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Few albums define a genre as succinctly as Simon Finn’s Pass The Distance does for psychedelic folk. Not even landmark recordings by Pearls Before Swine or Skip Spence can stand up to the sheer madness of Finn’s sole LP, originally released in 1970. After moving to London in 1967, Finn busked around town for a couple years before entering Camden’s Chalk Farm Studios, best known for producing a string of reggae hits. Pass The Distance, however, would become more than a solo-acoustic project. Back…
2017 Release. LP version. Gatefold sleeve. Wewantsounds present a reissue of Buddy Terry's Awareness, originally released in 1971. Following the highly-acclaimed release of theHarold Land's 1971 album A New Shade Of Blue. Awareness was Buddy Terry's first album for Mainstream Records, one of the three he recorded for Bob Shad's label. This is pure, undiluted spiritual jazz that is both deep and funky. Prior to the release of Awareness, Terry had recorded a couple of soul jazz albums for Prestige…
At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …
Le Raccourci is a welcome introduction to the world of Sebastian Gandera.
The impressionist landscapes of a sensitive soul self-reflecting, these
miniature compositions alternate across a rudimentary set up of piano,
field recorder, sampler and four-track recorder, melancholic utterings
hastily captured some 100km east of Paris. Classically trained by the
same teacher as his parents, Gandera first began recording in the
confines of his university dorm room, inspired by a C60 from friend an…
Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur Russell, Ellen Fullman, Peter Zummo, Philip Corner and Arnold Dreyblatt, as well as devoting years to the preservation of Julius Eastman’s legacy since his death in 1990. Mary Jane's vinyl debut 'Pipe Dreams' arrived last year via the Blume imprint a…
** Limited Edition of 200 copies. This is the second album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Here’s the *real* Santana! This is a vibrant and exciting album – a lively document of early free music. Drummer Pierre Favre was interested in space and jagged rhythms at the time, with Irene Schweizer adding creative lyricism and Peter Kowald’s fat bass lines pulsing…
** Edition of 300 copies. All handmade sleeve in full coloured papers tipped on. Colour lined inner. Japanese obi With full colour insert ** For more than three decades, Andrew Chalk has been quietly defining the outer reaches of the British electronic music - as much an anomaly as a snapshot of his generation’s ideas and arching concerns.Singular in its vision - an illumination of rewards gained by pluming the unknown, his work, stretching across dozens of releases, treads its own path - a remi…
** Edition of 300 copies only. All handmade sleeve in full coloured papers tipped on. Colour lined inner. Japanese obi With full colour insert ** Elodie’s sublime second album presented on vinyl for the first time. Originally issued on CD in 2011 ‘La Lumiere Parfumee’ finds Andrew Chalk and Timo Van Luijk’s duo hovering into the languid, spectral forms that have charmed us ever since. Impossibly delicate and floaty, ‘La Lumiere Parfumee’ is a like a slow motion, weightless ballet written for ke…
Dark Companion come up roses again with dazzling, never-before-heard haunting compositions and songs by Jeanette Sollén, compiled from her archive specifically for this album. 300 individually handnumbered transparent emerald green audiophile vinyl. "My first recordings were on an old tape recorder in my childhood bedroom. I spent a lot of time with that machine. Listening to the radio and pressing the green and red buttons when something I liked came on. And I seemed to have liked a lot. One ta…
Some of the most gorgeous, little heard DIY music of the early ‘80s finally surfaces with Rimarimba’s ‘Below The Horizon’, the first in Freedom To Spend’s reissue series of work by Suffolk, UK’s Robert Cox - all massively recommended to followers of Colin Potter, Woo, General Strike, Konrad Sprenger and homespun electro-acoustic music of all stripes! Committing its first appearance on vinyl, ‘Below The Horizon’ documents Robert Cox in freehand exploration of his modestly built, four-octave Marim…
Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own tr…
Miles Davis' 1974 album Get Up With It is a collection of tracks recorded between 1970 and 1974. Released as a double LP, it was Davis' last studio album before five years of retirement from music. He Loved Him Madly was recorded by Davis as his tribute to then-recently deceased Duke Ellington, who used to tell his audiences I love you madly. English musician Brian Eno cited it as a lasting influence on his own work.This album is an essential. An overlooked classic of Psychedelic Soul, represent…
"Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of In a Silent Way, it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not ev…
An outstanding lbirary CD (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …
O YAMA O explores a certain domestic and democratic quality of everyday life, born through associations to folk music of Japan and a folding of myth, tradition, and routine; the non-spectacular and the sublime. Formed of musician and artist Rie Nakajima and Cafe OTO co-founder Keiko Yamamoto, the group has performed since 2014 at venues and festivals such as noshowspace, Ikon Gallery, Wysing Arts Centre, Supernormal, Borealis Festival, Mayhem, and allEars Festival.Nakajima’s performance often fo…
Mana is pleased to finally present Pomegranates by Nicolas Jaar as a double LP, with new mastering by D&M. The sleeve is designed by David Rudnick, with labels by Stéphane Jourdan and a new insert created by Jaar collaborator and friend Maziyar Pahlevan. Longer and slower-releasing than his other albums, Pomegranates often parallels the cinematic epic on which it's based (Նռան գույնը), with ideas pursued over long timelines and across dark landscapes, assembling elements and moods from the aest…
**small repress available** Gamelan and Capoeira in dub. The collective behind this doesn't like to talk much but their music is beautifully conversational. De Leon is the most organic and percussive of their shifting identities, developed on their Aught project in small-run, clear-shell cassette tape releases over the last few years. They've appreciated a cult interest for their takes on outernational rhythm, field recording, and the tension and relief on the knife-edge of dance music; all deli…
Song Cycle Records present a reissue of Strategic Structures by Robert Rauschenberg, Kat Epple, and Bob Stohl, originally released in 1989. Available for the first time on vinyl, this is powerful instrumental music performed by the three on electronics, and a series of musical metal sculptures called "Strategic Structures". The sounds range from other-worldly, foreboding resonant tones, to angelic, celestial timbres. These spontaneous compositions were created and performed live, with no overdub…
The histrionic Swedish artist Isak Sundström (Pascal and Skriet) embraces the fascinating sound world of the "spoken word", infusing new expressive perspectives to this genre with original sensitivity. These five vocal dramas are based on the subtitles of some films by Douglas Kirk, texts that describe the sound effects and events that occur outside the screen. But the result is rather that of a new dissolved narrative, of another space that explores the boundaries of emotional imagination. In t…
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only. Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxop…