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Previously unreleased recordings from the French band Temple Sun recorded in 1976-78. This band has existed in the 70s in the southern region of France, a
unique single was released on the Kiosque DOrphée Label in 1979,
concerts with Magma, Ange, Wapassou…. Here is
the LP with songs and improvisations (Sun Ra & Alice Coltrane style, Soft
Machine, Santana & more…) recorded in 1976 to 1979, edition of
500 copies.
Reissue of an obscure 1978 LP in Ash-Ra Tempel/Stooges vein. The tracks forming Tötenköpfs first album were composed between 1970 and 1976 by the Frenchman Bruno Rooke. Eventually, they have been put to tape (in gogolphonic sound) during his stay in Karlstad (Sweden) in February-March 1978. Rooke (vocals, drums, keyboards, percussions) recorded with the help of his cousin Erland Malberg (bass, guitar, effects) and a friend of the latter, Mats Meyer-Lie (guitar, tapes, violin), a chaotic album ti…
A vinyl reissue of an industrial/electronic tape release from 1989 by members of Urbain Autopsy. The album includes a cover of 'Nag Nag Nag' by Cabaret Voltaire. A duo born after the separation of URBAIN
AUTOPSY. Created in 1989 by Overload System (Pascal Jeannet) to the
sampler and Chris.P. (Christophe Mielle) on vocals, it was to develop a
radical and innovative musical project. They will be joined by Fiflo (Ex
Ausweis keyboard) on bass then by Peewee (Ex Flitox drummer) who will
replace …
** Edition of 300**A new chapter in a series of unreleased concerts from the 90s recorded in Japan by Chap-Chap Records, acquired by NoBusiness to bring them to light; this incredible live album, recorded at a concert in Yamaguchi, in March of 1994. Those in the know, free/jazz freaks worldwide, should know of drummer Sabu Toyozumi from his work with Peter Brotzmann, Derek Bailey, Misha Mengelberg and Haino Keiji - here setting up a continuum made of reverberations from cymbals, hi hat and misce…
Two giants of improvised music Barry Guy and Gerry Hemingway joining pianist/composer Simon Nabatov, for a concert recorded live in Loft, Cologne, Germany on 30-31st October. Simon Nabatov - piano, Barry Guy - double bass Gerry Hemingway - drums, marimba
Lovely live album that collects material recorded during Howard Riley 1976 tour in the US (taken from concerts held in New York and Buffalo, in the fall of that year). A work of deep musical contemplation, freedom and lyricism.
Completely wonderful album from pianist Dave Burrell and reedman genius Marion Brown on alto. Recorded at the Black Musicians’ Conference, University of Massachusetts Amherst, Massachusetts, 10th April, 1981.
** Holy-grail spiritual jazz, available again as an LP for the first time. Another key document of the Los Angeles radical jazz underground** Outernational Sounds proudly presents a Nimbus West spirit jazz essential: the Creative Arts Ensemble’s classic debut One Step Out. Mastered at 45rpm on double vinyl for enhanced sound, this release features all tracks at full length for the first time on wax.One of the most sought after and highly regarded titles to have appeared on Tom Albach’s celebrate…
** Issued on vinyl for the first time, Outernational Sounds proudly presents a monumental spirit music document from the Los Angeles underground** The saxophonist Jesse Sharps took over from Arthur Blythe as leader of Horace Tapscott’s Pan-Afrikan People’s Arkestra. ‘He became the Ark leader…he was hardcore,’ the pianist recalls. ‘They’d all be quiet and listen to him when he talked.’ This was the period of such classic PAPA recordings as Flight 17, Live At IUCC and The Call; lit up by the funky…
At the junction of art and science, Life Extreme intends to present new living beings created by man, beings no longer produced solely by “nature”. This poetic proposition takes the form of a guide to new lives among the most astonishing that have appeared at the beginning of the Twenty-first century.Artist Eduardo Kac, a pioneer of bio-art, and Avital Ronell exchanges on very controversial questions inspired by scientific actuality in the biotechnological field, challenging the limits of what's…
A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.Born Chaïm Moshe Palestine in Brooklyn, 1947, Charlemagne Palestine joined as a child the Stanley Sapir Jewish choir to low…
A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.Tony Conrad, who can be described as an artist, composer, musician, filmmaker, and performer, might be considered the first true “crossover artist.” For the exhibition at the Kunsthalle Wien, Conrad built a replica of a jail cell that wa…
In alphabetical order is a facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book - one of very few of Carrion's entire practice - the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions: “This book of mine is partly real facts and partly fantasy. The real fact is that…
In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title. His attitude to poetry precluded, to a certain extent, his book The new art of making books: “The text of a book in the new art can be a novel as well …
(the drum) is one of Ulises Carrión’s early linguistic exercises in English, originally handwritten in black ink in 1972. The artist fragments the names of musical instruments to express a sound. His attitude to poetry precluded, to a certain extent, his book The new art of making books: “The text of a book in the new art can be a novel as well as a single word, sonnets as well as jokes, love letters as well as weather reports.-5Ulises Carrión (1941-1989) is one of the most important figures of …
Corbett Vs. Dempsey presents a reissue of Joe McPhee's Nation Time, originally issued in 1971. It's been nearly five decades since McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time, his second LP. It was December 1970; thirty-one-year-old McPhee was inspired by Amiri Baraka's poem It's Nation Time, and the students at Vassar College didn't know what hit them. "What time is it?", shouted McPhee. "Come on, you can do better than that. What time is …
Corbett vs. Dempsey presents a reissue of Misha Mengelberg's Groupcomposing, recorded in 1970 and originally released in 1978. Comprised of a one-time international free music supergroup, and originally released as the sixth production on pianist Mengelberg and drummer Han Bennink's ICP label, Groupcomposing has been largely absent from the history books. This is the case because the record has been so unavailable, certainly not as a comment on the magnitude and magnificence of the music. With i…
Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on …
It's easy to be cynical these days, maybe difficult to imagine that music can change the world, but not for Joe McPhee and Hamid Drake. With Keep Going, they will make the planet a better place for humanity, a place to be humane, to preserve humankind. At 78 years old, Poughkeepsie multi-instrumentalist McPhee is a national treasure, and he's making more music than ever before, pushing himself to tour incessantly, issuing astonishing new records at a fierce rate. But this release, with legendary…
Some recordings, the world is just not ready for them when they're made. In 2008, Swedish born, Austrian resident saxophonist Mats Gustafsson and Poughkeepsie, New York multi-instrumentalist Joe McPhee made a suite of studio recordings, Brace For Impact that they loved so much they immediately culled, mixed, and mastered them. A decade later, when the original label for which they were planned had not yet issued them, Gustafsson and McPhee offered them to Corbett Vs. Dempsey, and when the label …