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LP version. Bureau B present a reissue of Rolf Trostel's second album Two Faces, originally released in 1982. While Inselmusik(BB 230CD/LP), released the previous year, was intended as a basis for live performance, Trostel composed and produced the five instrumental tracks on Two Faces exclusively for this album. The music is clearly a product of the Berlin School, yet it is more sophisticated and varied than its predecessor. Some new additions to Trostel's instrument collection are audible. Whi…
LP version. Bureau B present a reissue of Adelbert Von Deyen's debut album Sternzeit, originally released in 1978. Adelbert Von Deyen is a protagonist of the so-called Berlin School (Berliner Schule) of electronic music. On his debut album, he takes his time to develop sound structures, often drifting, floating blissfully into tonal interference. The listener also requires time and patience, but will be rewarded with a Zen-like state of contemplation. Adelbert Von Deyen's musical backstory follo…
LP version. Bureau B present a reissue of Michael Bundt's Electri City, originally released in 1980. Having played his way through the 1970s in various rock combos (Medusa, Nine Days' Wonder), Michael Bundt embarked on a solo career in the latter part of the decade, releasing three albums which saw him explore the vast potential of electronic music. Delightfully varied and typical of his willingness to experiment, his music orbits around krautrock, Berlin School electronica, space-futurism and s…
LP version. Bureau B presents a reissue of Sven Grünberg's Hingus, originally released in 1981. Sven Grünberg is a famous musician for film and theatre in Estonia - an old hand in the field of electronic ambient music. In 1974, whilst still a music student, he and Härmo Härm founded Mess, a progressive rock band. Grünberg was the first musician in Estonia to use a synthesizer. The ambient electronica of Hingus (Breath), recorded between 1978 and 1980, was spiced up with prog rock and a nod to th…
LP version. Bureau B reissue Rolf Trostel's Der Prophet (1982). Electronic pop was the musical goal of the Berlin School musician Rolf Trostel on Der Prophet, which was released in the same year as its predecessor Two Faces. Der Prophet is the culmination of this phase of Trostel's oeuvre, which was tightly coupled to the PPG Wave Computer. As on his previous releases, the sonic peculiarities and clanking sounds of wavetable synthesis are emphasized. Yet here they are obviously more interlinked …
LP version. Bureau B present Filmmusik 1, a selection from Conrad Schnitzler's archive. In Conrad Schnitzler's sprawling archive, there are two tapes marked Filmmusik 1975 A and Filmmusik 1980 B. It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality. Filmmusik 1 presents an ini…
LP version. Includes CD. Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been invo…
From 1971 to 1977, Peter Baumann was a member of the legendary Berlin band Tangerine Dream. The group were pioneers of the so called Berliner Schule (Berlin School) which had such a profound impact on electronic music. He produced a number of momentous albums at his Paragon Studio (by the likes of Conrad Schnitzler, Cluster, Hans-Joachim Roedelius) and also enjoyed success as a solo artist. His first two solo works are now being reissued with extensive liner notes and rare photographs. The influ…
Tapete present a reissue of Slapp Happy's Acnalbasac Noom, originally released in 1980. Left-wing intellectual film critic Uwe Nettelbeck, who had good connections to Polydor, had set up his own studio in rural Wümme, disrupting the mainstream with pioneering sounds by the likes of Faust, inventively engineered by the "boffin's boffin", Kurt Graupner. By the time Anthony Moore, one of Nettelbeck's charges, approached his third album in 1972, Polydor's accounting department was fast losing p…
*LP version. 180 gram vinyl. Includes CD. Edition of 500.* Tapete present a reissue of Slapp Happy's Sort Of, originally released in 1972. Left-wing intellectual film critic Uwe Nettelbeck, who had good connections to Polydor, had set up his own studio in rural Wümme, disrupting the mainstream with pioneering sounds by the likes of Faust, inventively engineered by the "boffin's boffin", Kurt Graupner. By the time Anthony Moore, one of Nettelbeck's charges, approached his third album in 1972, Pol…
