Modern Jazz from Jap…
Orientasie / Largo
Along with the due reissue of the Baroque Jazz Trio homonymous album, Souffle Continu Records present a reissue of the group's one and only single which has reached a cult status among the Jazz connoisseurs and collectors. Alongside Alfred Panou & the Art Ensemble of Chicago's Je Suis Un Sauvage (FFL 055EP), Baroque Jazz Trio's Orientasie / Largo is probably one of the hardest-to-find EPs on Saravah. Hitting #2 on Jazzman Records European Jazz 45s top 10 list, this is the finest fusion between f…
Humlebier
"This cassette contains different versions of a kind of static music consisting of humming sound formations. Various parts are combined in constantly different ways and activated or paused at a slowly changing pace. The three versions have different tempos with different characters ensuing. Simple looped motifs repeating themselves form the basis. Some of these are capable of modifying the pitch of each other. I have acted as a musician playing the computer sequencer by changing tempo, allowing …
In the Woods
On Rimarimba’s 1985 album In The Woods, Robert Cox has made his music kit, an odd assortment of new and old technologies, lately fixated on the digital delay, and programming technologies, sing his own song at its most articulate clip. The songs seem more developed, fluent, like mini-suites in some sense. By his third album, it’s clear Cox has recognised just how liberating technology can be – “All these intricate layers of things that I was trying to play, and didn’t have the musical ability to…
Les Archives
Les Archives is composed, arranged, and produced by the elusive Japanese artist June Chikuma. While Freedom To Spend’s reinvented edition bares little visual evidence of its origins in the composer’s name, title, or sleeve design, the album, a whooping gonzo of synthesizers, samplers, drum machines, and a mysterious string quartet, remains as vibrant now as it did when released on Toru Hatano’s Picture Label as Divertimento in 1986. In fact, the music of Les Archives now glows with a different p…
On Dry Land
For Rimarimba’s 1984 album On Dry Land, Robert Cox advances along the terrain explored on Below The Horizon. It’s an enchanting album, one which, at times, seems to comment on its own practice; a picture of everyday life in the hobbyist’s, or part-time musician’s, recording studio. Some moments point towards the tourist-explorer aesthetic that would eventually coalesce under the banner of Fourth World music. Other moments where Cox seems to be channelling an otherness, a kind of hauntological re…
Achwghâ Ney Wodei
**300 copies** Achwghâ Ney Wodei was a quartet of François Boitière (drums, keyboards, vocals), Didier ‘Higgins’ Copp (bass, percussion, vocals), Eric ‘Riton’ Sterenfield (guitar, keyboards, percussion, vocals) and Phillippe ‘Wodi’ Royer (percussion, trumpet, bass, vocals). They released a cassette for the French label V.I.S.A. and later, in 1987, a triple 12″ for New International Recordings, a short-lived label by Simon Crab, of Bourbonese Qualk (maybe that should serve as an explanation?). Th…
Womens Work
**in process of restock** Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating …
New American Songbooks Volume 2
After the stunning success of last year's New American Songbooks, Volume 1,
Sound American is proud to present another chapter in their attempt to
find new points of view on the concept of the American Songbook. Last year's release found three distinctive voices--Mary Halvorson, Ron
Miles, and Greg Saunier--working together to arrange works from mass
media. Their collaboration, only a few days in total, culminated in a
recording that felt equal parts wild and warm; intimate and
revolutiona…
Sound American no. 21
The 127-page book was designed by Remake Design (who also created the now iconic Donald Judd: Writings book) and features words by or about Jeremy Toussaint-Baptiste, Ornette Coleman, Nicole Kaack, Bradford Bailey, G. Lucas Crane, Jennie Gottschalk, Ambrose Akinmusire, Mats Gustafsson, Peter Margasak, Terry Riley, Kim Brandt, John Cage, Josh Sinton, Edgard Varése, Marc Hannaford, John Zorn, Matthew Mehlan, Million Tongues Festival, Alex Mincek, Lester St. Louis, and Steve Lehman. Each book is th…
Sounding / Way
Pauline Oliveros and Guy Klucevsek's Sounding / Way was originally released on cassette in 1986 and has been out of print ever since. This LP was cut by John Golden and pressed at RTI in order to achieve a quiet, dynamic pressing. The Sounding / Way concept was simple: each artist would write a piece for two accordions and then they would perform them together. Thus, side A contains Guy Klucevsek's Tremolo No. 6 performed by Guy Klucevsek and Pauline Oliveros. Side B contains Pauline's compositi…
... Is Eternal Life
Drummer, composer and poet William Hooker has been a tireless force in free improvised music for over 40 years. He emerged from New York's loft jazz scene in the mid-'70s, part of a generation of artists fueled by the social, political and cultural frustrations of their era. This second wave of American free jazz would push relentlessly into new territories – collaborating in a variety of non-traditional settings, establishing their own labels, venues, etc. – all in an effort at creative self-de…