Esplendor Geométrico was a pioneer in the noise world and this record is one of his most edgy and advanced works of all. It is noisy, gauzy, confrontational and frankly weird for the way it mangles synths, layers up distortion and contorts vocals into dark apparitions and paranoid sound worlds. This is the first and only legitimate reissue of Necrosis en la Poya which was initially only pressed in very small quantities after an enigmatic fan decided to help out and stump up the funds. The artwork is as iconic and disturbing as the music itself and the DIY, experimental nature of the music still arrests your attention all these years later.