We Release Whatever The Fuck We Want Records presents the first ever vinyl release of the soundtrack for Hélène Cattet and Bruno Forzani's critically-acclaimed Belgian-French giallo Amer (2009). Filled with superb compositions by Italian movie score legends Ennio Morricone, Stelvio Cipriani, and Bruno Nicolai, all remastered for hardcore audiophile appreciation. Described by The New York Times as "a surreal cinematic tone poem that pays slavering homage to Italian giallo horror films of the 1970…
A sublime bit of Morricone experimental side, all in all this is pure genius! Cinedelic Records present a reissue of Ennio Morricone's soundtrack for the 1968 film Eat It (Mangiala). Even if you find the film Eat It, a film bit too weak-willed of social satire and advertising, the first and last of director Francesco Casaretti, you cannot miss out on the soundtrack from the two-time Academy Award winner Ennio Morricone, composed during his most prolific and experimental period, available for …
After 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, Magie Nere E Segrete Orge Nel Trecento (The Reincarnation Of Isabel) shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to …
Black Truffle present the first vinyl issue of Keiji Haino's Milky Way. Originally released as a limited CD in Japan by the short lived Mom 'N' Dad Productions in 1993, this release documents a blistering live performance recorded in Kyoto in 1973, five years before the formation of the first line-up of Fushitsusha, and eight years before Haino's first solo album. Working with a mysterious set-up including primitive electronics, homemade acoustic instruments, piano and voice, Haino lets loose a …
It will always be difficult to pinpoint where free jazz started, but it´s reasonable to say it was shaped and cultivated in New York in the late 1950s and early 1960s. Albert Ayler and Cecil Taylor were important players, as was Ornette Coleman. Axiom has significant historical importance by being what is quite possibly the first European free jazz record, even if it was not released at the time. Recorded in Copenhagen in October 1963, it should have been Tom Prehn Quartet's debut album for…
Summer of 1990 was glorious. The Legendary Pink Dots entered the studio on a high as The Crushed Velvet Apocalypse seemed to be embraced by a broad audience. Our label Play It Again Sam had been generous with the budget for a new record, and there was a spirit of daring adventure firing up the band. For the first month we pretty much jammed... and Bob captured many of these sessions on a small tape recorder placed in the middle of the studio. Bob had dusted off his sitar, Niels unearthed his mon…
CD edition. Bamboo present a reissue of the debut album by Annette Peacock & Paul Bley, Dual Unity, originally released in 1972. Annette Peacock's legacy may only just be courting recognition proper with the recent retrospective release of her solo debut I'm The One (1972). Hailed as a pioneer and artistic genius by many, her debut album and predecessor to I'm The One captures Peacock in her element alongside husband; Canadian jazz genius Paul Bley. Dual Unity is a landscape of aural vision c…
This long-overdue vinyl reissue of Yoko Ono's seminal, but massively under-appreciated Plastic Ono Band has all the makings of a classic rock nostalgia trip: Ono, John Lennon, Ringo Starr, Klaus Voorman and free-jazz legend Ornette Coleman. All the pieces are here to stir up a dangerous amount of nostalgia. But once the needle drops, the record achieves something exactly perpendicular to nostalgia. Released in 1970, the album not only influenced the approach of other musicians for decades, it …
2010 release. Walter Marchetti is one of the most original and controversial pre-Fluxus authors. In this work he frees all of his sophisticated poeticism. In Terram Utopican includes "J'aimerais jouer avec un piano qui aurait une grosse queue" (1974/75) and "Per la sete dell'orecchio" (1981). The 16-page booklet presents the original score of "J'aimerais jouer," photos of the performances in Milano and at the Venice Biennale, and the reproduction of the original In Terram Utopicam LP layout.…
New 2015 edition!!! Starting from Sterile Records' "Symphony for a Genocide" to Broken Flag's "The Plain Truth", passing through DYS' "Mectpyo Bakterium" and all the records privately issued by M.B. on his Mectpyo Sound (“Menses”, “Neuro habitat”, “Regel”, “Das Testament”, “Endometrio”, “Carcinosi”, “Armaghedon”), plus all the tracks by M.B. from international LP compilations (issued on Bain Total, Broken Flag, Come Organisation, and TRAX), a large selection of tracks from international K7 compi…